We Came As Romans have shared a new version of “Culture Wound” featuring Ladrones. The track is from the band’s “ALL IS BEAUTIFUL… BECAUSE WE’RE DOOMED: CIRCULARITY” release. That effort will include four new tracks and six reimagined songs featuring Dayseeker, After The Burial, Bury Tomorrow, Currents, HEAVENSGATE, Headwreck, and Ladrones. Futher details are pending.
A Night In Texas have premiered a new video for their new song “Rot From Within.” This track is from their new album, “The Darkest Side Of Humanity,” which will be released tomorrow (September 4).
The group commented:
“‘Rot From Within‘ is a bleak examination of cultural decay, corporate greed, and the slow erosion of identity in the pursuit of profit and progress. The track explores a world that has become disconnected from its roots, where tradition, heritage, and meaning are sacrificed for wealth, consumption, and the illusion of advancement. As history is rewritten and values are traded for convenience, the song questions what remains when the foundations that once defined us have been stripped away.
Driven by crushing riffs, relentless intensity, and a suffocating atmosphere, ‘Rot From Within‘ serves as a warning against a society willing to sacrifice its past, its principles, and ultimately itself in exchange for short-term gain. The result is a dark reflection on humanity’s tendency to destroy its own foundations and a reminder that true collapse often begins from within.”
Legendary guitarist Slash (Guns N’ Roses) has announced new vinyl pressings of his “Music Of Universal Studios Hollywood – Halloween Horror Nights” collections. Fans can purchase “Vol. 1” on “Swamp Thing” colored vinyl and “Vol. 2” on “Yellow Smoke” colored vinyl. Only 300 copies of each will be available. Both can be found HERE.
Trivium have shared some live footage of themselves performing “Entrance Of The Conflagration” at their official headquarters, The Hanger. That track is from the band’s 2006 album “The Crusade.”
It looks like Norma Jean’s Cory Brandan is set to guest on a new P.O.D. song. The band recently shared a photo of themselves with Brandan at a video shoot. You can see that below:
Kelela recently performed a live cover of Incubus’ “Mexico” with a string section at the Spotify Music Studios Live Room in Los Angeles, CA. You can see footage of that below:
During a recent interview with The Guardian, Justin K Broadrick (Godflesh, Jesu, etc.) discussed his new project White Light District. According to him, the material will be “heavy” and “ugly.”
Broadrick said the following:
“I wouldn’t dare call it a Godflesh replacement. Because it’s heavy, ugly music, people may venture that it is, but it will be less rock based. It’s not confined by that instrumentation. It will sound like Glenn Branca with metal guitars, except it’s not metal: 15 layers of guitar that create this ultra-cluster of fucking hallucinatory dissonance, which could not be created by a band.”
The frontman will shift his focus to that project as well as Jesu, JK Flesh, etc. following the completion of Godflesh’s final album. That effort is titled “The End” and he plans to record it in November/December. However, it will feature more high-pitched screams and spoken-word pieces due to his growls being limited by his hernia surgery.
On another note, Broadrick also revealed that he may continue to collaborate with Phoebe Bridgers after appearing on her latest album “Lost Weekend”:
“The fact that she was so personable and we were immediate friends was brilliant for me, but I was overwhelmed by how big she is. I was literally sending music to Taylor Swift’s personal engineer! I’m catapulted into this huge, mainstream world, and I’m like, ‘How the fuck am I here?!’ She wanted me to play guitar and bass on a song for a film. She said to me a few months ago, ‘I’m just going to keep hitting you up.’”
Megadeth’s Dave Mustaine has annouced some book events to celebrate the release of his new memoir “In My Darkest Hour” (out September 8). This includes an in-conversation event with Rolling Stone‘s Kory Grow in New York, NY and fan photo events in Boston, MA and Manassas, VA. All three will include a pre-signed book. Here’s the dates:
09/08 New York, NY – Kaufman Music Center
09/09 Boston, MA – Parkside Bookshop
09/10 Manassas, VA – Barnes & Noble
Blind Channel have premiered a new video for their new song “Stars We See.” You can check that out below. The track is from the band’s new album, “Painstream,” which will be released on October 30.
The group commented:
“We’re incredibly relieved and grateful to have our band back, and absolutely blown away by the response to the first new releases. ‘Stars We See’ is a sneak peek at the new soundscapes and themes we discovered during our break, and it represents the more hopeful side of the upcoming album. This track will undoubtedly make its way into the setlist of the ‘Painstream Tour,’ kicking off in November. We strongly recommend experiencing this new chapter live. Get your tickets, and we’ll see you out there!”
With this news, the band have also announced a European/UK tour. Here’s their updated schedule:
11/14 Helsinki, FIN – Helsinki Ice Hall (feat. Atlas)
11/18 Tokyo, JPN – Shibuya Club Quattro
11/19 Osaka, JPN – Umeda Club Quattro
With Block Of Flats:
02/09 Hamburg, GER – Markthalle
02/10 Berlin, GER – Columbia Theater
02/11 Warsaw, POL – Proxima
02/12 Krakow, POL – Kwadrat
02/13 Prague, CZE – Rock Cafe
02/14 Leipzig, GER – Felsenkeller
02/16 Munich, GER – Backstage Werk
02/17 Vienna, AUT – Simm City
02/18 Milan, ITA – Magazzini Generale
02/19 Zurich, SWI – Dynamo
02/20 Stuttgart, GER – Im Wizemann
02/21 Frankfurt, GER – Batschkapp
02/23 Paris, FRA – La Maroquinerie
02/25 Bristol, UK – Thekla
02/26 Wolverhampton, UK – KK’s Steelmill
02/27 Nottingham, UK – Rescue Rooms
02/28 Glasgow, UK – Garage
03/02 Manchester, UK – Club Academy
03/03 London, UK – Underworld
03/05 Antwerp, BEL – Zappa
03/06 Amsterdam, NET – Melkweg
03/07 Bochum, GER – Zeche
03/08 Cologne, GER – Live Music Hall
Novelists have premiered a new video for their new song “Ravage.” The band commented:
“‘Ravage’ was never meant to play it safe. We kept pushing the track further: Heavier, more melodic, wilder… until a baroque cello somehow felt like the most natural thing in the world. The video came from exactly the same impulse. We had the budget to make life easier and hand the project over to a big production company, but we chose to produce most of it ourselves, to make that budget go as far as possible, and achieve the most ambitious result we could. There’s something very Novelists about doing everything ourselves, even when it makes our lives unnecessarily complicated, simply because we’re obsessed with bringing what’s in our heads to life exactly as we imagine it.”
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