• Plush Premiere New Song “Animalistic”

    Plush have premiered a new song titled “Animalistic.” That track is from the band’s new album, “Mass Hysteria,” which will be released on September 18. Singer/guitarist Moriah Formica commented:

    “This record is about facing the darkest, most volatile parts of ourselves. With ‘Animalistic,’ we wanted to capture that raw, untamed survival instinct. ‘Mass Hysteria’ represents the aftermath of the struggle, knowing you survived the chaos but still carrying the scars. It’s an open invitation for our fans to join us in fighting through the noise.”

  • King 810 Premiere “Hungry Gods” Video

    King 810 have premiered a new video for their latest single “Hungry Gods.” The band commented:

    “A popular idea slowly making its way into the zeitgeist is one we get from the Gnostics. They believed this reality is a prison run by archons who survive on human suffering — fear, grief, rage. What if every war, every ‘natural’ disaster, every mass tragedy isn’t random rather part of the design. A feature of the system not a bug.”

  • Lockslip Share Video For “Gray World” Featuring King Yosef

    Lockslip have premiered a new video for their new song “Gray World.” The track, which features King Yosef, is from their new album, “The Conversation,” which will be released on November 6. According to vocalist Sara G, the single is inspired by “The Giver”:

    “‘The Giver‘ is a dystopian sci-fi novel about a seemingly perfect society where no one is suffering or in pain. It’s one of those stories where you learn pretty quickly that things aren’t as perfect as they seem. One of the biggest questions the book brings up is if it’s worth giving up a world of beauty knowing it will also numb all of the pain. It seems like in today’s world, there is no escaping pain. There is no distraction or no joy big enough to ignore it. When I’m able to enjoy myself, I immediately feel guilt knowing what is going on in the world. Sometimes I think I’d trade the good and the bad for something that is neither one.”

    “The Conversation” Track Listing:

    01. “Gray World” (feat. King Yosef)
    02. “Vengeance (You’ll Be Seen By Your God)“
    03. “Rattle Of Death“
    04. “I’m The Same“
    05. “Speak Without Words“
    06. “Inglorious“
    07. “Paradise Is Not For Us” (feat. Kathryn Edwards of Thirdface)
    08. “Cut Out the Odds“
    09. “Young“
    10. “Iconoclast” (feat. Todd Jones of Nails)
    11. “End The Conversation“

  • Misfire Premiere “Born To Die” Music Video

    Misfire have premiered a new video for their song “Born To Die.” That track is from the band’s latest album “Product Of The Environment.”

  • Dead Tired Premiere “The Pull” Music Video

    Dead Tired (Alexisonfire, etc.) have premiered a new video for their new song “The Pull.” The track, which features Chris Cresswell (Hot Water Music), is from the band’s newly released album “Hornets Of Fall.”

  • Acid Bath Cancel Portland, OR Show “Due To Illness”

    Acid Bath have cancelled their August 16 show with YOB, Shawn James, and Lacabra in Portland, OR. The band issued the following statement:

    “To our people in Portland, OR: Due to illness, we regretfully must cancel our upcoming show on Sunday at Pioneer Square. We know this is disappointing news, and we’re sorry for any inconvenience it causes. Full refunds will be issued automatically to your original payment method. We appreciate you all and will keep you posted on rescheduling.”

  • Kelly Osbourne Blasts Dee Snider Over Recent Ozzy Osbourne Comments

    Kelly Osbourne has blasted Dee Snider (Twisted Sister) over claims he made about her late father Ozzy Osbourne. She says “there’s something spectacularly classless” about his comments.

    Snider initially had the following exchanges with fans:

    Exchange #1:

    Fan: “I just read Ozzy’s ‘Last Rites’ and was stunned(if true) that Lemmy made more money off the four songs he wrote for ‘No more Tears’ then from ALL his Motorhead tunes.

    Reliable source of Ozzy himself. Insane, if true(Although it was a massive album).

    Speaking Lemmy sounds fun”

    Snider: “I know too much about the truth behind the scenes. Let’s just say that Sharon doesn’t like to share.”

    Exchange #2:

    Fan: “Bob Daisley says he’d written a load of lyrics, then was told they weren’t needed for NMT. Then he got sacked for the final time.”

    Snider: “‘A load’? How about ALL the lyrics? Ozzy always had bass players write his lyrics. @geezerbutler wrote ALL of @BlackSabbath lyrics. Daisley wrote lyrics for the first two solo albums (I’m pretty sure he was paid to write on other records but not credited) & Lemmy wrote lyrics.”

