• letlive. Announce June European/UK Tour

    letlive. have announced a June European/UK tour. Here’s the dates for that run:

    06/04 Gdansk, POL – Mystic Festuval
    06/05 Nurburg, GER – Rock im Park
    06/06 Nuremberg, GER – Rock am Ring
    06/08 Amsterdam, NET – Melkweg
    06/09 Vienna, AUT – Arena
    06/11 Hradec Kralove, CZE – Rock For People
    06/12 Milan, ITA – Legends Club
    06/10-14 Donnington, UK – Download Festival
    06/15 Glasgow, UK – The Garage
    06/16 London, UK – Underworld
    06/17 London, UK – Underworld
    06/19 Dessel, BEL – Graspop Metal Meeting

  • Temple Of Void Premiere New Song “Soulburn”

    Temple Of Void have premiered a new song titled “Soulburn.” This track is from the band’s new album, “The Crawl,” which will be released on March 6.

  • Killswitch Engage Confirmed For 2026 Louder Than Life Festival

    Killswitch Engage have been confirmed for this year’s Louder Than Life festival. That event will be held on September 17-20 at the Kentucky Expo Center in Louisville, KY and it will also feature My Chemical Romance and Iron Maiden. Furher artists will be unveiled in the coming days. The full lineup will be announced on February 23 at 12:00pm EST.

  • Armored Saint To Film New Music Video This Weekend

    Armored Saint will be filming a music video for a track off their upcoming album on February 21. The shoot will take place in Los Angeles, CA. The band put out the following casting call for the clip:

    “LOS ANGELES! Want to be part of the next Armored Saint music video? We’re looking for fans to appear in a storyline for our new video. Some participants look gritty and rough around the edges, some are sharp and upscale, some are mean fighters, some are eccentric or larger than life. Filming this coming Saturday, February 21. Email armoredsaintmusicvideo@gmail.com with a recent photo, along with which dressed look you could arrive as, to be considered.”

  • Sublime Announce More “Me Gusta” Festival Dates

    Sublime will now be bringing their “Me Gusta” festival to three cities. Here’s the dates and lineups:

    05/09 Fort Worth, TX – Panther Island Pavilion:

    Sublime, Slightly Stoopid, Iration, Long Beach Dub Allstars, The Ataris, HR, Codefendants, Jakobs Castle, and Strange Case.

    06/27 Portland, OR – Tom McCall Waterfront Park:

    Sublime, Cypress Hill, The Interrupters, Long Beach Dub All Stars, Codefendants, DIZZYISDEAD, Jakobs Castle, and Strange Case.

    07/18 Salt Lake City, UT – Zions Bank Stadium:

    Sublime, Slightly Stoopid, Pennywise, Long Beach Dub All Stars, The Ataris, Codefendants, Jakobs Castle, and Strange Case.

  • Satan’s Brian Ross To Undergo “Major Life-Saving Preventative Surgery”

    Satan vocalist Brian Ross is set to undergo a “major life-saving preventative surgery.” As such, the band will be postponing all of their dates for 2026.

    The group commented:

    “Fans and friends,

    With a heavy heart, we must announce a break from scheduled performances. Our singer, the inimitable Brian Ross, has just learned that he must have a major, life-saving preventative surgery in April/ May 2026. His recovery will take several months.

    This sadly means that Satan is forced to postpone all planned concerts for 2026, with the exception of this weeks shows in Spain which will go ahead as planned.

    This is not what we wanted, but we trust that you all want Brian to take care of his health, recover fully and come back stronger and more powerful than ever in 2027. Thank you so much for your unwavering love and support!”

  • Skeletal Remains’ Chris Monroy Accused Of Groping Women On 70000 Tons Of Metal Cruise

    Skeletal Remains vocalist/guitarist Chris Monroy has been accused of sexually assaulting people during the recent 70000 Tons Of Metal Cruise cruise. A number of reports said the musician got drunk and groped multiple women on the boat.

    One post said the following [via Reddit]:

    “I’d like to give a big sarcastic shout out to the guitar player of Skeletal Remains for being a total drunk piece of shit who was groping women on the boat. Learn some consent before we ass fuck you next time you come around. Fuck you and your band.”

    A woman named Maddy Raymond also came forward [via Facebook]:

    “Oh and BTW fuck Chris Monroy. He’s a fucking predator and a wasted piece of shit. First hand account. Stop listening to Skeletal Remains period.

    EDIT: Much respect to the rest of the djents in the band for kicking Chris’s ass to the curb in Florida after the boat. I’m proud of you guys for standing up with the rest of our metal family. No one threatens our safe space and good times 🤘💚 I love you all”

    The person who reported Monroy also shared a statement [via Reddit]:

    “Posting here bc privacy versus other social media outlets. I was the one who reported him on the ship. He would not leave me alone after I got off of my volunteer shift and went to the casino bar with one of my best friends. Chris continued to approach me and grab me by the waist on my bare skin. I told him to fuck off multiple times. He would then continue to walk by me and grab me as he was walking by several times.

