At The Gates’ latest album “The Ghost Of A Future Dead” has officially hit No. 1 in Sweden. This is the first time the band have topped the charts in their homeland. As previously reported, the record is the group’s last to feature the late Tomas Lindberg.
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North West, Daughter Of Kanye West & Kim Kardashian, Shares Music Video For Her Metal Track “#N0rth4evr”
North West, the 12-year-old daughter of Kanye West and Kim Kardashian, has shared an official video for the title track of her newly released EP “#N0rth4evr.“ That song finds her exploring more metal-leaning music. The rest of the EP also includes elements of emo rap, hyperpop, trap metal, etc.
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Mephisto Odyssey Accuse Edsel Dope Of Trying To Block Remix Of Their 2000 Collaboration With Wayne Static
Back in 2000, Mephisto Odyssey joined forces with the late Wayne Static (Static-X) for “Crash,” a single from the “Batman Beyond: Return Of The Joker” soundtrack. However, it appears Static-X’s current vocalist and manager, Edsel Dope tried to block the recent “Falling Star” remix of the song.

Mephisto Odyssey said the following about the remix when it was released:
“This is Mephisto Odyssey’s CRASH: Reborn (Falling Star Edition), the completely reimagined version of CRASH, (featuring Wayne Static of Static-X), written by Mephisto Odyssey founder Mikael Johnston, with additional production and guitar by legendary guitarist Brad Gillis (Ozzy Osbourne, Night Ranger).
The original version of the song was written by Mikael Johnston with help from friends Michael Julien Morris of Faith No Man (which later became Faith No More) and Wayne Wells (aka Wayne Static founder of the industrial metal band Static X), with additional production by Static X guitarist Koichi Fukuda and Orpheos DeJournette of Mephisto Odyssey. The song was slated for release on Mephisto Odyssey’s forthcoming album on Warner Bros. Records “The Deep Red Connection“.
In 2000, the label approached Mikael Johnston about also using Crash for the soundtrack of the animated feature film Batman Beyond: Return of The Joker, starring Mark Hamill as the Joker and Kevin Conroy as Bruce Wayne / Batman.
Mikael agreed and a music video, directed by Len Wiseman, was shot featuring the then-current lineup of Mephisto Odyssey (Mikael Johnston, Orpheos DeJournette, Barrie Eves and Josh Camacho, as well as Wayne Static and Static-X guitarist Koichi Fukuda.
However, both Mikael and Wayne felt that the original mix didn’t fully capture the song’s energy and that the video was too focused on promoting the animated feature rather than the music itself. Talks of a remix and a re-edit of the video began, but for years, various demos and ideas remained unfinished.
Finally, in 2023—9 years after Wayne’s passing—Mikael revisited the original demos. He first rerecorded and produced the original version of the song from the ground up, mixed it and had it mastered by Maor Appelbaum. The video was also re-edited in 4K using the original 35mm prints, which had been dormant in the Warner Vaults for 25 years.
These film canisters contained never-before-seen footage, inspiring Mikael to completely reimagine a new version of CRASH from the ground up, using what has been dubbed the “lost track” demo as inspiration for both the song and the darker theme of the video which contained additional footage shot and edited by director William Instone; now known as the “Falling Star Remix” and starring actress Mandy Rachael Perez as the female joker; an idea by Johnston and Instone to create a female version of the joker inspired by Arthur Fleck.
A demo of this new version was played for longtime friend Brad Gillis, who loved the direction and contributed guitars throughout the track as well as re-shaping the bridge in a more melodic direction to help break up the tension of the harsher more industrial verses and Chorus that were heavily influenced by artists like Marilyn Manson, Ministry, The Prodigy, and Rammstein.
Both the re-recording and production of the new mix and master of the original version and the newly reimagined/rewritten “Falling Star” version of Crash will be released as an anniversary single under the title “CRASH Reborn” for streaming in 2025/2026; starting with the Falling Star Edition on December 31, 2025 to make the 25th Anniversary of the original song..
NO AI was used in the making of this music or video!!!”
Mikael Johnston has since reflected on the release, while calling out Edsel for trying to stop it:
“Hi, I’m Mikael Johnston. I’m the producer and co-writer of the song ‘Crash‘ alongside my friend the late, great Wayne Static of Static-X. And I want to talk to you a little bit about the single. Some of you guys are new to it since it hit YouTube, and some of you remember it from when it came out in 2000 and was in ‘Batman Beyond‘ and on MTV X and on the radio, etc, etc.
