AC/DC, Mötley Crüe, Deftones, Rage Against The Machine, Etc. Releases Set For 2021 Record Store Day

The full list of special releases for this year’s Record Store Day has officially been revealed. The event is scheduled to take place across two days, June 12 and July 17, and you can find a list of rock/metal releases below. The full list is also available HERE.

June 12:

  • AC/DC – “Through The Mists Of Time” / “Witch’s Spell” (12″ picture disc) (limited to 5000) (Columbia Records)
  • Alestorm – “Sunset On The Golden Age” (deluxe edition) (2xLP) (limited to 1000) (Napalm Records)
  • Alkaline Trio – “From Here To Infirmary” (vinyl) (limited to 3000) (Vagrant Records)
  • Anti-Flag – “20/20 Division” (vinyl) (limited to 1500) (Spinefarm)
  • Avatar – “Hunter Gatherer” (2xLP) (limited to 1200) (eOne Music)
  • Beastie Boys – “Aglio E Olio” (vinyl) (limited to 1500) (Capitol)
  • Black Sabbath – “Mob Rules” (picture disc) (limited to 4000) (Warner Records)
  • Black Sabbath – “Heaven & Hell” (picture disc) (limited to 4000) (Warner Records)
  • Def Leppard – “Live In Oxford” (2xLP) (limited to 4000) (Island/Mercury)
  • Deftones – “Digital Bath” (Telefon Tel Aviv version) / “Feiticeira” (Arca remix) (12″ picture disc) (limited to 8500) (Warner)
  • The Doors – “Morrison Hotel Sessions” (2xLP) (limited to 7500) (Elektra)
  • Electric Wizard – “Time To Die” (2xLP) (limited to 3000) (Spinefarm)
  • Escape The Fate – “Chemical Warfare: B-Sides” (vinyl) (limited to 1500) (Better Noise Music)
  • Gruntruck – “Push” (2xLP) (limited to 2500) (Real Gone Music)
  • The Hu – “Sad But True” (Metallica cover) & “Wolf Totem” (7″ picture disc) (limited to 2200) (Better Noise Music)
  • Ihsahn – “After” (2xLP) (limited to 2500) (Spinefarm)
  • Integrity – “Cradle To The Grave” (7″) (limited to 700) (Organized Crime)
  • King’s X – “Tape Head” (vinyl) (limited to 2000) (Svart Records)
  • King’s X – “Please Come Here… Mr. Bulbous” (vinyl) (limited to 2000) (Svart Records)
  • L7 – “The Beauty Process” (25th Anniversary Triple Platinum Edition) (limited to 2300) (Real Gone Music)
  • Lamb Of God – “As The Palaces Burn” (vinyl) (limited to 3500) (Craft Recordings)
  • Mark Lanegan – “Here Comes That Weird Chill (Methamphetamine Blues, Extras And Oddities)” (vinyl) (limited to 3500) (Beggars Banquet)
  • Linkin Park – “Meteora” (2xLP) (limited to 8500) (Warner)
  • Mötley Crüe – “40th Anniversary Cassette Box Set” (feat. “Too Fast For Love“, “Shout At The Devil“, “Theatre Of Pain“, “Girls, Girls, Girls” and “Dr. Feelgood“) (limited to 1750) (Better Noise Music)
  • Motörhead – “St. Valentine’s Day Massacre” (10″ picture disc) (limited to 4000) (Sanctuary Records)
  • Mudhoney/Meat Puppets – “Warning / One Of These Days” (7″) (limited to 2500) (Sub Pop)
  • Negative Approach – “Tied Down Demo” (vinyl) (limited to 1000) (TAANG!)
  • Opeth – “Morningrise” (2xLP) (limited to 3500) (Spinefarm)
  • Orange Goblin – “Eulogy For The Damned” (vinyl) (limited to 2500) (Spinefarm)
  • Pepper – “In With The Gold” (vinyl) (limited to 2100) (Volcom Entertainment)
  • Rage Against The Machine – “The Battle Of Mexico City” (2xLP) (limited to 12350) (Legacy)
  • Joey Ramone – “Don’t Worry About Me” (vinyl) (limited to 2500) (BMG)
  • Michael Schenker Group – “Live In Manchester 1980” (2xLP) (limited to 2500) (Chrysalis Records)
  • Senses Fail – “Let It Enfold You” (vinyl) (limited to 2500) (Vagrant Records)
  • Sigh – “Heir To Despair” (vinyl) (limited to 2500) (Spinefarm)
  • Sleeping With Sirens – “How It Feels To Be Lost (deluxe edition) (2xLP) (limited to 1800) (Sumerian Records)
  • Stryper – “God Damn Evil” (vinyl) (limited to 1200) (Frontier Records)
  • The Sword – “Age Of Winters (15th Anniversary Edition)” (vinyl) (limited to 3000) (Kemado Records)
  • Thrice – “To Be Everywhere Is To Be Nowhere” (vinyl) (limited to 3000)(Vagrant Records)
  • UFO – “Mother Mary/This Kid’s” (10″) (limited to 2500) (Chrysalis Records)
  • Uriah Heep – “The Magician’s Birthday” (vinyl) (limited to 2500) (Sanctuary Records)
  • Triumph – “Allied Forces (40th Anniversary)” (vinyl box set) (limited to 1200) (Round Hill Records)
  • VAST – “Music For People” (vinyl) (limited to 2000) (Real Gone Music)

