• Harley Flanagan On The Possibility Of Reuniting With Former Cro-Mags Members: “I’ve Always Been Open To Any Kind Of Communication”

    During a recent appearance on Lipps Service With Scott Lipps, Cro-Mags frontman Harley Flanagan was asked about the possibility of a classic lineup reunion. He responded by saying he has “always been open to any kind of communication.”

    Flanagan said the following:

    “For whatever it’s worth, man, I’ve always been open to any kind of communication with any of those guys about whatever, and always have been. But sometimes people just get so dug in on shit that they lose sight… Honestly, I can’t say that fans really would give a fuck about me playing with any of those guys again at this point, because we’re doing well, we’re touring a lot, life is great, but if the fans really wanted it, and more so if those guys ever wanted to give those fans what they wanted, I’m always open for the conversation. Because at the end of the day, as a musician, you’re an entertainer, right? I mean, that’s what you’re getting paid to do, is to make people feel good or get some steam off or whatever that emotion is — that’s your job. So if that means that you gotta get on stage and do that, and you know you can do it with these guys and people are gonna be super pumped, then what the fuck, man? I mean, I just don’t see the big fucking deal [of] just playing with people that you may not necessarily love just for the sake of, you wanna make fans happy, you wanna make people happy. But fortunately for me, I feel like I’m doing that right now any goddamn way.”

    He also reflected on a 2012 incident in which he was arrested and charged with attacking members of the Cro-Mags during the CBGB Festival in New York:

    “I talk about it in the film [the recently released ‘Harley Flanagan: Wired For Chaos’ documentary, which charts his tumultuous life and survival] pretty extensively. I don’t think I can ever say I’m good with it now, ’cause how do you get good with getting set up by people that you know and assaulted.

    We don’t gotta get into the entire thing. I went to go see my old singer [John Joseph] who at the time was playing under the name CRO-MAGS. It was illegal; they weren’t supposed to be using the name. Whatever. Longer story, irrelevant. I went to go see the show. Some part of my brain thought that I would see these guys and there would be some rekindling of the bromance. They’d be, like, ‘Oh, really? You fucking asshole. Ah, fuck you too. Ah, come on. You wanna come up and play a couple [of songs]?’ Some fucking dumb part of me was, like, ‘Come on, man.’ We used to fucking live in squats together, man. We used to have to fucking shoplift food together. We were fucking homeless kids… Anyway, so I was, like, ‘All right.’ I went. And ironically, I was texting the woman who’s now my wife on my way there, like, ‘Do you think I should go? I’m thinking about going. There was this whole series of texts, and I was, like, ‘Yeah, yeah, fuck it. I’ll go.’ And I actually got put on the guest list… So, anyway, I go. I have tickets. And everybody knew I was coming. And I got invited backstage, and the fucking door got pulled shut, and I got jumped by a room full of people. And I heard a lot of different things that were happening inside that room before I went in from different people, but it’s all hearsay. I’m not witness to it, so I’m not gonna repeat what other people told me. It doesn’t matter anymore. What the end outcome was, I wound up getting like 40-something stitches. I got stuck with something. I put three guys in the hospital. And then it just turned into this whole thing where they all started accusing me of going in there and attacking everybody, which was complete and total fucking nonsense.

    “[Eventually the case] got thrown out, [but] I did go to Rikers Island [New York City’s notorious jail complex], and that’s where things got kind of weird because that’s where my old singer was going in the New York Post and all these different newspapers and saying a lot of, basically… I get really uncomfortable even talking about this shit. Like, [he was] basically putting a fucking target on my ass, calling me a snitch, saying I’m a skinhead, I’m a racist, I’m this, I’m that, all kinds of shit that in any kind of a lockup situation would possibly get you fucked up by someone who totally just wants to get some credibility. And it was not cool, man… This big black dude comes in my cell and throws the paper on my bed and says, ‘[Is] that you?’ And I’m reading all this shit and I’m, like, ‘Wow.’ And I’m just shaking my head, like smirking to myself, just like, ‘This motherfucker. Unbelievable.’ So I can’t say I’ll ever be good with it.”

