• With A Vengeance Announce New Tracks “Oblivion” And “Bad Boys”

    With A Vengeance, the new band featuring singer Tommy Vext (ex-Bad Wolves), guitarist Chris Cain (ex-Bad Wolves), guitarist Angel Vivaldi, drummer Austin D’Amond (Chimaira), and bassist Xander Raymond Charles, have announced two new tracks, “Oblivion” and “Bad Boys.” “Oblivion” is the band’s next official single and it will arrive on October 2. Prior to that, the group will be sending out “Bad Boys” to mailing list subscribers on August 28.

  • HALF ME Share One-Take Vocal Performance Of “Psalm”

    HALF ME have shared a one-take vocal performance of their new song “Psalm.” You can check that out below. The track is from the band’s new album, “Dogma,” which will be released on October 23.

  • A Lot Like Birds Premiere “Mausoleum” Music Video

    A Lot Like Birds have premiered a new video for their new song “Mausoleum.” The band commented:

    “We are proud to present the second single ‘Mausoleum’ off of our upcoming fifth album! This is the first song we wrote together after reforming in 2024. In hindsight, I think it was our way of reminding ourselves what was fun about making this music when Kurt first joined the band in 2010. When we finished writing it, we all felt this collective sigh of relief like ‘Damn, I had no idea how this would pan out, but the magic really is still here after all these years.’ This track goes all the way back to our roots, but through the eyes of seasoned musicians with decades of industry battle scars. We hope you like it ❤️”

  • Cult Of Luna Premiere New Song “A Way Back”

    Cult Of Luna have premiered a new song titled “A Way Back.” This track is from the band’s new album, “In The Shadow Of Your Shadow,” which will be released on November 6.

  • Devin Townsend: “Since ‘The Moth’ Was Done, I’ve Written About 100 Songs”

    During a new interview with Metal Insider, Devin Townsend offered an update on his plans for new material. According to him, “since ‘The Moth’ was done, [he has] written about 100 songs.”

    Townsend said the following:

    “Since ‘The Moth’ was done, I’ve written about 100 songs, and we’re just in the midst of getting them all going now. I’ve got about five different projects. But as much as that sounds like an indicator of being a workaholic or whatever, I would like to say I got a super-efficient process and an amazing team. So we’re working towards a creative avenue for myself where I just write whatever I feel like whenever I want, and then we work with the Patreon and all these things to afford wages for the rest of the team. So then I could say, for example, ‘Can you get all these sessions set up so that the gain structure’s right and they’re all color coordinated the right way, and we’ve eliminated the break points on the automation. We’ve got two bars in the beginning, and here’s the click, and this is where it’s stored on the Synology Drive,’ or whatever. And then by the time I get back to it, all that legwork and the logistical work that I spent countless years spending most of my day doing is taken care of by somebody who really likes doing that for the first time. So now all of a sudden, my day is much more efficient because then you can focus on your exercise, you can focus on meditation or your family or writing something else or building a shitty chair or whatever your day is, you can do that. And then when I go back to it, I’m in a frame of mind to create, and I don’t have to constantly switch between left brain, right brain to be, like, ‘Here’s the engineer side of me, here’s the producer side of me.’ And we’re just starting that process. But what it yields is just endless potential for creative content. And once we refine that pipeline to the point where everybody’s doing what they’re good at, and then there’s like a way… It’s, like, ‘Okay, so we’ve done this. We send a group text. In this folder, there’s three new ideas. Can you please get them to stage two or whatever?’ It’s a new way of thinking for us, but I think if we’re prioritizing our mental health, our physical health, our spiritual health over productivity, I think that the productivity will increase tenfold because it’s not as precious.