What you might not know is that Wayne and I had always talked about redoing the mix and the edit of the video, because we felt the mix wasn’t quite right and the video was a little bit too movie-centric and needed to be more focused on the band. But we didn’t get around to it, because unfortunately, Wayne passed away.
In 2023 I ended up taking that project on, and with the full support of Warner and Rhino, we made two versions of the song: a new mix of the original, plus a remake from the ground up, and two different versions of the video using footage from the original 35 millimeter film shot by Len Wiseman.
However, even though the label was ecstatic about how good the quality was, and they loved the product, right before we were setting our release date, an executive from the label came to me and told me that Static-X‘s management was not happy about the release.
That really surprised me, given my relationship with the band. But I was reminded that it was Static-X management, which is Edsel Dope. He is the singer and he is the manager of the band now, and he didn’t want it out for whatever his reasons were. I could only hypothesize maybe he felt that new Wayne material coming out at that time would interfere with what he was doing. I don’t know. It doesn’t matter, because he didn’t have the right to do it.
It was a Mephisto Odyssey song, not a Static-X song. And what he did was incredibly selfish. It hurt me, it hurt my wife, it hurt my children. It hurt the fans, and it hurt Wayne Static and his legacy. He really should be ashamed of what he did — I know he’s not, but he should be. I’m very disappointed. I don’t hold grudges, and I hope we can move past this.
Fortunately, as you all know, it came out to great success over 1.3 million views on the remake, and it’s all because of you guys. I love you guys. The comments and the love that’s been coming [have been] incredible. We’re going to be doing more until then, have a great night and we will talk soon.”
[via The PRP]
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Former Turnstile Guitarist Brady Ebert May Face Life In Prison Over Upgraded Attempted Murder Charge
As previously reported, ex-Turnstile guitarist Brady Ebert was recently arrested on charges of attempted second-degree murder, first-degree assault, and two counts of second-degree assault after running a car into William Yates, the father of the group’s singer Brendan Yates. However, The Baltimore Banner are reporting that the murder charge has since been upped to first-degree. As such, there’s a possibility that the musician could be facing life in prison.

Police previously said Ebert was caught on surveillance footage at William’s home, honking and shouting obscenities. William appears to have tried to wave Ebert off, but he responded by swerving at him. As such, William threw a rock and hit his car.
Ebert then retaliated by striking William in the driveway. William, who suffered trauma to his legs, claims Ebert later returned, saying he “deserved it.” He also confirmed that Ebert has continued to cause issues following his firing from Turnstile.
Despite this, Ebert apparently told the district court commissioner that there is surveillance footage that contradicts the police’s assessment of the situation. He was quoted as saying: “I’m sorry, but this is pure self-defense. I was straight-up attacked.”
Ebert remains in custody without bail after being accused of “a clearly targeted attack” on William.
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Savage Hands Premiere New Song “POWER”
Savage Hands have premiered a new song titled “POWER.” Vocalist Mike Garrow commented:
“It’s been a long time coming. We’ve spent so much time searching within the music, ourselves, and the industry for what we want from all of this. Trying to define our sound. What we came to find is we had it all along, we just had to come with 100% raw emotion and conviction. ‘POWER’ is the first of many that illustrate what we want to be. No borders, no boundaries.”
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Hollywood Undead Recruit Jeris Johnson For New Song “All My Friends”
Hollywood Undead have premiered a new song titled “All My Friends.” That track features Jeris Johnson and a lyric video for it can be found below:
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A Static Lullaby To Release “…And Don’t Forget The Breathe” Live Album In May
A Static Lullaby are planning to celebrate the 20th anniversary of “…And Don’t Forget The Breathe” with a new live version of the album. The effort will be released on May 15 and it can be pre-saved HERE.

“…And Don’t Forget The Breathe” (Live) Track Listing:
01. “Nightmares Win 6-0” (Live)
02. “Love To Hate, Hate To Me” (Live)
03. “Withered” (Live)
04. “Lipgloss and Letdown” (Live)
05. “A Sip Of Wine Chased With Cyanide (Live)
06. “We Go To Eleven” (Live)
07. “The Shooting Star That Destroyed Us” (Live)
08. “A Song For A Broken Heart” (Live)
09. “Annunciate While You Masticate” (Live)
10. “Charred Fields Of Snow” (Live)The band commented:
“Celebrating 25 years as a band, we wanted to go back to the songs that started it all. After playing a few full-album shows, we realized we wanted to share that experience with everyone. If we couldn’t make it to your city to play it for you live, we could at least bring it into your living room and let you share that moment with us.
