• Southpaw FLHC Return To The Stage Following Recent Racism Allegations

    As previously reported, Southpaw FLHC were recently accused of racism after drummer Harrison Linder was seen wearing merch from alleged white supremacy brand Curbstomp. That controversy resulted in the band canceling their tour and more. The group previously denied the accusations and have since returned to the stage for an October 10 set at Kona Skate Park in Jacksonville, FL. You can see fan-filmed footage of that below:

  • Metallica Add “Until It Sleeps” To Latest Las Vegas Sphere Set

    On October 10, Metallica played the fourth date of their residency at the Sphere in Las Vegas, NV. A majority of the setlist featured tracks performed across the previous shows. However, the band did surprise fans with a performance of “Until It Sleeps.” You can see fan-filmed footage of that below:

  • Graham Bonnet Band Share Music Video For “The Fifth Force Of Nature” Featuring Bruce Dickinson (Iron Maiden)

    The Graham Bonnet Band have premiered a new video for their new song “The Fifth Force Of Nature.” The track, which features Iron Maiden singer Bruce Dickinson, is from the band’s new album, “Circuit Breaker,” which will be released on March 26.

    Bonnet said the following about the single:

    “Having Bruce Dickinson perform a duet with us on this album was a thrill; he is an incredible singer and our voices blend together so beautifully. Truly an experience of a lifetime!”

    Dickinson continued:

    “It was an honor to sing this terrific song with Graham, truly a vocal legend!”

    Bonnet also added the following about the album:

    “I think people will be surprised by the variety of the new album. There are lots of hidden gems in here and something for everyone.”

    “Circuit Breaker” Track Listing:

    01. “No One Is Talking”
    02. “Feel The Power”
    03. “The Captain” (feat. Kai Hansen)
    04. “Landslide”
    05. “The Fifth Force Of Nature” (feat. Bruce Dickinson)
    06. “Wait For The Day To Break” (feat. Roger Glover)
    07. “Flame And Fire”
    08. “No One Sang For Rory”
    09. “Vengeance Is Mine”
    10. “Circuit Breaker”
    11. “Till The End”

  • Behemoth’s Zurich, SWI Show Featured Several Live Debuts

    During Behemoth’s October 9 set at Halle 622 in Zurich, SWI, the band performed several songs live for the first time. This includes “To Drown The Svn In Wine,” “I, Scvlptor,” and their cover of Venom’s “In League With Satan.” The latter track also found Shagrath (Dimmu Borgir) reprising his studio role.

  • The Gathering’s “Mandylion” Lineup Release “Echoes Of Mandylion” Live Album

    The Gathering’s “Mandylion” lineup, vocalist Anneke Van Giersbergen, bassist Hugo Prinsen Geerligs, keyboardist Frank Boeijen, drummer Hans Rutten, guitarist RenĆ© Rutten, and guitarist Jelmer Wiersma, have released a new live album, titled “Echoes Of Mandylion,” via Bandcamp. The effort was recorded during their August 2025 shows in Nijmegen, NET.

    “Echoes Of Mandylion” Track Listing:

    01. “Mandylion”
    02. “Eleanor”
    03. “Fear The Sea”
    04. “In Motion I”
    05. “On Most Surfaces (Inuit)”
    06. “Broken Glass”
    07. “Waking Hour”
    08. “Great Ocean Road”
    09. “Probably Built In The Fifties”
    10. “Analog Park”
    11. “In Motion II”
    12. “Leaves”
    13. “Sand And Mercury”
    14. “Strange Machines”
    15. “Travel”
    16. “Saturnine”

  • Sixx:A.M.’s James Michael Releases Debut Album From New Project Lowlight Revelry

    Sixx:A.M. frontman James Michael has teamed up with guitarist Brian McCafferty and bassist Dixie Doherty for a new project called Lowlight Revelry. Their debut album, “No Time For Shooting Stars,” is available now. You can find it HERE.