    When I was in my 20s, so much of my self-worth was connected to my ability to produce shit. It’s, like, in absence of productivity, I’m a shitty person or whatever the thing going on at the time was. But by being thrust into a scenario, I was just forced to contend with that stuff. I’m, like, ‘No, I’m not a shitty person.’ And in fact, if I lose my capacity to make music, I’m still going to be me. And there’s all these things — it’s like you can’t unring a bell once you start recognizing those things, at least for me. And then at that point, it’s like, I have to prioritize this now because it’s all connected. And the proof’s in the pudding. When I start integrating those senses of self-compassion or mental, physical, spiritual health into the process, it becomes a representation of the gratitude that I feel for it. It’s not like… It kind of removes a bit of that desperation to be recognized. So when people are saying… I did an interview yesterday, like, ‘Do you realize if you would’ve continued this, how much more successful you would’ve been?’ And my first… I’m just, like, ‘I don’t fucking care at all.’ In fact, fame in general is a scourge. You’ve gotta be able to juxtapose what your intent for your work is versus a true reflection on what your need to do that is. ‘Cause if your need to do that is just to be validated by a bunch of people that you don’t know, I mean, dude, you’re doing that for the rest of your life. So once myself and the team and everybody else here recognizes, like, it’s a balance, and the way that this is really gonna move forward is if we find balance within ourselves and our process and our work life and how much time we spend on this versus how much time we spend taking off. It’s a new way of thinking for us, but I have to say it’s just so much more creatively free.”

    [via Blabbermouth]

  • Evil Island Announce U.S. Shows

    Evil Island (The Blood Brothers, etc.) have announced some U.S. shows. Here’s the dates:

    08/29 Seattle, WA – Linda’s Fest
    09/05 Austin, TX – 13th Floor Anniversary Party
    10/16 Chicago, IL – Lincoln Hall
    10/30 New York, NY – The Bowery Ballroom
    12/12 Los Angeles, CA – Sid The Cat
    12/13 San Diego, CA – Casbah
    12/18 Denver, CO – The Marquis

  • Watch Nightwish’s Floor Jansen Cover Metallica’s “Nothing Else Matters” With Marine Band Of The Royal Netherlands Navy

    On July 2, Floor Jansen (Nightwish) performed with the Marine Band Of The Royal Netherlands Navy during the opening concert of Sail Harlingen in the Vluchthaven of Harlingen, Netherlands. You can see footage of them covering Metallica’s “Nothing Else Matters” during that set below:

  • Primal Fear Plan To Release New Album “Shadow Riders” In April

    Primal Fear are planning to release a new album, titled “Shadow Riders,” in April 2027. Further details regarding the effort are still pending.

    Bassist Mat Sinner told KNAC the following:

    “The [new] album will be released in April [of 2027], but before, as always, we have two singles and videos, and this can start also in January. And, yeah, I’m really looking forward [to putting it out].”

    He confirmed when asked if he can reveal the title:

    “Yes. I tell you. I don’t care. The album is called ‘Shadow Riders’. Dark. Yeah, it’s also a track on the album. Great track. Yeah. Let’s start the buzz.”

    [via Blabbermouth]

  • Late L7 Bassist Jennifer Finch’s Memoir “Shooting Up And Making Out” To Be Released In January

    Before her death, L7’s Jennifer Finch completed work on her new memoir, “Shooting Up And Making Out: A Memoir Of My Life In LA And L7.” The bassist worked on the book with Jeff Alulis and it will be available on January 19 via Da Capo. Pre-order HERE.

    Here’s a synopsis:

    “From Jennifer Finch (1966-2026), the bassist of L7, comes a candid and clear-eyed memoir that stands apart from the rest with its grounded perspective and bracing, edgy wisdom.

    If overcoming obstacles makes for great art, then Jennifer Finch was the consummate artist. She was a recovering addict, a photographer, the co-founder of an influential pro-choice advocacy group, and the bassist for the groundbreaking all-female hard rock group L7. Driven to express herself despite neglect and abuse, Finch carved an artistic path and pulled herself out of a personal hell. This is the story of how she pulled it off and lived an extraordinary life, in her own words.

