It looks like we are getting closer to an official Ozzfest announcement. The festival recently launched a new countdown timer, which is set to end on November 5. The event will be returning in 2027 with shows planned in the U.S. and Birmingham, UK.
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Elder Announce Rescheduled Dates For Their North American Tour With Blackwater Holylight
Elder have announced the rescheduled dates for their North American tour with Blackwater Holylight. The trek will now take place in April 2027.

Tour Dates:
04/02 Cleveland, OH – The Odeon
04/03 Pittsburgh, PA – Spirit
04/05 Baltimore, MD – Soundstage
04/06 Philadelphia, PA – Underground Arts
04/07 New York, NY – Webster Hall
04/09 Boston, MA – Paradise Rock Club
04/10 Montreal, QC – Theatre Fairmount
04/12 Toronto, ON – Opera House
04/14 Chicago, IL – Metro
04/15 Minneapolis, MN – Fine Line
04/17 Denver, CO – Oriental Theater
04/18 Salt Lake City, UT – Urban Lounge
04/20 San Francisco, CA – Great American Music Hall
04/22 Seattle, WA – Neptune Theatre (no Blackwater Holylight)Elder commented:
“As many of you may already know, a health emergency forced us to cut our recent U.S. and Canadian tour short. We’re happy to announce that all dates from that run have now been rescheduled, along with a handful of new shows.
All tickets from the previous run are still valid.
Chicago and Denver ticket holders, please note we’ve upgraded venues for these shows!
Tickets for all other shows will be on sale Friday, November 6th at 10AM local time (except Cleveland, which will be available from a slightly later date).”
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Currents Announce North American Tour With Vana, Stick To Your Guns, Etc.
Currents have announced a 2027 North American tour. Vana, Stick To Your Guns (most dates), Vanna (select dates), and Dreamwake will serve as support.

Tour Dates:
02/19 Boston, MA – House of Blues (with Vanna) (no Stick To Your Guns)
02/20 Montreal, QC – Mtelus (with Vanna) (no Stick To Your Guns)
02/21 Toronto, ON – History (with Vanna) (no Stick To Your Guns)
02/22 Cleveland, OH – House of Blues
02/24 Detroit, MI – The Fillmore
02/26 Pittsburgh, PA – Stage AE
02/27 Chicago, IL – Riviera Theatre
02/28 Minneapolis, MN – The Fillmore
03/02 Denver, CO – Summit
03/04 Salt Lake City, UT – The Depot
03/05 Las Vegas, NV – Brooklyn Bowl
03/06 Los Angeles, CA – The Wiltern
03/07 San Francisco, CA – Regency
03/09 Tempe, AZ – The Marquee
03/10 Albuquerque, NM – El Rey
03/12 Austin, TX – West River Park
03/13 Dallas, TX – The Bomb Factory
03/14 Houston, TX – House of Blues
03/16 St Petersburg, FL – Jannus Live
03/17 Atlanta, GA – The Masquerade
03/19 Charlotte, NC – The Fillmore
03/20 Philadelphia, PA – Franklin Music Hall
03/21 Wallingford, CT – The Dome at Oakdale -
Atoll Share Music Video For “Weed Witch” Featuring Dan Tucker (Crown Magnetar)
Atoll have premiered a new video for their new song “Weed Witch.” You can check that out below. The track, which features Dan Tucker (Crown Magnetar), is from the band’s new album, “Death Roll Party 9000,” which will be released on January 15.
The group commented:
“‘Weed Witch’ is one of those songs where we wanted to write something that was just absolutely disgusting but still fun. The song is built around a really heavy, slow groove with a bunch of tempo changes, nasty riffs, and huge breakdowns. The drums get pretty wild on this one, constantly switching between grooving, and those slower crushing sections that make you want to punch drywall Kyle style.
The idea behind the song is a ridiculous take on modern internet culture—a goth OnlyFans witch who puts curses on dudes through Cash App and other digital payment platforms. It’s not really about money, it’s just making fun of how weird everything has gotten and how crazy life is right now.
We were super stoked to have Dan Tucker from Crown Magnetar jump on this track. We’ve been fans of his vocals for a long time, and he absolutely killed his part. We were lucky enough to have him be part of the music video we shot in Denver too, which made the whole thing even cooler. Dan is an awesome dude and a monster vocalist, and we couldn’t be happier with how this song came out.
‘Weed Witch’ is definitely one of the heavier, slower songs on ‘Death Roll Party 9000,’ and it’s a perfect example of the kind of weird, chaotic, and heavy stuff we love writing.”

