Misery Signals Tease New Music

Misery Signals recently confirmed that they have been writing for their new album and now they have also shared some teasers of the new material. You can check those out below:

[via The PRP]

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Misery Signals Writing New Album

Misery Signals have been writing material for their new album. Bassist Kyle Johnson shared the below update:

[via Lambgoat]

Unearth, Darkest Hour, Misery Signals, Malevolence, & Left Behind Announce European/UK Tour

Unearth, Darkest Hour, Misery Signals, Malevolence, and Left Behind will be hitting the road on “The Death To False Metalcore” tour in Europe next year. You can see the dates for that run below.

Tour Dates:

03/21 Koln, GER – Essigfabrik
03/22 Brugge, BEL – Het Entrepot
03/23 London, UK – ULU (no Malevolence)
03/24 Utrecht, NET – Tivoli Pandora
03/25 Wiesbaden, GER – Schlachthof
03/26 Hamburg, GER – Markthalle
03/27 Berlin, GER – SO36
03/28 Munich, GER – Backstage
03/29 Leipzig, GER – Conne Island
03/30 Prague, CZE – Futurum
03/31 Budapest, HUN – A38
04/01 Vienna, AUT – Arena

Misery Signals, Dead To Fall, Etc. Set For 2018 Midwest Meltdown

Misery Signals, Dead To Fall, Too Pure To Die With Dead Hands Rising, Preacher Gone To Texas, Eternal Sleep, Stone, Purgatory, Queensway, Piece Of Mind, No Victory, Kharma, and Knaaves have all been booked for the 2018 Midwest Meltdown. That event will be held at the Blue Moose Taphouse in Iowa City, IA on February 24.

The Color Morale Cover Thrice, Comeback Kid, Misery Signals, Etc. Songs For New EP

The Color Morale have released a new “Artist Inspiration Series” EP composed of the following covers: Comeback Kid’s “Wake The Dead”, Thrice’s “Stare At The Sun”, Coldplay’s “Fix You”, Jimmy Eat World’s “Blister”, and Misery Signals’ “The Failsafe”. You can stream that via Spotify, and purchase it in various digital outlets.

Misery Signals Post Clip From “Yesterday Was Everything” Documentary

Misery Signals have posted a clip from their upcoming documentary “Yesterday Was Everything.” The film, which was filmed during the band’s “Of Malice and the Magnum Heart” 10th anniversary tour in 2014, will hit digital outlets on June 30. As an added bonus, you can also read what Ryan Morgan has to say about the release in a new interview over at Alternative Press.

Trailer Posted For Misery Signals Documentary “Yesterday Was Everything”

A new trailer has been posted for the new Misery Signals documentary “Yesterday Was Everything.” The film, which was filmed during the band’s “Of Malice and the Magnum Heart” 10th anniversary tour in 2014, will hit digital outlets on June 30.

Stuart Ross said the following:

“‘Yesterday Was Everything‘ provides a glimpse into a very tumultuous period in our development as young men, friends and musicians. Without the ups and downs of those formative years it’s hard to say where we’d all be today. I believe this film offers fans of the band intimate information to questions that have otherwise gone unanswered. It allows insight into the story of Compromise; a tragedy that forever changed the trajectory of our lives.”

Kyle Johnson added:

“[Director] Matthew Mixon does a fantastic job of portraying the intensity that lies within the story. The good alongside the bad, the uncomfortable moments, the love shared between the five of us that extends to all the friends and fans we have made over the last decade, and the ability to come out of it still being able to call each other friends. I can’t wait for the world to experience it.”

Ryan Morgan finished:

“Mixon‘s film plays like a love letter to the independent music experience. You get a seat right there in the tour van as we grapple with the challenges of the road and attempt to create authentic music together. For those outside of the band’s audience YWE allows an inside look at a scene they might be unaware of. It strikes me that my bandmates and the others in the film bear little resemblance to the ‘metalhead’ archetype.

And you do get an intimate look at us, as scary as that is, you get 3 dimensions that include our failings and flaws. But that’s what I think sets the film apart from other music documentaries I’ve seen. There’s a vulnerability that anyone can relate to, and I think everyone walks away with a better understanding. Especially us.”

[via The PRP]