• Watch Metallica’s Kirk Hammett And Robert Trujillo Play Cover Of Rammstein’s “Sonne” In Berlin

    During Metallica’s May 30 show at Olympiastadion in Berlin, Germany, guitarist Kirk Hammett and bassist Robert Trujillo performed a cover of Rammstein’s “Sonne” as part of their “doodle” segment. You can see fan-filmed footage of that below:

  • Knocked Loose Members Push Forward With Their Current Tour Despite Bell’s Palsy And Being Hit By A Car

    Knocked Loose have faced several mishaps amid their current European/UK tour. The trek, which finds the band opening for Metallica and Gojira on a number of dates, has seen frontman Bryan Garris getting diagnosed with Bell’s Palsy, guitarist/vocalist Isaac Hale getting hit by a car, and more. Garris had the following to say about his condition:

    “Thank you to everyone that checked out the new mini doc on the Knocked Loose YouTube channel and thank you to everyone that reached out about my sudden onset of Bells Palsy. I’m doing good, taking care of my self, and resting when I can. The show must go on.”

    Hale also commented on his injury:

    “Tour update got hit by a car yesterday felt bad but got this boba after and it was really good”

  • Five Finger Death Punch Finish New Album

    Five Finger Death Punch have finished their new album. The effort will be released later this year.

    Singer Ivan Moody commented:

    “ALBUM X DONE I used to “celebrate” by drinking myself into oblivion #fuckedup Nowadays, I prefer to #celebrate with @northshoreburger”

    Guitarist Zoltan Bathory also discussed the record during an interview with 93X:

    “This album is a little bit of a reach back to the first three. The first three albums [were] a little bit more aggro… So, yeah, the balance changed a little bit. A little bit more guitars, a tiny bit less drums, less vocals. So we kind of shifted the balance, and that makes it sound a little bit gruffer as well. And we thought, ‘Okay, [‘Eye Of The Storm‘] is the perfect song that will sort of represent what is the new album.’ Of course, there is much, much heavier stuff on there.

    And then we always have a couple of lighter things, because the idea is you wanna give a full picture. If I just gave you 14 really heavy songs, to me, it’s boring. Maybe somebody loves that; I don’t know. To me, this is the same energy going through. I like the roller coasters. And so kind of look at an album like that. You need two, three, four songs that are lighter. You need about four, five mid-tempo — that’s what this is, that mid-range, that middle of the road, for us style-wise, and then you need your barn burners. That’s the one that, when you play that, it activates people’s dental plan in a mosh pit… So, that’s kind of the picture. And then this was sort of at that middle range of what’s coming.”

    He continued when it was mentioned how “Eye Of The Storm” was heavy for a radio single:

    “That’s kind of the weird thing that the metal community doesn’t understand. Like, look, guys, if you want your community to be healthy and big and grow, you’re gonna need bands like Disturbed, Five Finger Death Punch, bands like us, that kind of coast in between, that we have some songs that can live on radio.

    And there’s a limit to that. Again, people are commuting and listening to music. They don’t wanna crash. They go, ‘Oh, what the hell is going on? What is that?’ So from their perspective, it is a heavier song. So when you look at what’s the average on radio, it is a little bit heavier than that. But [it’s gotten a] huge reaction. Everybody’s playing it. That means that the audience is ready for that. Radio audience is accepting it. It’s doing really well. And it also gives the people a kind of a pretty good picture of what’s coming.”

    He also added the following about people accusing the band of being formulaic:

    “[Bands like] Iron Maiden, AC/DC, us, all these bands are progressing. The songs are not the same. People say, ‘Oh, it’s the same thing.’ It isn’t. And the example I’m gonna make, if you’re a beer connoisseur. You’re drinking beer. You can tell the difference between every single sort of ale — you’re a connoisseur. Or a wine connoisseur — you can tell the difference between wine that was produced in Spain or France or America. You know, because you’re a connoisseur.