    Finch was twelve when she dove into LA’s hardcore punk scene, fourteen when she first started shooting heroin, nineteen when she joined her first band with Courtney Love and Kat Bjelland, and in her early twenties when L7 got caught up in the maelstrom of the grunge phenomenon. She shared stages with bands like Pearl Jam and the Red Hot Chili Peppers in between overdosing, dating Dave Grohl, and coping with the tragic, early deaths of some of her closest friends. And she re-defined herself through sobriety, photography, and her courage in the face of a deadly illness.

    Jennifer Finch was a beloved pillar of strength and compassion in LA’s creative community, and her death on July 18th, 2026, was an irreplaceable loss. ‘Shooting Up and Making Out’ was completed just before her illness took hold, and every word of it–hard-hitting, funny, profane, and wise—is what she intended it to be.”

    Alulis commented:

    “Jennifer’s memoir was the last major project she completed before she passed away. She and I worked together for two years to make sure she was happy with every word of it, and with someone as intentional and thoughtful as Jennifer, that was no small task! I’m heartbroken that she won’t get to see it published, but I’m thrilled to share her life and legacy with the world.”

    Ben Schafer, executive editor, Da Capo, added:

    “Da Capo is honored to have a part in Jennifer Finch’s legacy with the publication of ‘Shooting Up And Making Out.’ Completed just before her death, this is the story of Jennifer’s incredible life as she lived and remembered it. She poured her soul into every word. Like her, it is as real as it gets, suffused with hard-earned insight into the human condition, and shot through with tender compassion.”

  • “Heavy Healing” To Receive Digital Release In September

    The new “Heavy Healing” documentary is now set to receive a digital release on September 22. That film explores the healing powers of heavy music.

    The following was said about the documentary:

    “Fans of Heavy Metal, Hardcore Punk and the like have been told since forever, whether by their parents, teachers or religious leaders, that these genres are “not music,” but noise. Each has been labeled as disorderly, violent and detrimental to the physical and mental health of young people.

    Be that as it may, many who have been affected by a wide variety of enervating conditions have come to rely on heavy artists to successfully assist them through the worst of times such as severe illness, weighty medical conditions and mental health challenges.

    New documentary film Heavy Healing seeks to dispel rumors and shine a much-needed bright light on the healing powers of aggressive music. You will hear directly and candidly from artists, fans and industry types – remarkable individuals who have leaned on (or even become) “controversial” music-makers in order to inspire and be inspired through the grueling process of recovery from the likes of cancer, anxiety and depression, strokes, heart attacks, cerebral palsy, blood diseases, diabetes and HIV/AIDS to name a few.

    Appearing in Heavy Healing are Jesse Leach (Killswitch Engage), Lou Koller (Sick of It All), Jaret Reddick (Bowling for Soup), Mike IX Williams (EyeHateGod), Vinnie Stigma (Agnostic Front), Eddie “Sutton” Pomponio (Leeway), Jesse Malin (Heart Attack, D-Generation), Jimi Hazel (24-7 Spyz), Michael Alago (A&R Metallica, White Zombie…), Michael “Kaves” McLeer (Lordz of Brooklyn), Jimmy G. Drescher (Murphy’s Law), Brian “Mitts” Daniels (ex-Madball), Adam Blake (H2O), as well as one of HH’s filmmakers, and the inspiration for this documentary, music business veteran Seth Abrams, among others.”

    Seth Abrams commented:

    “I’ve survived several severe, life-altering medical ordeals. When you strip away the doctors and family and friends’ support, it’s the music that gets you through it all. In my case, I specifically leaned on Suicidal Tendencies’ “You can’t Bring Me Down.” Heavy Healing gives a voice to those who have relied on heavy, aggressive music to recover from any number of things – medical, emotional or both.”

    Heavy Healing director Howie Abrams added:

    “As someone who has worked with underground bands for over four decades, I’ve encountered far too many musicians who are forced to cope with one disorder or another. That said, it’s incredible to see how they’ve been able to rely on the extreme music we grew up with to help them remain motivated and to recover. Our hope with the film is that others can draw just as much inspiration from the music as our interviewees have.”