    He also added that he ended up spending about “10 days” at Rikers Island:

    “It wasn’t shit,” he explained. “But I was having a hard time raising bail, and I was looking at up to three years for nothing. So it was a very unnerving minute, especially with all that shit in the papers, because I was, like, ‘Somebody’s gonna try to do some shit,’ whatever, whatever. Anyway, it doesn’t matter. This shit’s old news. I’m kind of past all that, the experience, but that shit bothers me. It does. It does bother me that things had to come to that, that somebody would pull some shit like that.”

    [via Blabbermouth]

  • Guitarist Ken Susi (Ex-Unearth) Joins All That Remains

    All That Remains have officially recruited Ken Susi (ex-Unearth, ex-As I Lay Dying) as their new guitarist. He will be taking over for Jason Richardson (ex-Born Of Osiris, etc.), who exited the band last year.

    Susi commented:

    “I’m incredibly honored to be joining All That Remains as their new guitarist. My connection to this band goes back to the late ’90s, when I first met Mike, Oli and Phil at underground shows in Western Massachusetts. Those early days shaped so much of who I am, and coming back together now truly feels full circle.

    I’m also deeply honored to step in for my late friend Oli Herbert. Oli was not only an extraordinary musician, but a close friend whose presence and influence will always be felt. His shoes can never truly be filled, and I carry his spirit with me every time I pick up the guitar.

    After decades of friendship, shared history, and mutual support, it means everything to get on stage with this band and contribute to a project I genuinely believe in. I can’t wait to hit the road and share what we’ve been working on with all of you.

    See you out there.”

  • Kid Rock, Creed, Shinedown, Lynyrd Skynyrd, Etc. Set For 2026 Rock The Country Festival

    The lineup has been revealed for this year’s Rock The Country festival. The tour will feature the following: Kid Rock, Creed, Shinedown, Lynyrd Skynyrd, Aaron Lewis (Staind), Danny Worsnop (Asking Alexandria), Jason Aldean, Blake Shelton, Brooks & Dunn, Jelly Roll, Hank Williams Jr., Ludacris, Nelly, and more at select shows. Here’s the dates:

    05/01-02 Bellville, TX – Austin County Fairgrounds
    05/29-30 Bloomingdale, GA – Ottawa Farms
    06/27-28 Sioux Falls, SD – W.H. Fairgrounds
    07/10-11 Ashland, KY – Boyd County Fairgrounds
    07/25-26 Anderson, SC – Anderson Sports & Entertainment Center
    08/08-09 Hastings, MI – Barry Expo Center
    08/28-29 Ocala, FL – Florida Horsepark
    09/11-12 Hamburg, NY – Erie County Fairgrounds

  • Jinjer’s Tatiana Shmayluk On “Female-Fronted” Label: “We Are Still Getting Compared To Artists That Have Nothing To Do With Us”

    During a recent interview with Metal Hammer, Jinjer vocalist Tatiana Shmayluk shared her thoughts on sexism in metal and the “female-fronted” label. The singer says her band “are still getting compared to artists that have nothing to do with” them.

    Shmayluk said the following:

    “We’re still going through this bullshit today. We are still getting compared to artists that have nothing to do with us. And not always good or talented artists, and I feel very, very fucking offended by that. Because some people, they cannot sing, they don’t hit the notes! Then I get people saying, ‘Oh, she’s doing better than you, she does it better than you, she has this personality, she has…’ Oh my god! Leave me alone! That kind of stuff really pisses me off.”

    She went on to say that she initially took inspiration from Lamb Of God vocalist Randy Blythe, but she kept being compared to women:

    “I get a lot of comparisons and comments comparing me with [former Arch Enemy vocalist] Angela Gossow. I never wanted to sound like her. Some people told me, ‘Why don’t you colour your hair? Why don’t you dye your hair blue like Alissa [White-Gluz, former Arch Enemy vocalist]?’ But why would I? I don’t get it.”