  • Watch Unleashed Pay Tribute To The Late Cronos With Cover Of Venom’s “Countess Bathory”

    During Unleashed’s October 7 set at Gagarin 205 in Athens, Greece, the band paid tribute to late Venom frontman Conrad “Cronos” Lant with a live cover of “Countess Bathory.” You can see fan-filmed footage of that at the 01:11:47 mark in below video:

  • Journey’s Deen Castronovo Returns To The Stage Following Recent Medical Emergency

    On October 10, Journey drummer Deen Castronovo returned to the stage at the Frost Bank Center in San Antonio, Texas. This news comes after he suffered a medical emergency during the band’s October 8 show at the BOK Center in Tulsa, Oklahoma.

    Guitarist Neal Schon said the following:

    “He crushed last night. Deen was back in rare form”

    Castronovo also commented before the show:

    “Thank you all for the overwhelming love, concern, well wishes, messages and texts over the past couple of days. While I haven’t been able to respond to everyone personally, please know how much your kindness and support mean to me.

    Tulsa, I’m so sorry I couldn’t finish the show with you all.

    Thank you to Jonathan Cain, Neal Schon and everyone at the BOK Center for lifting me up in prayer that night. Hearing about that touched my heart deeply.

    I’ll be joining Journey on stage in San Antonio tonight. Much love to you all!”

  • VCTMS’ Former Touring Bassist Davion Cuttler Accuses Drummer Meredith Henderson Of Abuse

    VCTMS’ former touring bassist Davion Michael Cuttler (Hollow Front) has now accused drummer Meredith Henderson of abuse. His comments come after guitarist Michael Joseph Clampitt exited the group over similar allegations.

    Cuttler said the following:

    “So yeah, VCTMS… A lot to unpack here.

    With Mike having said his statement and getting everything out there, I feel a responsibility to myself and one of my best friends to validate his experience with my own, now that I feel safe to.

    Before I go any further, I feel I need to give a disclaimer, since there appears to be some confusion about my working relationship with VCTMS based on messages I’ve received in the past 48 hours.

    Although I was on the performing side of the camp, as well as being a part of meet & greets, signings etc. I was never a member of the band. I had no power in any decision-making or any sway in how the band operated. I was a crew member, hired by the band to do a job, which in my case was touring bassist and tech for the band. Operating their playback and monitoring rig for over 2 years until the start of this most recent tour

    Around two months ago, I made a statement that i was stepping away from touring. Although the reasons I stated for stepping away were all true, I intentionally left out a key reason I felt the way I did. I made that decision because I also could not continue to navigate the difficulties of working for someone like Meredith.

    I, too, witnessed her do all the same things Mike listed in his post. Many of which, towards me. During my time working for VCTMS, I was subject to many instances of verbal abuse, yelling, insults and in one case, even physical aggression from Meredith. That instance being screamed at and having the van keys thrown at my face, breaking skin on my hand trying to block them from striking me. Simply for asking for them to grab more equipment and personal belongings to do to my job. Her justification being she was “having a bad day” and I had dared ask her for something while she was handling something on her phone.

    This happened in the middle of the venue, in front of members in the camp, venue staff and multiple crew for the other bands traveling with us. Everyone in the camp had to rally behind me to get her to apologize, which came via text the next day. Only to be met with another instance of unprompted attitude and disrespect days later. Rinse, repeat.

    This was a loop. It felt like walking on eggshells 6 weeks at a time. Not knowing what side of her I was going to have to work for that day. In cases where she could clearly tell I was at my breaking point, I was met with brief moments of generosity and lengthy texts or verbal statements of admiration for my work and efforts for the band, only to inevitably start back at the beginning of the rollercoaster again.

    While I don’t feel at liberty to touch on some details of the business side between band members, as I was hired as crew. I will say on my end, I found it difficult many times to get basic necessities or even feed myself on tour, due to Meredith’s negligence and lack of care in paying crew members on time. When confronting her about this, many times it was met with attitude, or being outright ignored about it for days at a time. All while watching Meredith spending money on luxuries, sporting events on off days, flying her friends out to travel with us, etc.

    When you are in a cramped vehicle, with more than 5+ people, in a different city every day, away from home and your loved ones, it is incredibly important to keep the peace. But it is also incredibly dire to be paid on time. To be able to afford food, hygiene products etc. Things add up.

    “Why did you continue working with VCTMS for so long if it was this bad?” Well, there are a couple of reasons.

