Papa Roach and Hanumankind have announced a new collaborative track titled “See U In Hell.” The song was written for Netflix’s “Devil May Cry” series and it will be released on May 7. The debut of the show’s second season will follow on May 12.
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KISS’ Gene Simmons Says Ace Frehley “Never Made Smart Decisions”
During an appearance on the Inside Of You With Michael Rosenbaum podcast, KISS bassist/vocalist Gene Simmons reflected on his late bandmate Ace Frehley. According to him, the guitarist struggled with addiction and “never made smart decisions.”

Simmons said the following about Frehley:
“It’s been up and down for 50 years with Ace. And the fans often would hate me for telling the truth. When the kids are at home and there’s mom and dad and all of a sudden dad gets thrown out of the house, the kids don’t understand — they love mom and dad — why mom kicked dad out of the house. And she tries to explain to them: ‘He was a drunk, he was a loser, he was late, didn’t show up on time, didn’t do what he was supposed to do, was barely around the kids, but he’s your father.’ And the fans are like kids. They don’t know.
If you would’ve met Ace at the beginning [of KISS] — God bless him — you would’ve fallen in love with the idea, who he is and all that. And then [as Niccolò] Machiavelli [said], [when you] have power, [you must sometimes] abuse it. It affects all of us in different ways. Me too. But Ace turned to beverages and chemicals. Early on, he wouldn’t show up… I mean, he wouldn’t show up to do his guitar parts on even ‘Destroyer’ early on. And the fans don’t like to hear this because he’s so talented and everybody, all the new guitar players, were influenced by him and all that. Yeah, but when you’re together in a band, you’re together more time than your family members or your wife or kids. So he’d be late and all this stuff. And Peter [Criss, original KISS drummer], we love him, and God bless, he’s still around, but really from the early days, as soon as the money and the fame came in, it was like the dark cloud came over. And they were both in and out of the band three separate times. And the fans just couldn’t understand it.”
He also shared an example of unreliability:
“We were doing the Eurovision contest, and we were the headliners. People in America don’t know what that is, but 600 million people at that time, now a billion people, tune in to the Eurovision where all the countries in the world basically send their representatives and it’s music based. It’s one of the few times such a large audience in the early days would tune in. Ace didn’t show up. We had to do it as a trio. It just went on and on and on… And had we not been as popular, we would’ve asked Ace to leave. But strangely, the first time Ace left, he turned to us, and it’s sad, and said — this is a quote; he said it to me two times, twice — ‘I’m leaving the band. I’m gonna have a solo career.’ And we tried to talk to him — I know I did — in front of the manager and everybody else: ‘Stay in the band. Have your solo career. Have your cake and eat it too. We don’t want anything from you. If you’re not happy, do other stuff, but don’t break up the band. That’s lunacy.’ And he just never made smart decisions. So, he said on the way out, ‘You just watch. I’m gonna sell 10 million copies of my solo record.’ That’s a quote. And we said, ‘No, don’t do that. Just stay in the band.’ And he said, more than once, ‘If I don’t leave the band and if I do another tour, I’m gonna kill myself.’ So whatever was going on, it breaks your heart.”
Despite his criticism, Simmons did praise Frehley for his influential guitar skills:
“You look at his body of work, and guitar players from Eddie Van Halen to — who’s the kid from METALLICA? God, I just forgot it — they point to Ace, or Tom Morello and everything, ‘I cut my teeth on guitar by listening to Ace.’ Of course. And he was so proud and so happy to hear from the White House — not from the president — that KISS had won the Kennedy Center awards thing [last year]. And he so much looked forward to [being honored last December]. As a kind of a street kid joins a band and goes to the highest level of American — I don’t know — awards. And he just didn’t make it.”
He continued when asked what he would tell Frehley if he could talk to him now:
“I should have, and could have, but I should have, a long time [ago], when you see the disease starting to get ahold of him, I should have, decades ago, took, took him aside — it’s called an intervention — and forced him to understand he’s not just hurting himself by his lifestyle choices, but his family, his child and the fans. It was a stupid and shameful decision on all our parts — I know mine too — is, ‘No, you don’t wanna get the fans upset. Let’s make believe he’s in the band and everything’s okay at home.’ And it it’s tough. It’s really tough.
Right now the fans who are gonna listen to this are gonna [say], ‘Prick Gene, he never says anything [positive].’ … But the kids at home don’t understand [what it was like when Ace was loaded on drugs and alcohol]. They never met and spent time with Ace. When he’s straight — lovable, everything’s great. Early on, and when the stuff started to take hold, it was Jekyll and Hyde. You just can’t make smart decisions when you’re drunk or high.”
He also added:
“Look, over the years, whether it was up or down, he’d call and ask for my favor: ‘Can you come up and write some songs with me?’ At the height of me telling him, ‘You’re a moron. You’re making horrible life decisions’ and stuff. But he calls: ‘I’m doing a new record. You wanna write some [songs with me]?’ ‘Sure.’ I got in my car, drove out to the desert where he was, and we wrote two new songs.”
He also confirmed that he enjoyed the sessions:
“Sure. Because Ace was focused. He cared and was committed to him, which is understandable. We all love our stuff. But when it came to being around other guys… And when it came to guitar, nobody touched him. But when it came to songwriting, unfortunately, there were other guys — Paul [Stanley, KISS guitarist/vocalist] and myself — that wrote most of the stuff [in KISS].”
[via Blabbermouth]
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Headcat To Release “Headcat Plays Buddy Holly” In May
Headcat, the bluesy rockabilly band that featured the late Lemmy Kilmister (Motörhead) along with Slim Jim Phantom (The Stray Cats) and Danny B. Harvey (Lonesome Spurs, The Rockats), will be releasing a Buddy Holly tribute album, titled “Headcat Plays Buddy Holly,” on May 15. The effort will be available on CD and red/yellow split colored vinyl. A digital EP with alternate mixes of “Fool’s Paradise,” “Peggy Sue Got Married,” and “Crying, Waiting, Hoping” will be available as well. Pre-orders can be found HERE.

