Ingested have shared footage of six tracks from a December 2024 in-studio set at The Arch Recording Studios in Southport, UK. You can watch that below.
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Producer Michael Beinhorn Says Red Hot Chili Peppers Singer Anthony Kiedis Is “Tone Deaf”
During a recent Reddit AMA, producer Michael Beinhorn claimed Red Hot Chili Peppers singer Anthony Kiedis is actually “tone deaf.” He made the revelation while discussing “Knock Me Down.”
Beinhorn had the following exchange with a fan regarding the aforementioned song:
Fan: “‘Knock Me Down’ is one of my favourite songs by RHCP. I have a few questions about it. I love your work, my questions come from a place a pure curiosity
How did the members react to the final product? It is their first song like THAT. Melodic, controlled, emotional. It must have been something big for them
I don’t know how else to ask this, sorry. Why did John sing in that song? I know originally it was him and Anthony singing lead vocals, but ‘Knock Me Down’ being a requiem for Hillel, why not only Anthony, the deceased’s best friend?
Why did the long version of ‘Knock Me Down” not make on the album? Was it just too long? Too repetitive? Something else?
I know next to nothing about how to produce or mix an album. I’m sorry (again), but: how does a mistake like almost completely muting Anthony in the final remix happen?”
Michael Beinhorn: “Don’t sweat it, your questions are valid. I’m glad you love ‘Knock Me Down’ so much- it was a major departure from the RHCP sound up till that point. John sang the song (or rather, his voice was louder in the mix) because the song was melodic and Anthony was/is tone-deaf (ie- he can’t hear pitch). At any rate, John essentially wrote the song, including the melody, so it wasn’t entirely inappropriate for him to song it (plus he somewhat idolized Hillel). I might be missing something but I don’t think there’s a longer version of ‘Knock Me Down’ than what’s on the record (of course, this is stuff that happened almost 40 years ago, so I may be forgetting something). As for how the band reacted to the final product…well…I never found out what they thought of the final mix. However, when I finally played Anthony the tracks with the finished guitars on them for the first time (he hadn‘t been to any of the sessions up till then), he freaked out- not in a good way. I think the band kind of disowned the record because of this.”
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Rush’s Geddy Lee On The Possibility Of New Music: “I Suspect Some Music Will Eventually Come Out”
During a recent interview with Music Radar, Rush bassist/vocalist Geddy Lee was asked about the possibility of new material. Notably, he “suspects some music will eventually come out.”
Lee said the following:
“My intent, before we got into this celebration of Rush’s history, was to put some music together. Now, I assumed I would be doing that on my own, not with [guitarist] Alex [Lifeson], but when we started jamming, I started seeing the possibility of doing something with Alex — but all of that went on hold now because there’s too much work.
There’s too much work to do for this tour to even think about that. But if we manage to survive the tour, and go back to Canada and have a rest, who knows what’ll happen, but I suspect some music will eventually come out.
It would be fun to see what [drummer Anika Nilles] can do in a creative situation. Like, that would be fun. But it’s all speculation until it isn’t, so…”
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Jared James Nichols Premieres “Pretend” Music Video
Jared James Nichols has premiered a new song titled “Pretend.” You can find a video for that track below. The single is from his new album, “Louder Than Fate,” which will be released on June 5.
Nichols commented on the single:
“‘Pretend’ hits like a live wire — gritty, pumping drums and guitar chugs that scream on the edge of chaos. Sometimes a relationship is all smoke, no fire; it’s just a borrowed desire.”
He also added the following about the album:
“I’m beyond excited for this record. I’ve been counting down the days until its release like it’s a personal holiday. If the singles are any hint for you, there are plenty of riffs ripping through the speakers like a buzz saw. But going deeper into the record, there are tons of different emotions and sounds that I have yet to explore as a singer/songwriter. I am personally thrilled to share different shades of myself on this record, giving so much more depth and insight to the listener. Get ready for ‘Louder than Fate’.”
“Louder Than Fate” Track Listing:
01. “Let’s Go”
02. “Ghost”
03. “Way Back”
04. “Bending Or Breaking”
05. “Killing Time”
06. “Dust N’ Bones”
07. “Show Me”
08. “Looks Like That Felt Good”
09. “Runnin’ Hot”
10. “Pretend”
11. “Killing Time” (acoustic version) (Japanese bonus track)
12. “The Death Of Love” (digital bonus track) -
Sleep Token Drummer II Signs With Kobalt
Sleep Token drummer II has signed a new deal with music publisher Kobalt. The company will work “to protect and serve the [band’s] songs.”
Kenny McGoff, EVP head of creative UK and GSA, Kobalt, said the following:
“What a privilege to be part of this incredible band that has taken the world by storm, also to be working with Welsh legend Ryan Richards is the best. With so many Sleep Token fans already at Kobalt it’s an honour for us all to protect and serve the songs.”
Melissa Emert-Hutner, Kobalt’s SVP, creative, added:
“Sleep Token are not only an extraordinary band — they are reshaping the sound, feel, and emotional impact of music today. Their live performances are truly immersive experiences, and their albums are beautiful bodies of work that continue to push creative boundaries. Working alongside Ryan Richards throughout this journey has been an exciting privilege, and being part of the world that II has helped build for Sleep Token is genuinely special. I’m deeply grateful that Kenny, the Kobalt team, and I are on this journey together; there is so much more to come!”
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Slipknot Dismiss Cybersquatting Lawsuit Against Slipknot.com
According to Domain Name Wire, Slipknot have dismissed their lawsuit against slipknot.com. The band, who operate under slipknot1.com, initially sought legal action for cybersquatting and pay-for-click advertisements leading fans to counterfeit merch, tickets, and VIP passes.
The filing was made under the Anti-Cybersquatting Consumer Protection Act in an effort to reclaim the domain, which has been held by Slipknot Online Services, Ltd. since 2001. It was filed in rem to target the website directly instead of the owner.
The company showed up to defend the domain and filed a motion to dismiss the case after the band failed to serve a registrant during the allotted time. Slipknot then responded with a voluntary dismissal.
Notably, the dismissal was made without prejudice. As such, Slipknot have the right to bring the issue back up again in the future.
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Fire From The Gods Cancel Three Shows Due To Extreme Weather
Fire From The Gods have cancelled their shows in Haltom City, TX, Oklahoma City, OK, and Tulsa, OK. The concerts were scrapped due to extreme weather.
The group commented:
“Update for Haltom City, OKC and Tulsa Only.
Out of an abundance of caution and desire to keep all of our fans and artists safe, the Promoter and tour have decided to cancel the shows in Haltom City, Oklahoma City and Tulsa due to the extreme winter weather. We were hoping to reschedule but the bands already have a full calendar for the year so at this time it is just not possible. Any online sales will be refunded automatically. We are sorry for the inconvenience and truly appreciate your understanding. Stay safe and warm!
Much love,
FFTG”
Metal Anarchy 
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