So we filmed it and recorded it live in the studio.
It’s been a while since we were fully active as a band, and we wanted to reintroduce ourselves to our fans and community through the familiar sound of an album that helped shape a post-hardcore/emo scene that has now become very much mainstream.
This live album is nostalgic for us, but it also feels new. We’re grown-ass men playing songs we wrote when we were 18, and somehow they still feel fresh and just as relevant today.
This isn’t a ‘remember us?’
It’s a ‘we’re back,’ and we’re genuinely excited to share what’s coming next.’”
A video for the live version of “The Shooting Star That Destroyed Us” can be found below:
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Colorblind Premiere “Pressure” Video
Colorblind have premiered a new video for their new song “Pressure.” This track is from the band’s new album, “Who Sold You This Truth ++ Was It Yours To Hold,” which will be released on August 28. Vocalist Travis Moseley commented:
“‘Pressure’ is about the weight of your own mind crushing you from the inside out. This was one of the first songs made for the record. I was really feeling the pressure of signing my first record deal, making my first album, and it was all coming to a head. I’m so grateful to have all of this pressure in my life.”

“Who Sold You This Truth ++ Was It Yours To Hold” Track Listing:
01. “Pressure”
02. “Car Crash”
03. “Needle Eye”
04. “Chemical Warfare”
05. “Letdown”
06. “Misery Loves Company”
07. “Incomplete”
08. “Royal Blood”
09. “Neversleep”
10. “The Countdown”
11. “God Complex”
12. “Lost In Translation”
13. “Heavy Heart”
14. “Paradox”
15. “Cynical -
King Ultramega Recruit Mastodon’s Brann Dailor For New Cover Of Chris Cornell’s “Dead Wishes”
Brann Dailor (Mastodon), Mark Menghi (Metal Allegiance), Angel Vivaldi, Kenny Aronoff (Sammy Hahar, etc.), and Frank Mitaritonna have released a cover of “Dead Wishes” as part of the Chris Cornell tribute project King Ultramega. You can check that out below. Proceeds will be donated to MusiCares.
The contributors commented:
Menghi:
“I would constantly listen to the original version in moments of clarity, times of reflection, sitting in a sauna post-work out and/or cool down periods, etc. any time I needed to wind down or relax, I listened to it. As time went on, I became more and more connected to the song. I just love the simplicity of the song, the depth of the instrumentation, the acoustic guitar tone, etc. when tracking and producing our version, I wanted to stay true to the original but add things I was hearing in my head, hence the violins, cellos, keyboards, percussion, Leslie effects, xylophone, sleigh bells, etc. I wanted to create an atmospheric soundscape that would pay homage to the original.
As I was thinking on who could potentially sing this song, I heard a version of Mastodon covering “Stairway to Heaven” where Brann is singing lead vox and I just thought to myself ‘Well, he would be interesting on ‘Dead Wishes””
Mitaritonna:
“Working on ‘Dead Wishes’ showed me the depth of his writing and helped me develop a deeper appreciation from my younger years, only consuming music through MTV or whatever records I could get my hands on. His lyrics are haunting and poetic, but feel relatable and personal which creates an incredibly deep, human experience for me as a listener, before any contributions.”
Aronoff:
“Mark’s sound, feel and ideas are perfect on not only this track, but in all the KU tracks I’ve been a part of. When recording a song like this, it’s very important what you don’t play as much as what you decide to play.”
Dailor:
“First of all, I have to say what an incredible honor to even be asked to try and attempt a cover of one of Chris’s songs. The fact that Mark thought I could even come close to it is beyond flattering, and to be honest, my knee jerk reaction was to say “uh, no thank you, I’m not interested in embarrassing myself if I can help it” haha! The track itself was totally out of my wheelhouse so I thought it would be a great challenge and an opportunity to try to honor one of my favorite musicians and vocalists for a great cause.
It was actually really freeing, I felt like I could let loose a little bit knowing I wouldn’t have to also be playing drums.”
Vivaldi:
“It’s very much about reading the room in terms of truly listening to what the song wants while being honest with what you have to offer it to expand its possibilities.”
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