    So when you’re a person who’s into metal, especially when you have a specific band, for you AC/DC does not sound the same, because you’re a connoisseur of that band. You understand the difference. Or Iron Maiden, or pick all these bands. Somebody as an outsider or a casual listener, just like a casual beer drinker, will go, ‘Oh, it’s just beer.’ Or, ‘It’s just wine.’ They can’t really tell the difference. ‘Oh, it’s the same thing. It’s just wine.’ No, not really.

    So if you’re a fan of this band, then you definitely see the progression. If you’re a casual listener, then I would understand the same way that probably people would say, like, ‘Well, AC/DC, the same riff.’ No, it isn’t, but if you’re a casual listener, then for you it is. So there [is] always also a section of the album where we look at it like, okay, we can sacrifice, so to speak, two, three songs into something more progressive that I wouldn’t have done before. But you can’t do five of those because then now the album completely shifted. So there is this idea of balance. We cook it.”

    “There has to be four, five, six songs [on every album] that are core Five Finger Death Punch. That’s why the fans love us, that’s our sound. We have to deliver that, and that’s where we operate anyway. It’s not something that I go to the studio and say, ‘I have to do this.’ That’s what naturally comes out anyway. That’s how we sound. So that’s gonna be our regular sort of Death Punch sound.

    You have to have, like, five, six, seven songs like that… And then you put, like, three [or] four really heavy [songs] in there, and a couple of ballady stuff in there. And then you have a pretty good even surface of, ‘All right. All the facets of the bands are sort of showcased, and I gave you a record that is not just one tone.’ If I give you a record with 14 super-heavy songs — well, there are bands that do that, and good for them. I’m not a fan of that. I like variation… It’s like a live show, how you put together a live show. Even the songs on the album, what comes after what matters. Just like a live show — you’re not gonna open a show with a ballad.”

    [via Blabbermouth]

  • Drummer Charlie Benante On The Possibility Of New Music From Pantera’s Current Lineup: “I Would Hope, At Some Point.”

    During a recent appearance on the Talk Is Jericho podcast, Charlie Benante expressed interest in recording new music with Pantera. The drummer hopes new material will surface “at some point.”

    Benante said the following when asked if him and guitarist Zakk Wylde can create Pantera-style riffs:

    “Oh, I can do it, no doubt. But I just don’t know yet if that’s where this is going. I would hope, at some point. We’ll see. It’s all up to [vocalist] Philip [Anselmo] and [bassist] Rex [Brown], really, where they wanna take this. Zakk and I are just there for the ride, and [to help], whatever we can do.”

    He also discussed his drumming approach:

    “I guess the thing is that people don’t realize this, but the Anthrax style of drumming, or the drumming in Anthrax, is so busy. Vinnie [Paul Abbott]’s style of playing is so — I call it the meat and potatoes of Pantera, because when Vinnie does something with a bit of flair, it’s, like, ‘Wow, that’s really cool. That’s such a signature lick right there.’ Whether it’s ‘Becoming’ or ‘Cowboys From Hell’, that’s such a Vinnie lick. There’s no way I was gonna replace that with anything that was gonna be too busy. I stuck to exactly what Vinnie did. And I’ve said this many times where the drum configuration is exactly like Vinnie’s, so I can’t go off and play anything else. I’m sticking to his parts. And I think Philip and Rex really respect that. I know they do, because Rex sometimes will close his eyes and it’s like he’s playing with Vinnie. And he said that to me, too. It’s the same thing with Philip. They wanna hear the way they heard it. So I am not coming in and gonna alter it. I’m playing it exactly how they want it.”

    [via Blabbermouth]

  • Scowl Release Remix Of Devo’s “Whip It”

    Scowl have released a new cover/remix of Devo’s “Whip It.” You can check that out below:

  • Eminence Recruit Sepultura Guitarist Andreas Kisser For New Song “Silent March”

    Eminence have recruited Sepultura guitarist Andreas Kisser for a new song titled “Silent March.” You can find a video for that track below. The song, which also features drummer Charles Moreira (Pense, Colid), serves as the title track of the band’s upcoming EP.

