• Absolute Power Recruit Tim “Ripper” Owens For New Song “Needs Must When The Devil Drives”

    Absolute Power, the project featuring Shane Embury (Napalm Death) and Simon Efemey, have recruited Tim “Ripper” Owens (ex-Judas Priest, etc.) for a new single titled “Needs Must When The Devil Drives.” That song serves as the title track of the band’s new album, which will be released on November 6.

    Embury said the following about the single:

    “This song, whilst being title track of our new record, also talks about how both Simon and I grew up in the West Midlands listening to heavy metal of 1980s — all the classics as you would expect,” Shane explains. “The areas where we both came from were very much industrial areas. Working-class families and for us, as teenagers, heavy metal was our escape from the everyday realities of our areas — you did what you had to just to get by. Needs must when the devil drives!”

    Efemey also commented on the album:

    “I want people to have a good time in the old school way. I want them to forget the mundane, boring or horrible parts of their jobs. I want them to forget themselves for a couple of hours. That’s what good music should allow us all to do.

    When we did the first album, we wanted to make songs like our heroes — Judas Priest, Saxon, the New Wave Of British Heavy Metal — everything we liked as kids. When we were on tour buses, we’d have a few drinks and start blasting old-school heavy metal like Black Sabbath or Dio. One day we said we should write our own tunes like that.”

    He went on to reveal that Mark Gemini Thwaite (ex-The Mission) contributed to the record:

    “I’ve known him for years. I recorded a demo for his old band years ago. I sent him some tracks and he put some magic on them. He added a little goth flavour to some of those tracks. It took it further than the first album, which was just straight-down-the-line traditional metal.”

    He also added:

    “Over the years [me and Embury’s] paths crossed, and we realized we had a similar love for music and a similar sense of humor — ‘Monty Python’, ‘The Young Ones’, really dark humor.

    You hear the stories from back in the day about these legendary bands and the mad stuff they’d get up to. For me, that’s part of rock ‘n’ roll. I never wanted to just be the guy sitting there in the studio nodding along with what bands say. It was more about entertaining people and entertaining ourselves.

    We don’t take ourselves too seriously, but we’re serious about the music. We reject ideas that aren’t good enough. Every song needs a good riff and a catchy melody. I wouldn’t let anything go out that was just fodder. That approach has always been prevalent in my work.

    I can’t think of many new British bands doing what we do. I think people like our stuff because it’s old-school with melodies you can sing along to. We use the formula from the 70s and 80s because we know it works. We make this kind of music because we love it and we want people to sing along with us.”

    “Needs Must When The Devil Drives” Track Listing:

    01. “Needs Must When The Devil Drives” (feat. Tim “Ripper” Owens)
    02. “Saviour”
    03. “Kernscmelze”
    04. “Stand Up And Be Counted”
    05. “Within”
    06. “Mountain Of Hope”
    07. “Insanity”
    08. “Hammer Of Justice”
    09. “Praise The Fire”
    10. “Sheer Heart Attack”
    11. “Orphans Of The Storm”

  • Initiate Have Changed Their “With Love // With Rage” Cover Art Due To A Copyright Issue

    Initiate have shared updated artwork for their latest EP “With Love // With Rage.” The cover for the effort was changed following a copyright issue.

    The band commented:

    “We recently discovered a copyright issue with the EP artwork, so we needed a new cover that could carry the same message and meaning. It was important to us that we worked with someone we trusted, and Kiabad [Meza] was the first person who came to mind.

    Kiabad has been a close friend and creative partner since day one, creating so much of the artwork that’s helped shape this band over the years. We’re incredibly grateful that he stepped in and brought his own vision to this piece while still honoring the heart of the original.

    We’re so excited to share his take on With Love // With Rage and can’t thank him enough for his friendship, support, and talent. It means a lot to have someone who’s been part of this journey from the very beginning continue to leave their mark on it”

  • Mastodon Sued By The Estate Of The Late Brent Hinds

    According to The Atlanta Journal-Constitution, Mastodon have been hit with a new lawsuit from the estate of the late Brent Hinds. The filing was related to the guitarist’s ownership interests and the use of his likeness following his death.

    The complaint claims Hinds still had a share of the band and related businesses following his 2025 exit. The group were planning to buy him out, but he died before the deal was complete. The estate say they were given an $80,000 check. However, Mastodon failed to explain how they arrived at that number.

    The lawsuit went on to allege that Mastodon used an image of Hinds for the artwork on their latest album “Marrow Deep.” As such, the estate also wants to be compensated for the use of his likeness.