“Headcat Plays Buddy Holly” Track Listing:
01. “Fool’s Paradise”
02. “Tell Me How”
03. “Not Fade Away”
04. “Take Your Time”
05. “Well…All Right”
06. “Learning The Game”
07. “Peggy Sue Got Married”
08. “Crying, Waiting, Hoping”
09. “Love’s Made A Fool Of You”
10. “True Love Ways”
11. “Fool’s Paradise”
12. “Peggy Sue Got Married”
13. “Crying, Waiting, Hoping”Harvey commented:
“When Lemmy, Slim Jim and I first teamed up to record a Headcat album, we knew it would be filled with songs we cherished and had always dreamed of recording. Since we had the chance to pick any great artist we loved (like Chuck Berry, The Beatles, Carl Perkins etc), it’s a bit funny that nine out of the thirteen songs we recorded for our first record were Buddy Holly songs. To top it off and add the icing to the cake, we also recorded an instrumental version of ‘True Love Ways,’ making it a cool ten Buddy Holly songs.
At the time I was mixing the album, there were many harmony vocal tracks, all done by Lemmy, that I made multiple mixes of every track with different levels of harmony vocals, from no background vocals to all the harmonies I had recorded. This release includes three bonus mixes I made with no background vocals added, stripped down and bare.
I’m so exited this album is coming out, showing how important Buddy Holly was to Lemmy, Slim Jim and I. We all love Chuck Berry, Jerry Lee and Little Richard, but as Lemmy said in his book ‘White Line Fever’, ‘Buddy Holly never did a bad track, as far as I could hear.’ I’m sure that’s why our first album was mainly Buddy Holly songs.”



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