“Death Roll Party 9000” Track Listing:
01. “Swamp Terror Alligator” (feat. Nathan Gearheart of Vehemence)
02. “Weed Witch” (feat. Dan Tucker of Crown Magnetar)
03. “Ninja, Please”
04. “Empty Heads”
05. “Spice Spice Baby”
06. “Par For The Corpse”
07. “The Clowning”
08. “Atomic Sunburn” (feat. Extermination Dismemberment) -
Former Iced Earth Vocalist Stu Block Fires Back After Guitarist Jon Schaffer Calls Him A “Poser”
Last year, Iced Earth’s Jon Schaffer called Stu Block a “poser” after the singer reversed course on his support of the guitarist’s involvement in the January 6, 2021 insurrection at the U.S. Capitol. Now, many months later, Block has officially responded.

Schaffer initially said the following during an appearance on the “Podcast Of The Wicked“:
“Let me just take this opportunity to say, I hope that the fans out there will stop — I mean, my wish is that they would stop hating on Stu and on Hansi [Kürsch]… The guys were pressured. Some guys handled it better, some guys handled it very weak and kind of pathetic. And I think the biggest issue when it comes to Stu is that he made a post [on January 6, 2021] cheering it on and then flipped and that looks like a total poser move. You know what? It is a total poser move, but it’s okay. Forgive him. We did some great work together. I had some of the best times in my life with Stu… I have very precious memories with Stu, so please just forgive him. I forgive him… I really don’t have any ill will. I know [Stu’s] true colors, so that’s a good thing. I’m not interested in hanging out like we did — I have no interest in that — but he’s a part of the band’s history and we did some great stuff together. And I wish him well.”
Block has since fired back:
“I’ve been reflecting on a comment made about me many months ago by someone I once considered a friend, and I think there’s a bigger conversation worth having here.
Calling someone a “poser” is often a sign of immaturity and insecurity because it replaces meaningful conversation with shallow judgment. It suggests that someone believes they have the authority to decide who is authentic, who belongs, and who is worthy of respect.
True confidence doesn’t require questioning someone else’s authenticity to validate your own. When you’re secure in who you are, you don’t need to diminish others for having different beliefs, experiences, or perspectives.
Especially in the metal community, where individuality, rebellion, and freedom of expression have always been celebrated, calling someone a poser is incredibly ironic. You’re essentially demanding conformity within a culture that prides itself on rejecting it.
It’s a weak argument because it isn’t really an argument at all. It’s a label used to dismiss someone without having to engage with what they actually think,have to say, believe, or stand for.
There’s nothing impressive about appointing yourself the gatekeeper of someone else’s identity or integrity. Maturity is understanding that people can walk different paths, change their opinions based off fact , disagree passionately, stand by their own convictions, and still deserve respect.
I don’t need anyone’s approval to validate my authenticity, my contributions, or the years I’ve dedicated to my craft. My work, my character, and my actions speak for themselves.
Authenticity isn’t something you prove by tearing others down. It’s something you demonstrate through your own actions.
And perhaps the greatest irony is that those who spend the most time accusing others of being posers or tearing you down are almost always the very people most concerned with proving how authentic they are. It just seems so desperate and weak.
Real strength is having the courage to stand by your own convictions, even when doing so costs you the approval of others. Weakness is believing that anyone who doesn’t stand beside you must somehow be beneath you.
I have nothing to prove by insulting someone else. I’d rather let my actions, my music, and the way I treat people define who I am.
At the end of the day, respect isn’t about agreeing with everything someone says or does. It’s about having enough maturity to recognize that disagreement doesn’t erase someone’s worth, accomplishments, or integrity.
YOU do not get to define someone else’s authenticity simply because they chose a different path than yours.”
[via Blabbermouth]
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Watch Anthrax’s Joey Belladonna Sing National Anthem At Seattle Seahawks Vs. Chicago Bears Game
On November 2, Anthrax’s Joey Belladonna sang the U.S. national anthem before the Seattle Seahawks vs. Chicago Bears game at Lumen Field in Seattle, WA. You can see footage of that below:
A rockin’ start to Monday Night Football 🤘 @jbelladonna @Anthrax
📺: @ESPNNFL pic.twitter.com/kqrAS7y3AZ
— Seattle Seahawks (@Seahawks) November 3, 2026
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As I Lay Dying Premiere “The Cost To Stay” Video
As I Lay Dying have premiered a new video for their new song “The Cost To Stay.” You can check that out below. The track is from the band’s new self-titled album, which will be released on February 5.
Frontman Tim Lambesis commented:
“‘The Cost To Stay‘ is about realizing that sometimes the life you’re trying so hard to hold together is the very thing you need to leave behind. For a long time, I confused endurance with strength, compromising until I was losing pieces of myself just to avoid conflict.
Eventually, I had to recognize my own part in that cycle and accept that real change meant being willing to start over, even knowing there would be consequences.
From the outside, that can look like everything falling apart. But sometimes walking away is the first step toward building something healthier. That willingness to change, rather than keep repeating the past, is a big part of the perspective behind this new As I Lay Dying album.”
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Meshuggah Announce 40th Anniversary European/UK Tour With Periphery & Vildhjarta
Meshuggah have announced a 40th anniversary European/UK tour. Periphery and Vildhjarta will open.

