Memoriam have announced that they will be releasing their new album “To The End” on March 26. The effort’s first single “Onwards Into Battle” will be released on January 22.
The following was said about the album:
“Marking the beginning of a second trilogy of albums, ‘To The End’ serves as something of a prologue to the first three Memoriam albums. Working backwards and narrating the life story of the leader whose demise was depicted in the first trilogy, the lyrics on the album may play out in a fictional realm, but they incorporate inspiration from real life. A central theme of war is coloured with political fulminations and everyday experiences that combine to create a cohesive and enthralling chronicle.”
The band also commented on the cover art:
“We are really chuffed to be collaborating with Dan [Seagrave], his vision and interpretation of ideas are totally unique and its fantastic to be involved in the creative process with him – seeing the ideas that we have transformed into stunning images that we are proud to have as artwork for our albums. His style is second to none, so much so that using any other artist at this point would seem like a compromise; his attention to detail is incredible. ‘To The End’ is the first album of this trilogy and features the events that led up to the scenes depicted on our first album, ‘For the Fallen’. The art shows the king leading his troops into the last battle in which he was killed. It looks bloody killer.”
“In this moment we’re capturing the dawn of the onslaught of the city; visible from the industrial outskirts, as the forces descend with a pincer movement into the valley, spreading destruction towards their goal. The king character to me at this stage has become something of a creature – beyond human. There is an elemental shift in its DNA and a detachment of its ordinary senses. Held together by earthly materials, I feel its presence brings with it a surrealistic sickness that affects the immediate environment and those who tread within its boundaries.
My aesthetic look of this was to combine the retro military tech of the early 20th century with the memory of renaissance times art. For example, tanks that have bas relief sculpture, and inventions such as the flying wingsuit – a metallic armoured vehicle contraption worn by the foreground figure. There’s less of a literal darkness in the depiction. Here there seems to be a permeating flow of dust particles, like a concocting mist of specular ice and grey concrete. The dawn of a bright day reacting with it, both illuminating and deadly.”