• Slipknot Tracking New Album

    It looks like Slipknot have been tracking material for their new album. Guitarist Jim Root confirmed the news via Instagram. The effort will be the band’s first with drummer Eloy Casagrande. It will also be their first since parting ways with DJ Sid Wilson.

  • Chat Pile Announce February 2027 European/UK Tour

    Chat Pile have announced a February 2027 European/UK tour. Here’s the dates:

    02/04 Glasgow, UK – Galvanizers
    02/05 Birmingham, UK – O2 Institute
    02/07 Leeds, UK – Project House
    02/08 London, UK – KOKO
    02/10 Antwerp, BEL – Trix
    02/11 Cologne, GER – Kantine
    02/12 Amsterdam, NET – Paradiso
    02/14 Paris, FRA – Élysée Montmartre
    02/16 Barcelona, SPA – LA2
    02/18 Geneva, SWI – Usine
    02/19 Zurich, SWI – Rote Fabrik
    02/20 Turin, ITA – Audiodrome
    02/21 Bologna, ITA – Locomotiv Club
    02/23 Leipzig, GER – UT Connewitz
    02/24 Berlin, GER – Festsaal Kreuzberg

  • Havok Premiere “The Ultimate Weapon” Video

    Havok have premiered a new video for their new song “The Ultimate Weapon.” The band commented:

    “We’re excited to debut this new song right before our two headline tours begin. We’ll be playing ‘The Ultimate Weapon‘ live and look forward to hearing crowds shout the choruses with us. Driving riffs, rock ‘n’ roll attitude, and anti-authoritarian lyrics. This is what heavy metal is all about. This is HAVOK.”

  • Southpaw FLHC Working On New Album Following Recent Racism Allegations

    As previously reported, Southpaw FLHC were recently accused of racism after drummer Harrison Linder was seen wearing merch from alleged white supremacy brand Curbstomp. That controversy resulted in the band canceling their tour and more. The group previously denied the accusations and are now moving forward with a new album. The effort is expected to be released in 2027.

  • Pantera, Black Label Society, Down, Crowbar, Etc. Set For “The Great NOLA Trendkill” Festival

    The lineup has been revealed for “The Great NOLA Trendkill” festival. The event will be held at Lakefront Arena in New Orleans, LA on November 20-21 and it will feature: Pantera, Down, Black Label Society, Corrosion Of Conformity, Power Trip, Crowbar, Pig Destroyer, Eyehategod, Rāde, and Herakleion. Phil Anselmo (Pantera, Down) said the following:

    “To be back in New Orleans with such a package of bands and events is a dream come true. Besides Pantera and Down, we have great NOLA and national bands playing, Housecore Records and Housecore Horror specialties, horror industry personalities, talented artists, and so much more. Please come down to my hometown and have a blast the entire weekend!”

  • Gallows Announce “Orchestra Of Wolves” And “Grey Britain” Reissues, Shoot Down Frank Carter Reunion Rumors

    Gallows will be reissuing “Orchestra Of Wolves” and “Grey Britain” on November 6. Each album has been remastered and can be pre-ordered HERE. With this news, the band also shot down rumors suggesting that they were planning to reunite with Frank Carter.

    “Orchestra Of Wolves” Track Listing:

    Digital Deluxe:

    01. “Kill The Rhythm”
    02. “Come Friendly Bombs”
    03. “Abandon Ship”
    04. “In The Belly Of A Shark”
    05. “Six Years”
    06. “Rolling With The Punches”
    07. “Last Fight For The Living Dead”
    08. “Just Because You Sleep Next To Me Doesn’t Mean You’re Safe”
    09. “Will Someone Shoot That Fucking Snake”
    10. “Stay Cold”
    11. “I Promise This Won’t Hurt”
    12. “Orchestra Of Wolves”
    13. “Gold Dust”
    14. “Sick Of Feeling Sick”
    15. “Black Heart Queen”
    16. “Nervous Breakdown”
    17. “Staring At The Rude Bois” (feat. Lethal Bizzle)
    18. “Wrathchild”
    19. “If Credit’s What Matters I’ll Take Credit”
    20. “Abandon Ship” (BBC Radio 1 Punk Session)
    21. “Rolling With The Punches” (BBC Radio 1 Punk Session)
    22. “Will Someone Shoot That Fucking Snake” (BBC Radio 1 Punk Session)
    23. “Six Years” (BBC Radio 1 Punk Session)
    24. “Just Because You Sleep Next To Me” (BBC Radio 1 Rock Session)
    25. “In The Belly Of A Shark” (Live At BBC Radio 1)