    “I then sat at the bar with my friend, and he grabbed my cigarette out of my hand and my drink, and began to smoke my cigarette and drink my drink and grab me by the waist at the same time. I was telling him to fuck off extremely loud and he simply would not get the point. People sitting next to us started to notice and asked if we needed security and I said yes I told the bartender also to call security and they never showed up. I then decided to take action the next day and reported it to the higher ups of 70 K because I knew action needed to be taken.

    “It is really upsetting to then hear that his behavior was happening in other instances on the ship and in previous events. Why no one has come forward before me? I’m not sure but there’s tons of video footage of what happened that entire ship has cameras everywhere. As per the security/police team and the information that they told me when they were reviewing my statement, not to mention, that ship also has 75% audio accompanying that footage so if anyone questions this decision made by 70000Tons Of Metal and their decision believe me that it’s official.”

    A number of people claimed Monroy has since been banned from the cruise. However, organizers said the matter was already resolved:

    “Our security team was made aware of a situation during the cruise and promptly interviewed all parties involved to defuse the matter. After reviewing the information available at the time, no further action was warranted.

    70000TONS OF METAL is a very friendly and inclusive environment, and we take the safety and well-being of our guests, crew, and artists extremely seriously. We also have a clear code of conduct that we hold everyone on board to, including guests and musicians alike.”

    [via MetalSucks]

  • Alissa White-Gluz (Ex-Arch Enemy) Recruits Guitarists Alyssa Day And Dani Sophia

    Alissa White-Gluz (ex-Arch Enemy) has recruited guitarists Alyssa Day and Dani Sophia for her solo project. New music is expected to surface soon.

    White-Gluz told Germany’s Metal Hammer the following about her departure from Arch Enemy:

    “It was definitely difficult but change is always a wild mix of fear and excitement. When you spend that many years with something, it becomes a huge part of your life and identity. So making that announcement wasn’t something I took lightly. I had devoted an enormous amount of my creative energy to the project for more than half of my career.

    I really love music and art, I can’t bear to treat it like just another day at the office. That’s why I put so much extra care and intention into every lyric, performance, recording, and visual that I do. I felt a real responsibility to handle the announcement with respect for the fans, for the music, and for myself. Just getting straight to the point felt like the only way to honor my past while also stepping confidently into what comes next.”

    She continued when asked about the reactions she received following the announcement:

    “The fans’ and industry peers’ responses honestly blew me away. There was so much love, encouragement, and genuine support, more than ever before, and it felt incredibly energizing. What really stood out to me was how strongly people connected to the idea of my growth and evolution. It made me feel deeply grateful and also very motivated. It reinforced that the connection we’ve built is strong, and that it naturally carries forward. That is something I have always been focused on in my career: stepping outside of my comfort zone and outside of the box so that I can have artistic freedom without being typecast. That support gave me a lot of confidence and excitement about the future, because I really do believe that art and artists are meant to evolve.”

    She also explained why it was time to go solo:

    “The intention was always there, but I never wanted to rush something that personal or force it into the wrong moment. I knew this project needed the right headspace, focus, and creative freedom to really come alive. Now feels right because there’s real momentum. I have clarity, excitement, and the space to fully commit to it, and everything is aligning creatively. I know what I want to express, I know how I want it to sound and feel, and I’m genuinely energized by the process. This album feels like a natural evolution, something I’ve been building toward for a long time, and that makes this moment feel both exciting and right.”

    She also added the following about Day and Sophia:

    “I’m absolutely thrilled to be collaborating with two incredibly talented guitarists: Alyssa Day and Dani Sophia. So far the music we are making together is exactly what I have always wanted. I feel like they both have such unique playing styles that complement each other to make our collaborative work super heavy, energetic, catchy and evocative at the same time. I really couldn’t be happier and more honored to be working alongside such talented and inspiring musicians. Fans will not have to wait long at all to hear and see what we have been up to.”

  • Nick Barker Working On New Autobiography

    Nick Barker, who is known for his work with Brujeria, Cradle of Filth, Dimmu Borgir, Lock Up, and more, is currently working on an autobiography. This news comes amid his battle with chronic kidney failure.

    Barker told the Pod Scum podcast the following:

    “I’m in the middle of doing [the book] right now.”