  • Black Label Society Announce New Album “Engines Of Demolition”

    Black Label Society have revealed the details for their new album “Engines Of Demolition.” The effort will be available on March 27 and it will feature 15 tracks including “Ozzy’s Song,” which seemingly serves as a tribute for the late great Ozzy Osbourne.

    “Engines Of Demolition” Track Listing:

    01. “Name In Blood“
    02. “Gatherer Of Souls“
    03. “The Hand Of Tomorrows Grave“
    04. “Better Days & Wiser Times“
    05. “Broken And Blind“
    06. “The Gallows“
    07. “Above & Below“
    08. “Back To Me“
    09. “Lord Humungus“
    10. “Pedal To The Floor“
    11. “Broken Pieces“
    12. “The Stranger“
    13. “Ozzy’s Song“
    14. “Name In Blood” (Unblackened)
    15. “Lord Humungus” (Unblackened)

  • MØL Premiere “CRUSH” Video

    MØL have premiered a new video for their new song “CRUSH.” This track is from the band’s new album, “DREAMCRUSH,” which will be released on January 30. Guitarist Nicolai Busse commented:

    “‘CRUSH‘ encapsulates in many ways the dichotomy we as a band always have sought to balance, the journey between melancholy and jubilee, uplifting beauty and devastation. It is a gradual change or undoing of the known over time. The gravitational push and pull between the individual and the world. An acceptance of the many grey days, the mundane. Right there in the embrace of the chaos within the nuances of blues and yellows – we might discover small hints of slow emerging greens. Of beginning growth.”

  • SPEED Announce UK Tour With Whispers And Bodyweb

    SPEED have announced a UK tour with Whispers and Bodyweb. Here’s the dates:

    04/15 Brighton, UK – Chalk
    04/16 Birmingham, UK – XOYO Birmingham
    04/17 Bristol, UK – Electric Bristol
    04/18 Newcastle, UK – Digital
    04/19 Leeds, UK – Project House
    04/20 Glasgow, UK – Slay
    04/22 London, UK – Electric Ballroom

  • Motograter Rumored To Be Planning A Reunion With Five Finger Death Punch’s Ivan Moody

    It looks like Motograter may be planning to reunite with former vocalist Ivan Moody (Five Finger Death Punch). The news was seemingly confirmed by another ex-member, Michael “The Kidd” Stewart:

    [via Reddit]

  • Threat Signal Preparing To Announce New Album

    Threat Signal are planning to reveal the details for their new album on January 29. That effort will be relased later this year through Agonia Records.

  • Puscifer Announce New Comic Book Series “Tales From The Pusciverse”

    Puscifer have announced a new comic book series called “Tales From The Pusciverse.” The first issue focuses on the character Bellendia Black and it can be purchased HERE.

    The following was said about the comic:

    “Puscifer expands its universe with the launch of the band’s first comic book series, ‘Tales From The Pusciverse.’ Issue #1 centers on Bellendia Black, a character first seen in the band’s “Pendulum” video.

    Written by Maynard James Keenan, the debut issue features artwork by Marlin Shoop (‘Captain Action,’ ‘G.I. Joe,’ ‘Unprepped’) and Andy Belanger (‘Kill Shakespeare,’ ‘Southern Cross,’ ‘Friday the 13th’), with lettering by Jack Morelli (‘Afterlife with Archie,’ ‘Peter Parker Annual,’ Marvel Comics).”

    Maynard James Keenan commented:

    “I remember how excited I was as an elementary school kid when Wolverine was first introduced in one of the Hulk issues. Called neighborhood dibs immediately (long before cosplay was a named thing). Seeing Bellendia Black in print brings back all of those joyful school kid memories.”

    Marlin Shoop added:

    “Puscifer’s leap into comics with Maynard Keenan isn’t merch or novelty – it’s an extension of their long-running conversation with the absurd. The book hums with the same tension as the music: satire wrapped in menace, humor sharpened into philosophy. I’m glad I could be a part of that and bring it to their vision.”