    1CD/1LP:

    01. “Kill The Rhythm“
    02. “Come Friendly Bombs“
    03. “Abandon Ship“
    04. “In The Belly Of A Shark“
    05. “Six Years“
    06. “Rolling With The Punches “
    07. “Last Fight For The Living Dead“
    08. “Just Because You Sleep Next To Me Doesn’t Mean You’re Safe“
    09. “Will Someone Shoot That Fucking Snake“
    10. “Stay Cold“
    11. “I Promise This Won’t Hurt“
    12. “Orchestra Of Wolves“

    2LP:

    01. “Kill The Rhythm“
    02. “Come Friendly Bombs“
    03. “Abandon Ship“
    04. “In The Belly Of A Shark“
    05. “Six Years“
    06. “Rolling With The Punches “
    07. “Last Fight For The Living Dead“
    08. “Just Because You Sleep Next To Me Doesn’t Mean You’re Safe“
    09. “Will Someone Shoot That Fucking Snake“
    10. “Stay Cold“
    11. “I Promise This Won’t Hurt“
    12. “Orchestra Of Wolves“
    13. “Staring At The Rudebois” (feat. Lethal Bizzle)
    14. “Sick Of Feeling Sick“
    15. “Black Heart Queen“
    16. “Gold Dust“
    17. “Nervous Breakdown”
    18. “If Credit’s What Matters I’ll Take Credit”
    19. “Wrathchild”

    “Grey Britain” Track Listing:

    Digital Deluxe:

    1. “The Riverbank”
    2. “London Is the Reason”
    3. “Leeches”
    4. “Black Eyes”
    5. “I Dread the Night”
    6. “Death Voices”
    7. “The Vulture (Acts I & II)”
    8. “The Riverbed”
    9. “The Great Forgiver”
    10. “Graves”
    11. “Queensberry Rules”
    12. “Misery”
    13. “Crucifucks”
    14. “Grey Britain Pt. 1”
    15. “Grey Britain Pt. 2”
    16. “Grey Britain Pt. 3”
    17. “Grey Britain Pt. 4”
    18. “Grey Britain Pt. 5”
    19. “The Riverbed” (Demo)
    20. “I Dread The Night” (Demo)
    21. “Leeches” (Demo)
    22. “London Is The Reason” (Demo)
    23. “Misery” (Demo)
    24. “The Vulture (Acts I & II)” (Single Version)

    1CD/2LP:

    01. “The Riverbank“
    02. “London Is The Reason“
    03. “Leeches“
    04. “Black Eyes“
    05. “I Dread The Night“
    06. “Death Voices“
    07. “The Vulture (Acts I & II) “
    08. “The Riverbed“
    09. “The Great Forgiver“
    10. “Graves“
    11. “Queensberry Rules “
    12. “Misery“
    13. “Crucifucks“

  • Keith Buckley (Ex-Every Time I Die) Shares New Tribute For Andy Williams

    Former Evey Time I Die frontman Keith Buckley has shared a new tribute for the late Andy Williams. He says the guitarist “made me feel like [he] belonged.”

    Buckley said the following:

    “Andy Williams made people feel like they belonged. There’s a truck stop on Walden Avenue in Cheektowaga right across from the mall called Jims Truck Stop and it sits at an exit where multiple highways merge. As a child I had been driven past it a lot and as a teenager I drove past it even more. I liked thinking about all the different lives that were gathering there.

    And not just the sheer number of lives, the kind of lives too. Dads like Stallone in Over The Top or maybe even ladies like Large Marge in Pee-Wee’s Big Adventure. The ones pulling into and out of that truck stop knew paths I didn’t and that, to me, made them like characters from a Kerouac book.