    Furthermore, ths estate also lamented the way the band discussed Hinds following his death. This includes private matters such as substance abuse issues, which reportedly played a role in his firing.

  • William Shatner Says His Metal Album Will Be Called “What The F Is Heavy Metal?”

    During an interview with The Moynihan Report, William Shatner (“Star Trek”, etc.) discussed his upcoming heavy metal album. He also revealed that the effort will be called “What The F Is Heavy Metal?.”

    Shatner said the following:

    “I am in a fervor of creativity. I am writing books. I’m doing albums. This heavy metal album is like… They want me to do… I’m gonna do a concert. I’m gonna do 30-minute concert — 30 minutes of heavy metal [laughs], with a band. 30 minutes on stage.”

    He continued:

    “Cleopatra, the label that I work with frequently, said to me, ‘Why don’t you do a heavy metal album?’ And I said, ‘What the F is heavy metal?’ Then I heard ‘Patience’, the song ‘Patience’ [by Guns N’ Roses]. So we write a song called ‘Impatience’. ‘I’m not gonna wait around for you. I’m not waiting for you. Here, read my lips.’ And it’s all about, ‘I’m not waiting around for you. Yeah. You hear me? You hear my lips? I’m not waiting.’ And it’s got that kind of rage and tempo… Impassioned. ‘I’m tired of old age. I’m tired of losing hair. I’m tired of not eating. I’m tired of catching a cold. I’m tired of being tired. I’m tired!’”

    He also added:

    “The music is a distillation of emotion. It’s so right there.”

    He went on to unveil the title:

    “The name of the album — I hope; I mean, everybody agrees —is ‘What The F Is Heavy Metal?’ That’s the name of the album.”

    He also revealed that he knew “nothing” about heavy metal before pursuing this project:

    “You gotta start with the premise that I really know nothing,” he said. “I’m inquisitive. Apparently, I’m inquisitive, and I’m reading and looking up all the time, stuff. So I began to experiment. I fastened on to emotions. I thought heavy metal has gotta be about emotions — violent, passionate… Not violent — passionate emotions. ‘The Black Sky’ is about what we’re doing to the planet. ‘Impatience’ — don’t keep me waiting. ‘Rage’. Five songs with meaning to me. I’m enraged, I’m angry about, I am disgusted with.”

    He also confirmed that he still has rage at his age:

    “Oh, yeah. I wanna get on my horse and run the way I used to. My legs don’t have the strength that they once had, so I’m careful. I don’t wanna be careful. These albums that I have written with Rob [Shatner’s longtime friend and collaborator Robert Sharenow] are all personal. They all have to do with my growth.”

    He also added the following when asked if there are any metal artists he likes:

    “I don’t know. ‘Cause I don’t know their names. Brian May plucks an anguished guitar. It’s crazed. And it moves me. There are 50 well-known heavy metal geniuses who wanna be on the album, led by Brian May. Why? Brian May laid his track down over a song that Rob [Sharenow] and I wrote called ‘Rage’. ‘Rage against the dying of the light,’ to use that — what’s his name’s phrase. That’s the name of the song, and we’ll make it into a music video.”

    [via Blabbermouth]

  • The HU Premiere “Warrior Chant” Music Video

    The HU have premiered a new video for their song “Warrior Chant.” That track is from the band’s latest album “HUN.” Galaa commented:

    “’Warrior Chant’ has our signature rhythm that our fans fell in love with and everyone who will listen and know us will say that it is our song. Our third album has bit of everything -rhythm wise, and we see that as a progress of expanding the Hunnu Rock genre. This song has the rhythm that is original to us and is rooted in Mongolian culture. Enkush and I focused on horse head fiddle solos by imitating the horse gait and you will hear the rhythm throughout the song. Of course Jaya perfected the rhythm by adding Mongolian wind instrument, Unu did heavy percussion drum throughout. Mongolian traditional instruments are heavily used on this song and our die hard fans are going to love it!”

  • Megadeth’s Dave Mustaine Reflects On Firing David Ellefson In Excerpt From His “In My Darkest Hour” Memoir

    Megadeth frontman Dave Mustaine has shared a new excerpt from his “In My Darkest Hour” memoir via Rolling Stone. The piece finds him reflecting on his decision to fire David Ellefson amid a sex video scandal that saw the bassist caught masturbating with a young woman online.

    Mustaine said the following:

    “I found out about the scandal the same way that everyone else found out: I heard about it online. On May 10, 2021, sexually explicit videos of David Ellefson masturbating appeared on Twitter. The videos resulted from an online interaction with a nineteen-year-old Megadeth fan with whom Ellefson had engaged in some sort of relationship. When more details were revealed, the story quickly went viral.

