During an interview with Premier Guitar, Deftones’ Stephen Carpenter futher discussed his Type 2 Diabetes diagnosis. According to him, he initially dismissed the symptoms as “old-man life shit.”

The guitarist said the following about dealing with health issues during the “private music” sessions:
“I had no clue what I was going through. I’d just been so out of it for the past four or five years—all the things that go with poor diet and poor exercise, that’s what I experienced.
During the whole writing process, I was just tired, but I was not connecting how I felt to what I was doing. When we went in to start tracking the music, thankfully we got all of our scratch tracks done, because shortly after that, something had got me all messed up. Like, every day, I was just shy of crying from pain that was in my right arm. I couldn’t even move it.
I did what I could to just take care of myself—at least as best as I understood what I was going through. And thankfully, when it was time to actually track my guitar parts, my body was feeling better, and I was able to physically do what I had to do.”
He continued:
“I just thought it was old-man life shit. I was self-medicating, hoping I was doing the right thing, and always hoping things would get better so I wouldn’t have to do any of that. But unfortunately, you can only kick a can so far down the road before you run out of road.”
He went on to say he’s happy he sought help:
“I’m very glad I got help. Type 2 diabetes was affecting me on a number of levels for a long time, and I’m grateful to have that information now and be able to deal with it. I’m also really grateful to everyone else in the band—their positive energy really carried me through that period of time, and really carried us through the making of the album.”
He also added:
“I’ve had two MRIs in the last year, and each time, I found myself thinking, ‘Man, how can I bring a recorder in here and record it?’ The sounds those machines make are so wild. The techs were like, ‘You can listen to music while we’re doing it.’ And I’m like, ‘No—I want to listen to the machine!’”






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