    In 1999, Andy and I were in Every Time I Die together. We practiced in the basement of Mike’s parents’ house in North Tonawanda. One night after practice I drove back to West Seneca where I grew up. When I got home, I found I was hungry and with the neon sign of Jims fresh in my mind from the ride I decided it was finally time to go check it out.

    I didn’t really care about the food and I didn’t care that it meant getting back in the car. I just wanted to say I had been there. I wanted the experience. So after spending many years imagining the mysterious lives of the strangely beautiful people inside, I finally walked through the door. And there was Andy Williams, eating a meal.

    When he saw me come in, it looked like he had been expecting me. He put his napkin down, stood up and hugged me and as he hugged me he said, ‘I love this fucking guy.’ He made me feel like I belonged.

    I watched Andy do versions of that for other people for years. After playing a show and loading out, when everyone was exhausted and there were plenty of reasons to get out of there, Andy would go back inside the venue and make time for people. He stayed, because he loved to make a place feel like it had been waiting for you specifically.

    I remember after one of our Christmas shows at the Town Ballroom, Andy unplugged his gear and started handing it out to people in the crowd as Christmas presents. His actual gear. And this wasn’t at a point in our lives where any of us had money. Andy didn’t have the means to replace what he was giving away. He just let it go.

    Years later, when my daughter was born, Andy was the one who drove me to the hospital. I was terrified. I didn’t know if she was going to live and my brain was trying to control whatever was left to control. Naturally, I began giving Andy directions. I remember trying to tell him what roads to turn down. Finally he said, ‘Stop thinking about it. I’ll take care of it.’ So I did. Because Andy knew the route.

    I knew the night at the truck stop was important, but it took me until the other night to understand why I can still remember every single detail of it after all this time – it’s because Andy was already there. Before I had even walked through the door, Andy had gone first and answered a question I didn’t know I was asking – ‘Where do I belong?’ That was Andy.

    The thing he gave me that night – the wordless answer of ‘Right Here’ – wasn’t something he reserved just for his friends. For years I got to watch him share his light. His time, his attention, his love, his gear, whatever he had if it was his it was yours. And when there wasn’t anything he could give you to make your own sadness go away, or make your own pain stop hurting, he would just get in the car next to you, take the wheel, and tell you to trust him. And even if you didn’t know how you were going to get there, he saw the way ahead.

    Rest well, Andy. Thank you for being with me on the road.”

  • Queen’s Brian May To Appear On William Shatner’s Metal Album

    Queen’s Brian May is the latest musician to be confirmed for William Shatner’s upcoming metal album. He will be handling guitar and mixing duties for one of the new tracks. Futher details regarding the collaboration are still pending.

  • At The Gates Release Animated Film For Their Latest Album “The Ghost Of A Future Dead”

    At The Gates have released an animated movie for their latest album “The Ghost Of A Future Dead.” The new film was created by Costin Chioreanu (Twilight 13 Media) and it can be seen below. The record was the group’s last to feature their late vocalist Tomas “Tompa” Lindberg. Chioreanu commented:

    “This is by far the most intense project I’ve done, not only due the circumstances but also because the album is so intense and it requires an insane rhythm for the whole dynamic. It is also the first time that I am doing a full album art video and, honestly, I think it will remain singular of this kind in my career, as I’ve been over several of my limits with this one. But I am so happy that I could finish this monument for my friend Tomas and for his magical band, who will remain with my heart and my memory till the end of my time here and beyond.”

  • The Violent Hour Premiere “Screenager” Music Video

    The Violent Hour (ex-Butcher Babies, etc.) have premiered a new video for their song “Screenager.” You can check that out below. Frontwoman Carla Harvey previously commented:

    “We wanted to write something that felt as relentless as the endless scroll. Musically, ‘Screenager’ channels the aggression and energy of early Metallica but opens up into huge, soaring melodic choruses. Lyrically, it’s about how we’ve traded genuine human connection for digital validation, and how anonymity has fueled a growing lack of empathy by making cruelty feel consequence-free. We’re more connected than ever, yet somehow we’ve never felt further apart. We asked our friend Attila Vörös to lay down the guitar solo for ‘Screenager’, and he absolutely delivered with a combination of ’80s shred and modern melodic metal that only he could pull off.”