    The group commented:

    “’Silent March’ sets the stage: a procession of voiceless bodies, marching under power structures built upon lies, gold, and suffering. Here, faith does not save—it subdues. The image of martyrdom is redefined: no longer spiritual, but industrial. Pain ceases to be symbolic and begins to be produced, replicated, and sustained by machines, false leaders, and silent masses. ‘Silent March’ is a portrait of corrupted faith, blind obedience, and violence transformed into a system. The EP does not speak of hope—it speaks of what happens when hope is sold, distorted, and used as a tool of control.

    The EP is built as a cycle: system, collapse, mutation. There is no clear rupture between these stages—only continuity. The march never stops. The silence is never broken. ‘Silent March’ offers no answers. It exposes structures, questions symbols, and confronts the idea that faith, power, and truth walk hand in hand. Here, there are no kings. There are no gods. Only the constant sound of a humanity marching, in silence, through its own ruin.”

  • Six Feet Under Recruit Drummer Ruston Grosse

    Six Feet Under have recruited drummer Ruston Grosse for their upcoming European tour. He is replacing Marco Pitruzzella, who exited the group.

    Six Feet Under commented:

    “Just wanted to let all Our Fans, Worldwide, know that we are beyond excited to start our European tour this coming week, and kicking off our intense Summer Touring schedule which will last into the Fall and finish up in South America in October/November.

    We also would like you to help us welcoming Our New Drummer!! Ruston Grosse who has previously worked with Master, and others! we have been working together with Ruston for a few months preparing, and formally since the beginning of May after we parted ways with Marco Pitruzzella.

    Everyone in the Band is very excited about this New Chapter of Six Feet Under and the Heavy Groove that Ruston is bringing to the Rhythm Section!! He’s a Brutalizer! and a Great guy..

    We will see you all, from the Stage, SOON!!!”

    Grosse added:

    “Super stoked to be filling in on drums for Six Feet Under this coming June throughout Europe alongside the killers in Embryonic Autopsy.

    We’re gonna be tearing through clubs and festivals across Europe including Hellfest, Graspop, Copenhell, Mystic Festival and more!!!

    Check the dates and see you out there!

    💪🏻WAR⚔️IS💀COMING!🤘🏻”

  • Drift Mothership Premiere New Song “Stranger”

    Drift Mothership have premiered a new song titled “Stranger.” You can check that out below:

  • Persefone Share Their Audiotree Live Session

    Persefone have shared footage of their March 26 session at Audiotree in Chicago, IL. You can check out that in-studio performance and interview below:

  • Soulfly Announce “Tribal Technology” European Tour

    Soulfly will be heading to Europe on the “Tribal Technology” tour this summer. The trek will find the band supporting their latest album “Chama.”

    Tour Dates:

    07/24 Hohenems, AUT – Speedfest
    07/26 Fontaneto, ITA – Phenomenon
    07/27 Cervia, ITA – Rock Planet
    07/29 Sarajevo, BIH – Sloga
    07/31 Transylvania, ROM – Rockstadt Extreme Fest
    08/01 Dolni Vitkovice, CZE – Ostrava V Plamench
    08/02 Vienna, AUT – Szene
    08/03 Berlin, GER – Columbia Theatre
    08/04 Leipzig, GER – Hellraiser
    08/05 Bochum, GER – Matrix
    08/06 Kortrijk, BEL – Alcatraz Festival
    08/08 Nantes, FRA – Le Ferrailleur
    08/11 Freiburg, GER – Jazzkeller
    08/13 Sulingen, GER – Reload Festival
    08/14 Cudrefin, SWI – Rock The Lakes
    08/15 Dinkelsbuhl, GER – Summer Breeze
    08/16 Eindhoven, NET – Dynamo Festival
    08/17 Copenhagen, DEN – Vega
    08/18 Stavanger, NOR – Folken
    08/19 Lund, SWE – Mejeriet
    08/21 Rostock, GER – M.A.U Club
    08/22 Einbeck, GER – Headbanger Festival
    08/24 Poznan, POL – Tama
    08/25 Warsaw, POL – Progresja
    08/26 Krakow, POL – Kwadrat
    08/27 Nitra, SLO – Silzovica Festival
    08/29 Graz, AUT – Metal On The Hill
    08/31 Flensburg, GER – Roxy
    09/01 Lille, FRA – Black Lab