    He went on to say the process is “very cathartic”:

    “We focused on my childhood and how I started playing drums, how I got into music,” he explained. “And my high school thrash band, who, we supported a few of the U.K. thrash bands at the time, RE-ANIMATOR and XENTRIX and LAWNMOWER DETH. And then, obviously, my musical taste started to evolve as I grew older. So I got into death metal, and I formed a death metal band. And that was when I was tape trading, in the late ’80s, early ’90s. And that’s how I discovered CRADLE OF FILTH, through the underground, by the demo, ‘Total Fucking Darkness’. And it was at a time when death metal was starting to stagnate. My band was called CATALEPSY, and we had to change the name to MONOLITH. And it was kind of like generic death metal, NAPALM DEATH meets OBITUARY meets ENTOMBED. And we recorded an album called ‘Tales Of The Macabre’ for Cacophonous Records, but it got shelved. And there was eight tracks. And a lot of people now from different record labels are sweating me about it, like, ‘Can we release it? Do you you have the master tapes. We’d like to release the album.’ It’s funny because it’s ironic — that band is more popular now than what it was 30 years ago.”

    Barker also addressed his health:

    “It’s going good. I’m on the slimming pen, the Mounjaro, to help me get the weight off because I’m a foodie. It’s difficult. And when you’re in your fifties, it’s even more difficult. Because of the side effects from renal failure, one of them is chronic fatigue. So, I’m fucked just getting dressed and taking a shower and doing some housework. It knocks the stuffing outta me. But it’s going well. I passed all the pre-surgery assessments, so I’m on the transplant list. It sounds horrible, [but] I’m just waiting for someone to die so I can get the kidney. But I’ve been told I have a rare blood type. I’m type O. And apparently it’s kind of rare; it’s not the usual. And also my wife, she signed up for the paired donor program, which means she’s gonna donate one of her kidneys so I get pushed to the front of the queue.

    I can’t wait to get the transplant so I can really start getting back doing stuff and get my health and build up my stamina again. It’s one day at a time, but I’ve ticked all the boxes, jumped through all the hoops. It’s just a waiting game now. Because I live in Prince George [in Canada], which is in the north of British Columbia, the renal unit is down in Vancouver, so I’ll have to fly down to Vancouver for the operation… I’ve got a weight review at the end of March, because I’ve still gotta drop a little bit of weight, because they have to make an incision in the stomach. And that’s where the concentration is. So I’ve got a weight review in the end of March, and my surgeon, the nephrologist, he’s hoping by the end of the year, things will be good.”

    Barker also added that he is “truly humbled” by those who donated to his GoFundMe:

    “I really am. My parents weren’t the most loving parents, so to get all the love from fans and the metal community, it really means a lot to me. It really does. I owe so much to those people and the people that donated. So, I’m really focused on getting my health back and getting back beyond the drums ASAP [as soon as possible].”

    He then circled back to the book when asked if his “rough childhood” was hard to write about:

    “I didn’t really focus so much on it. There was a basic outline. I don’t wanna give those horrible people any page space. So we just covered it lightly. It was a shitty upbringing, and music was my escapism.”

    He also explained why he decided to write a book:

    “A lot of people in the industry were telling me, especially with this downtime that I have, it’s, like, ‘Why don’t you just write a memoir, write your autobiography? You’ve played with so many bands and done so much shit. People wanna hear about it and where you come from, how you came up,’ et cetera, et cetera.

    Yeah, it’s fun. It’s a lot of fun, actually, going back and talking about it.”

    He continued when asked about other autobiographies he has read:

    “Some of them. Yeah, I do read a lot of autobiographies. The Ozzy [Osbourne] one was great. He was a fucking lunatic. When you read his book, ‘[I Am] Ozzy’, you can hear his voice, when you’re reading the anecdotes. You can hear his voice telling it to you. And also the Mike Tyson autobiography was very good as well. I’ve got ‘The Dirt’ by MÖTLEY CRÜE. But you know what? I don’t want my book to be another one of those just ‘sex, drugs and rock and roll’. I mean, it does touch on that because there was a lot of that throughout my career. But I don’t want it be just all about that. I want it to be about the different bands I played in, the different time periods. And I got fucked over here, I made some money there, and in between there’s the sex, drugs and rock and roll.”

    Barker went on to say some of the moments in his life were hard to recall:

    “There was a few parts I was kind of hazy on, so I reached out to some friends, bandmembers and crew guys that were there, and just, ‘Hey, remember this?, and get their take on it,” he explained. “And then it kind of spurred my memory a little bit.”

    [via Blabbermouth]

  • Cult Of Luna Announce European/UK Tour

    Cult Of Luna have announced a spring/summer European/UK tour. Here’s the dates:

    04/02 Oslo, NOR – Inferno Festival
    04/16-17 Tilburg, NET – Roadburn Festival
    05/08 Copenhagen, DEN – A Colossal Weekend
    06/18 Dessel, BEL – Graspop Metal Meeting
    06/19 Rouen, FRA – Le 106
    06/20 Clisson, FRA – Hellfest Open Air
    08/22 Bristol, UK – ArcTanGent Festivcal (feat. Julie Christmas)