July 17:

  • All Them Witches – “Live On The Internet” (3xLP) (limited to 2000) (New West Records)
  • Amigo The Devil – “Cover, Demos, Live Versions, B-Sides” (vinyl) (limited to 1500) (Liars Club)
  • Bad Omens – “Live + Unplugged” (2xLP) (limited to 1000) (Sumerian Records)
  • Bush – “Sea Of Memories” (10th Anniversary) (2xLP) (limited to 1800) (eOne Music)
  • Cro-Mags – “The Age Of Quarrel” (vinyl) (limited to 3600) (Rock Hotel/Astor Place)
  • Dio – “God Hates Heavy Metal” (12″ picture disc) (limited to 3500) (BMG)
  • Evanescence – “The Open Door” (2xLP) (limited to 2500) (Craft Recordings)
  • Fallujah – “The Harvest Wombs” (vinyl) (limited to 1000) (Unique Leader)
  • Fear – “The Record” (LP/7″) (limited to 3500) (Run Out Groove)
  • From First To Last – “Dear Diary, My
  • Teenage Angst Has A Body Count” (original mix) (vinyl) (limited to 2000) (Epitaph)
  • God Forbid – “Determination” (vinyl) (limited to 1000) (M-Theory Audio)
  • Green Jellÿ – “333” (vinyl) (limited to 1500) (Say-10 Records)
  • Sammy Hagar & The Circle – “Heavy Metal (Live)” (12″ picture disc) (limited to 2000) (BMG)
  • Hawkwind – “Greasy Truckers Party” (2xLP) (limited to 4500) (Parlophone)
  • (hed)p.e. – “Best Of Suburban Noize Years” (vinyl) (limited to 750) (Regime Music Group/Suburban Noize Records)
  • Judas Priest – “Best Of” (eOne Music) (2xLP) (limited to 2000) (eOne Music)
  • King’s X – “Manic Moonlight” (vinyl) (limited to 2000) (Svart Records)
  • Mastodon – “Fallen Torches” (12″ picture disc) (limited to 6500) (Warner)
  • Pearl Jam – “Alive” (12″ vinyl) (limited to 18500) (Legacy)
  • Pearl Jam – “Alive” (cassette (limited to 6300) (Legacy)
  • Ramones – “Triple J Live At The Wireless Capitol Theatre, Sydney Australia, July 8, 1980” (vinyl) (limited to 6000) (Sire)
  • St. Vincent – “Piggy” (Nine Inch Nails cover) / “Sad But True” (Metallica cover) (7″) (limited to 3200) (Loma Vista Recordings)
  • Soen – “The Undiscovered Lotus” (vinyl) (limited to 1200) (Silver Lining Music)
  • Tad – “Inhaler” (vinyl) (limited to 3000) (Real Gone Music)
  • Tesla – “Mechanical Resonance” (vinyl) (limited to 3000) (LMLR)

[via The PRP]

Original Black Sabbath Drummer Bill Ward Is Working On Autobiography

Original Black Sabbath drummer Bill Ward has revealed that he is currently working on an autobiography. However, the release date is still pending.

Ward said the following about the book on SiriusXM’s “Trunk Nation With Eddie Trunk”:

“It’s not [going to be], like, ‘In 1968 we became famous, and then we did this and then we did that.’ In the book, I’m trying to be as careful about what I’m saying in order not to harm anybody — either the reader or anybody else that I’ve ever made contact with in my life. And right in the front of the book, there’s a great big notice to self, which is do not discriminate or do not say undignified things about your fellows or anything else. So it’s not gonna be a dirt book that puts me right down way below everything else, where the publishers — or some publishers — like it to be. I’m trying to write something that’s dignified.”

He continued:

“There are [things in the book that are] more pinpointed rather than all the other things about rock and roll — things that are, to me, distasteful now. I have grandchildren, so I’m writing it, more or less, for the grandchildren, so they can understand that I worked with some great men, some great players, some great musicians — I’ve worked with so many good musicians. And so far, I still continue to do that. So I hope it’ll be a book about being honorable and being worthwhile to other musicians and to interested readers.”