    It was impossible to separate fact from fiction, truth from fantasy, as the internet exploded in typically histrionic fashion. But this much was clear: that was definitely David Ellefson, Megadeth bass player, in the videos.

    The next day, we released an official statement saying, “The situation is being watched closely.”

    That was true. It was also true that I was reevaluating my nearly 40-year relationship with David and the turbulence it had so often caused in my life. As original members of Megadeth (David likes to say he was a “founding” member. I don’t view it that way. I started Megadeth and invited him to join), we had been friends and creative partners; we had fought like enemies.

    We had played a lot of great music together. We were codependent junkies, feeding and fueling each other’s addictions. Ultimately, we had grown apart, trust shattered (at least for me) by David’s 2004 lawsuit after the band’s breakup. We fought in court. The outcome was not nearly what he hoped for — let’s leave it at that.

    To the surprise of the vast majority of the Megadeth universe, we patched things up in 2010 and David returned to the band, albeit as a salaried player and not a creative partner. But things were never great between us; there was too much history, too much anger, too much behavior that I found distasteful.

    Part of the problem was that our initial friendship was based primarily on two things: music and drugs. David and I were never on equal footing when it came to Megadeth; it was my band and mostly my songs, and that was always a source of friction.

    When we both got sober, the distance increased, in part because we had lost the awful, unhealthy thing that had bonded us, but also because we approached sobriety and recovery from different places, with different points of view. I tried not only to be substance-free, but also to live a more honest and spiritual life.

    There are plenty of people in the fellowships who want to be better human beings and to provide support for their fellow travelers, people who are committed to genuine transformation. And there are others who mostly just talk the talk.

    I try to stay away from these folks. Sometimes unsuccessfully. All of this is by way of saying that by the time those embarrassing videos turned up on the internet, my relationship with David — and David’s relationship with Megadeth — had already begun to deteriorate.

    Again.

    Some of it was probably borne of professional jealousy — long a friction point between David and me — and some of it was probably frustration stemming from financial pressure. I’m speculating, of course, and I’ve never asked David about this — we haven’t talked in several years — but I heard that David was upset that we canceled the tour when I was first diagnosed with cancer. And he was sometimes short-tempered and impatient with me when I was going through treatment and trying to work on the album. Some days I had a lot to offer in those sessions; sometimes I was too tired and sick to contribute much of anything. While everyone else seemed to be compassionate and understanding, David sometimes was not.

    Hey, on some level I get it. My illness cost everyone involved with Megadeth a lot of money. It was a scary, uncertain time. But it’s during the darkest times that a person’s character is revealed.

    Would David have remained a member of Megadeth if that video had not surfaced? Who’s to say? I’ve seen enough guys come and go with Megadeth, and I’ve experienced enough upheaval with David to know that the end was likely near. But, certainly, the scandal hastened the process.

    Within a few days, we informed David that he would be separating from the band. Then, on May 24, I released an official statement through the band’s Facebook account. I tried to keep it as simple and straightforward as possible, as enough damage already had been done:

    ‘We are informing our fans that David Ellefson is no longer playing with Megadeth and that we are officially parting ways with him. We do not take this decision lightly. While we do not know every detail of what occurred, with an already strained relationship, what has already been revealed now is enough to make working together impossible moving forward. We look forward to seeing our fans on the road this summer, and we cannot wait to share our brand new music with the world. It is almost complete.’

    The last part of that statement was both true . . . and not true. Yes, the new album was basically finished. But Ellefson’s dismissal complicated matters. As Megadeth’s bass player, David was all over the new album, and his participation would almost surely become a distraction, if not worse, when the album was released. There would be financial entanglements as well. In the end, we made a decision: David’s bass parts would be scrubbed completely from the album and re-recorded with a new musician.”

  • Daryl Palumbo On The Possibility Of New Music From Glassjaw: “Me And Justin Always Have A Bunch Of Ideas Going Around”

    During a recent appearance on the “Artist Friendly” podcast, Glassjaw vocalist Daryl Palumbo discussed the possibility of new music from the band. He says him and guitarist Justin Beck “always have a bunch of ideas always going around.”

    Palumbo said the following about new Glassjaw and Head Automatica:

    “I love a bunch of Head Automatica songs we have happening. Glassjaw always — me and Justin — always have a bunch of ideas always going around. Always a bunch of reworks going on of things when we’re playing. Um, lot of new Head Automatica stuff. Yeah, we’re playing two of them. Trying to get ready another third one to start playing and just see how it is.