Tour Dates:
09/29 Copenhagen, DEN – KB Hallen
10/01 Rotterdam, NET – RTM Stage Rotterdam Ahoy
10/02 Cologne, GER – Palladium
10/05 Frankfurt, GER – Jahrhunderthalle
10/06 Esch-sur-Alzette, LUX – Rockhal
10/07 Hamburg, GER – Inselpark Arena
10/09 Berlin, GER – Uber Eats Music Hall
10/10 Warsaw, POL – COS Torwar
10/12 Prague, CZE – Forum Karlin
10/13 Budapest, HUN – Barba Negra
10/14 Vienna, AUT – Gasometer
10/16 Munich, GER – Zenith
10/17 Padova, ITA – Gran Teatro Geox
10/19 Lyon, FRA – Halle Tony Garnier
10/21 Madrid, SPA – Palacio Vistalegre
10/22 Lisbon, POR – Sagres Campo Pequeno
10/24 Paris, FRA – La Seine Musicale
10/27 Dublin, IRE – 3Arena
10/29 Manchester, UK – Aviva Studios
10/30 London, UK – OVO Arena Wembley -
Prong Premiere New Song “New Comission”
Prong have premiered a new song titled “New Comission.” This track is from the band’s new self-titled album, which will be released on November 6. Vocalist/guitarist Tommy Victor commented:
“This is a barn burner, banger thrasher of a song with a huge hook and a ferocious breakdown. It’s got it all!”
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Alestorm Enter The Studio For New Album
Alestorm have officially entered the studio to begin the recording process for their new album. The effort will be titled “Infinite Seas Of Stellar Damnation.”

The band commented:
“Oh wow! Today we entered the studio to start recording our 9th album, which will be called ‘Infinite Seas Of Stellar Damnation!’
We’re recording it at Nahrávací Studio Divadla Na Orlí in Czechia (try saying that while you’re drunk) with our long-time producer Lasse Lammert once again at the helm. It’s got songs called ‘Alcohol And Gnomes’ and ‘The Cult Of Leviathan’ and ‘The Pope’s Gonna Be A Pirate’ and a Jimmy Buffet cover, and a bunch of other long and complicated songs that you inevitably won’t care about.
Like most things in life, it comes out sometime next year, assuming we finish it. I’m sure that won’t be a problem; we’re all great at our instruments and the songs are easy to play. Anyway, that’s all really.
Oh yeah and the last song is another one of those 12+ minute things. And there’s a bunch of bonus tracks too. And there’s some bits in Japanese. Oh and there’s a song called ‘Fuck’ because if we didn’t fill a song with swearing y’all would riot.
More news soon! Bye!”
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