Ward added that he has also completed work another book, which already has a publisher. On top of that, the drummer is also “writing two or three other books”:

“I write all the time. Some of them are very personalized things. Some of them are sarcastic looks at life.”

[via Blabbermouth]

Bill Ward Admits That He Wouldn’t “Have The Chops” To Perform With Black Sabbath Again

During a recent interview on SiriusXM‘s “Trunk Nation With Eddie Trunk,” former Black Sabbath drummer Bill Ward admitted that he wouldn’t “have the chops” required to tour with the band again. However, he went on to say that he would still be open to recording a new album with the group.

Ward said the following:

“Well, I’m not done with Black Sabbath‘s legacy. [Laughs] I haven’t been done. I was made done, but I’m not done. So, the others might be done, but I’m not. But being realistic about that, as far as touring with Black Sabbath, I don’t have the chops, and I don’t have the ability to drive a band like that on stage. I have to be back to 60 years old to be able to do that.”

“I would love to do a studio album with Sabbath, with all the original members. I’m just saying that — I’m just floating that out there. I haven’t talked to anybody about that or anything else. But I’m not done. So, the other three might be done, and I respect that, but no, I’m not done. I think as long as we all exist [laughs] and we’re still breathing in air, I think we have every possibility of making some great music together.”

He also reiterated that he would only want to work in the studio instead of playing shows:

“I’m being honest. I’ll be 73 next birthday [in May], and I know what kind of energy it takes to drive that band.”

Ward’s comments come after members of Black Sabbath previously claimed that he was not physically fit enough to rejoin the band. However, he later denied those allegations and said that his absence from the group was related to an “unsignable” contract.

[via Blabbermouth]

Tony Iommi Says “There Was Talk Of” A Black Sabbath Biopic

During a recent interview with SPIN, Tony Iommi was asked about the possibility of a Black Sabbath biopic. The guitarist responded with the following:

“Yes, there was talk of it, and I don’t know what happened. It sort of went out the window when all this thing [COVID-19] started. But we were talking about probably 18 months ago, about doing the biopic. I haven’t heard much else.”

Black Sabbath’s Tony Iommi Says He Is “Not At All Happy” About The Unauthorized Release Of “Slapback”

As previously reported, Gary Rees, the stepson of late Black Sabbath keyboardist Geoff Nicholls, recently shared a previously unreleased track, titled “Slapback,” from Black Sabbath’s Ronnie James Dio-era. Now, during an interview on SiriusXM‘s “Trunk Nation With Eddie Trunk,” guitarist Tony Iommi commented on the song and said that he is “not at all happy” about its release.

Iommi said the following:

“I’m not at all happy with [Nicholls’s estate releasing the song] — at all. And it’s left a really bad taste in my mouth. At that point, when we did that, Geoff wasn’t even involved in the band; I hadn’t even got Geoff over at that time. That is actually Ronnie playing bass on that… And that was just in the lounge recorded on a cassette.”

He continued when asked why “Slapback” was never released before:

“We had one or two things that we’d jam around on and play on and stuff, but it [wasn’t] right for the album, so we didn’t put it into shape; we didn’t record it [properly] or anything.”

This news comes after Geezer Butler recently claimed that he played bass on the track.

[via Blabbermouth]

Tony Iommi On The Possibility Of A Black Sabbath Reunion: “I Would Like To Play With The Guys Again. But I Can’t See That Happening”

During an interview with The Mercury News, Tony Iommi was asked about the possibility of a Black Sabbath reunion once again. The guitarist responded by saying that he “would like to play with the guys again. But [he] can’t see that happening.”

Iommi said the following when asked about the possibility of another Black Sabbath tour:

“(Laughs) I wouldn’t think so. But it’s a strange thing with Sabbath — how many times we thought we were with Ozzy, then we had Dio, then back to Ozzy, then Dio again, and then Ian Gillan and Tony Martin and Dio and back to Tony Martin. It’s gone backwards and forwards at different stages. So, you just never know.

I think it’s highly unlikely that we’d get back onstage again. It certainly wouldn’t be touring. We’d only do so many shows, if anything.

I would like to play with the guys again. But I can’t see that happening.

The reason we stopped touring in the first place was basically my fault, because I had to be careful of my health. When you book a tour — and it’s always an 18-month tour — it doesn’t sound a lot when you talk about it at first. But when you get out there, and you are touring, it’s bloody hard work.

And it wasn’t particularly good for my health, because of the blood cancer. So, I said, ‘Look, you know, this should the last tour, I think.’