    [I’m] really happy. Yeah, very happy. I mean, so many years passed, that I’m so lucky to even be able to do something with a name of a project from years ago, [I] feel I’m blessed enough to be playing and feel progressed a little as far as what I do and I’m playing with guys that are just monsters.”

    He also added the following about Head Automatica‘s upcoming EP:

    “I mean, it could be done awfully soon. There’s a lot of tunes that are pretty, pretty ready to go. We’re playing a bunch. Playing two right now. Pretty much a third one is kind of ready to be played. We have a bunch. Definitely a bunch fully tracked and ready… It sounds great. A lot of it sounds really great. High energy. Good. Very fun. Some of it’s pretty pop, poptacular. A lot of it is, you know, far out, a little more aggressive and dancey.”

    [via The PRP]

  • Gore To Release New EP “…Then You Cannot Love Me” In October, Share “Crucified” Video

    Gore. will be releasing a new EP, titled “…Then You Cannot Love Me,” on October 9. Pre-orders for the effort can be found HERE.

    “…Then You Cannot Love Me” Track Listing:

    01. “What You Paid For“
    02. “Lead Me To The Slaughter“
    03. “Bones In The Garden“
    04. “Crucified“
    05. “Walk On Water“
    06. “Hallowed Ground“
    07. “Alone“

    According to vocalist Haley Roughton, “…Then You Cannot Love Me” serves as a companion piece to their 2025 EP “If You Do Not Fear Me…“:

    “We always wanted to release it like that. We wanted a more looming, cynical sound in the first EP and as time went on, we wanted to develop the sound towards something closer to what we want to sound like as a band together. I’m hoping the fans, especially those who have been with us since day one, can see the evolution and how those two connect.”

    She also added the following about the conjoining titles, which nod to toxic relationships:

    “There’s always some form of power dynamic in really unhealthy relationships. Women are taught from a young age that if a man doesn’t fear losing you, that he doesn’t love you. Men are taught to be nonchalant and not care too much, and so we just grow up with all these wounds that just show up.”

    A video for the latest single, “Crucified,” can be found below. Roughton commented on that track as well:

    “This song is about someone who is so seductive that they lead you right into temptation. They have you wrapped around their finger, and they know it. You idolize them. You try as hard as you can to resist, but there’s something both painful and pleasurable about their presence, so you give into them and whatever chaos you know they’ll bring.”

  • Coroner Share Remastered Version Of “The Favorite Game”

    Coroner have shared a video for a remastered version of “The Favorite Game.” You can check that out below. The updated track is from the band’s new EP, “Ex Nucleo: The Remastered Extraction,” which will be released on September 18.

  • Ando San Signs With Sumerian Records, Shares New Songs “Hype Man” And “Triggas”

    Ando San has signed with Sumerian Records. With this news, the prog-hop artist has also shared two new songs, “Hype Man” and “Triggas.” A video for those tracks can be found below:

    Ando San said the following about the new deal:

    “I am incredibly stoked to be a part of the Sumerian family. This is a huge moment for me, I have been a fan of this label since I was 15/16 years old and it’s honestly insane to say that I am now signed by them. It’s been a long time coming and this is only the beginning. I’m bringing the heat.”

    He also added the following about the singles:

    “Honestly, when I was writing ‘Hype Man’ I was incredibly inspired by Darkthrone. Specifically the guitar riffs from their record ‘Ravishing Grimness‘. Really dope album and one of my faves from Darkthrone. I thought it would be cool to start the song with a black metal vibe and then lead into a heavy beat. I named it “Hype Man‘ because at the time of recording the song I needed to hype myself up. I’m usually alone in my room making these songs and this one in particular needed that energy! I feel like you need to be your own personal ‘Hype Man‘ to get through things when you really don’t have anybody around to pump you up. It’s a super power!”

    “[‘Triggas’] is about my triggers. I have a lot of trauma. Been through many things in my life and one thing that has helped me get through those hard moments is recognising my triggers. I think triggers could be a hindrance to a person’s growth. I feel like it has stunted me for some time and I recognise that the things that do trigger me are personal traumas that I have experienced in my life. Coming to terms with that has taught me many things about myself.

    It has taught me to see when a trigger is coming, to know how to act when I’m triggered and to let the trigger pass. We all have our own personal triggers. It’s important to understand why it’s triggering you and to learn to work past those triggers. I think a lot of my music is just a molten pot of all my favourite genres. The song is synth heavy with a dope UK style drill hip-hop beat with metal guitars. Literally just doing whatever sounds sick. The most important thing for me is to be artistically authentic to myself. I have to be honest about who I am as a person to get to the originality I am constantly searching for.”