    Exchange #3:

    Fan: “I love the whole Black Sabbath/Ozzy production. So much respect for everyone involved. I stan a frontman that doesn’t write his songs, but has such a way to bring them to the people. What a blessing to all! Ozzy, the ancient warlock”

    Snider: “Many singers don’t write their own songs but make them their own.”

    This led Kelly to respond:

    “My father’s legacy as a musician, songwriter, singer and bandleader speaks for itself. His friends, those who worked with him, those who loved him and millions of fans around the world that still continue to buy his records know exactly what he meant, what he contributed and what he leaves behind. His legacy will live on eternally.”

    She later added:

    “@deesnider your last hit… not to age myself was the year I was born over 40 years ago. There’s something spectacularly classless about Dee Snider trying to diminish my father Ozzy Osbourne and his extraordinary abilities and achievements when he is no longer here to challenge his allegations, particularly when Snider cannot claim to know the private reality of my father’s life simply by looking in from the outside or from hearsay from a delusional man with a vendetta against my father. When to the best of my knowledge they were maybe in the same room once if even at all.

    And if Snider wants to invite comparisons between their careers, that comparison is devastating enough on its own.

    Snider had a brief period of mainstream success more than 40 years ago. My father’s career spanned nearly six decades — from helping define heavy metal with Black Sabbath to building an extraordinary solo career. His music will continue influencing generations long after all of us are gone.

    It’s difficult not to wonder whether Snider’s attempt to belittle my father is simply a way of getting people talking about him again. Because musically, the music industry moved on from Snider’s commercial peak decades ago, while my father’s name, catalogue and influence still remains globally relevant.

    My father doesn’t need Dee Snider’s approval to establish his place in music history.

    And trying to make my father smaller won’t make Dee Snider bigger. It only reminds everyone of the enormous difference between their legacies and further proves just how irrelevant Snider is to the music industry and society as a whole. However I would like to thank you Dee Snider for allowing the world to see how truly desperate he really is!”

    Snider then tried to smooth things over:

    “To be clear, I HAVE NOTHING BUT LOVE FOR OZZY. He was always lovely to me. @BlackSabbath changed my life! As a songwriter I can be a little touchy about credit and royalties.”

    However, Kelly wasn’t having it:

    “A backhanded compliment dressed up as ‘nothing but love,’ followed—predictably—by another use of my father’s name to get yourself some attention. There’s something spectacularly ironic about someone complaining about credit while still borrowing his name for relevance. Apparently the association is offensive when it comes to royalties, but remarkably convenient when the spotlight starts to fade.

    So, in the immortal spirit of Will Smith keep my father’s name out your fucking mouth. You are nothing but yesterday’s headline begging for tomorrow’s attention. Time to face reality, it’s over dude! you’re just bitter [a] old man. The past is over. No amount of attention seeking will make you relevant to it again…”

  • Evergreen Terrace Premiere “Bolt Cutter” Music Video

    Evergreen Terrace have premiered a new video for their latest single “Bolt Cutter.” You can check that out below. The band commented:

    “‘Bolt Cutter’ is live now on our YouTube channel. We shot this in Berlin at the famous SO36 with our good friend Mattius Engst.”

  • Slipknot Confirm Sid Wilson’s Departure In Since-Deleted Post

    Slipknot have officially commented on the firing of Sid Wilson. The group say they “will no longer be associated” with the turntablist.

    Slipknot’s since-deleted post can be read below:

    “Effective immediately, Slipknot will no longer be associated with Sid Wilson.

    We wish him the best in his future endeavors.

    Slipknot“

    This news follows a TMZ report that suggested he was fired due to bad behavior. Guitarist Jim Root initially told fans not to believe everything they read. However, it seems the news was accurate.

    Despite the recent reports, Wilson still introduced himself as a member of the group at the “World Scratch Invitational.” He was also hit with apparent allegations from his ex-fiancé Kelly Osbourne.

  • Royal Blood Announce UK Tour With Unpeople

    Royal Blood have announced a UK tour in support of their new album “Dead Company” (out November 12). Unpeople will open. Here’s the dates:

    11/24 Bristol, UK – The Prospect Building
    11/25 Newcastle, UK – O2 City Hall
    11/27 Manchester, UK – O2 Apollo
    11/28 Glasgow, UK – Barrowland
    12/02 Wolverhampton, UK – Civic Hall
    12/03 London, UK – Olympia The Grand Hall
    12/04 Brighton, UK – Brighton Centre (no Unpeople)