But I really do miss it. I really miss playing onstage. I miss seeing the audience.”

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Geezer Butler Confirms That “Slapback” Is A Previously Unreleased Black Sabbath Song

As previously reported, Gary Rees, the stepson of late Black Sabbath keyboardist Geoff Nicholls, recently shared what was believed to be a previously unreleased track, titled “Slapback,” from Black Sabbath’s Ronnie James Dio-era. Now, during an interview on SiriusXM‘s “Trunk Nation With Eddie Trunk,” Geezer Butler confirmed that the song was recorded by the band:

“Yeah, that was one of the songs that we did before I left. It’s probably the reason I did leave [Laughs]. It was just one of those songs that didn’t make the grade.”

He also added the following when asked if he played bass on the track:

“Yeah, that was right before I left. It was just a one-off thing. We just jammed it and didn’t think anything more of it. It didn’t really work.”

[via Blabbermouth]

Black Sabbath’s Geezer Butler Claims He Was Using The Devil Horns Hand Gesture Years Before Ronnie James Dio

During a recent appearance on SiriusXM’s “Trunk Nation With Eddie Trunk,” Black Sabbath’s Geezer Butler claimed that he used the devil horns hand gesture years before his late bandmate Ronnie James Dio. The bassist says he has photos of himself using the symbol in 1971 and that he “always used to do it in the breakdown in the song ‘Black Sabbath’.”

Butler said the following:

“I’ve been doing that sign since — I’ve got pictures of me doing it since 1971. And I always used to do it in the breakdown in the song ‘Black Sabbath’ — just before it goes into the fast part at the end, I’d do that sign to the audience. And on the first couple of ‘Heaven And Hell’ tour shows, Ronnie was saying, ‘When I’m going on stage, everybody is doing the peace sign to me, and that’s an Ozzy thing. I feel like I should be doing something back to them.’ He says, ‘What’s that sign that you do in ‘Black Sabbath’?’ And I showed him the devil horns sign. And he started doing it from there and made it famous.”

He continued when aked why he never publicly took credit for the devil horns before:

“I didn’t really think much of it. As I say, I’ve got pictures of me doing it in 1971. And it was just an alternative to Ozzy’s peace signs, I was doing it. And if you look at the ‘Yellow Submarine’ album cover [from THE BEATLES], John Lennon’s cartoon character is doing it, in 1966 or whatever it was. So it’s an old sign. I was just doing it ’cause [English occultist] Aleister Crowley used to do it.”

Butler also claimed that Dio took other things from him:

“There’s a lot of things that he nicked off me that he claimed that he was the originator. But he made it famous, so I didn’t care. The [DIO] album title ‘Sacred Heart’; that’s where I used to go to school. And he called one of his songs ‘One Foot In The Grave’. I jokingly said, ‘We should call the album ‘One Foot In The Grave’.’ And then when he left [SABBATH], he called one of his songs that. He was very naughty about things like that. And when I did an autograph, I’d write ‘Magic’. So Ronnie started writing ‘Magic’ as well. In fact, he called his [DIO] album ‘Magica’. He was very naughty about things like that.”

He added the following when asked if he ever confronted Dio:

“Nah. Only about the devil horn sign.”

UPDATE: Butler has since clarified his comments on Twitter:

[via Blabbermouth]

Previously Unreleased Track From Black Sabbath’s Ronnie James Dio-Era Appears To Have Surfaced Online

Gary Rees, the stepson of late Black Sabbath keyboardist Geoff Nicholls, has shared what appears to be a previously unreleased track from Black Sabbath’s Ronnie James Dio-era. Rees said the following about that:

“This latest upload from the Geoff Nicholls estate I believe is called Slapback from the scrawling on the cassette and the chorus. This is from the same cassette as the Heaven & Hell upload on this channel. It doesn’t sound like a typical Sabbath song if it is them but it does sound like Ronnie James Dio. It must be a cover, any clues? I have no idea about anything I wasn’t there. Everything is speculation. Great tune by the way. Is it Ronnie on bass or ‘a friend from Birmingham’?.”

[via Blabbermouth]

Black Sabbath Stream 7-Inch Mono Edit Of “Lady Evil” And Live Version Of “Die Young” From Deluxe Editions Of “Heaven And Hell” And “Mob Rules”

Black Sabbath are streaming a 7-inch mono edit of “Lady Evil” and a live b-side version of “Die Young.” “Lady Evil” will appear on the new deluxe edition of “Heaven And Hell,” while “Die Young” will appear on the new deluxe edition of “Mob Rules.” Those releases will be available on March 5 and more details on them can be found HERE.