    My offer to tour with VCTMS came at the same time as my band’s indefinite hiatus from touring, but stopping touring was the last thing I wanted to do. While I quickly realized in my first tour with VCTMS that I was in a very negative and unhealthy environment, I held out in hopes that through still working hard for the band and networking, I would eventually be met with a better opportunity. But that opportunity never came.

    I also didn’t leave sooner out of fear. As mike stated, crew was a revolving door, with many of said crew leaving due to being no longer willing to deal with Meredith’s behavior. This would sometimes be met with retaliation by Meredith. In some cases, frivolously badmouthing and talking down about past crew members to others in the industry and people close to said crew members on the tour directly after their departure. Even to the new crew members replacing them, potentially ruining future work opportunities.

    “Why didn’t you speak out publicly sooner?” Same reason, fear of retaliation.

    For me, things came to the same conclusion. After 2 years, I just couldn’t deal with it anymore. I’m so thankful to have met all the wonderful people from around the world that I did in my time touring with VCTMS, but my experience with Meredith has effectively ruined my outlook on touring.

    I’m so proud of Mike for saying what I felt I could not.

    One last thing. There is a lot of unnecessary and unwarranted nastiness surrounding this situation in comments and DM’s to people involved. Insults, hateful and sexist remarks towards anybody surrounding this is just not okay. Mike’s statement, as well as mine is about accountability and change. If you’re just going to comment disgusting insults, whether it’s on our posts, or an article, you have your own self-reflecting to do. Do better.”

    For her part, Henderson briefly addressed the accusations following Clampitt’s statement. Vocalist John Matalone also shared a lengthier response.

  • Male Fan Takes Issue With Sex Pistols’ Women-Only Mosh Pit, Gets Kicked Out By Frank Carter

    During Sex Pistols’ October 9 show at the Ogden Theatre in Denver, Colorado, a male fan caused some drama after taking issue with a women-only mosh pit. As such, he ended up getting ejected by the band’s current frontman Frank Carter.

    Carter said the following:

    ā€œLadies if you’ve ever wanted to mosh or dance in a safe environment without getting an elbow to the fucking face… What’s the matter? No, listen, shut the fuck up. Shut up. Shut the fuck up, Just stop fucking talking. There’s always fucking one. Let me get to the end of the fucking story and then get on the fucking stage. Just shut the fuck up. Every fucking time.

    Every time, there’s always a man that tells me, ā€˜[Women] can do this all the fucking time.’ Like, they can’t. They fucking can’t. Do you know why? Because they walk in the mosh pit and they get a fucking elbow to the head by a fucking idiot!

    You’re shaking your head like you’re a fucking ā€˜woman’? Are you fucking stupid? It’s not your lived experience, so just shut the fuck up! Fuckin’; Christ. Every fucking time. You’re still shaking your fucking head. Do you know what, instead of crouching, just fucking leave, bro!

    There ya go then. How is it so difficult for you to see space made for women at a Sex Pistols gig? How the fuck did you decide? ā€˜No! They can fucking do this whenever.’ Ask any one of them if they feel safe in every mosh pit! Don’t roll your f*cking eyes at me—you fucking did this. You did this!ā€

    He continued after the fan mentioned the venue’s all-gender bathroom:

    ā€œThat’s brilliant. I’m fucking super grateful that there’s an all-gender bathroom here. I love that. There is no… [bangs mic on head].

    That’s what it’s like. That’s what it’s like. Banging your fuckin’ head off a brick wall. Are you lot fucking ready? Because this is for you, it’s not for him.ā€

    He went on to say “now listen gentlemen, gentlemen, you have a responsibility…,” before being interrupted again. He then called on the security guards:

    ā€œAre you fucking seriously doing this? Oi, security, just get this fuckin’ lump outta here.ā€

    Carter also told the fan they weren’t welcomed there:

    ā€œAnd you know what? If you’ve got a fucking problem with me, you can see me outside after geezerā€¦ā€

    Once the fan was removed, Carter added:

    ā€œRight, as I was fucking say before I was rudely interrupted by a man that wanted to tell me that, actually, there’s no gender inequality in the world; If you’ve ever wanted to dance in a safe environment, without the risk of getting an elbow to the face by some hardcore ninja, or being groped by some absolute fucking Neanderthal, or even worse, being mansplained for three fucking minutes that actually you can dance, this is your chance to do in a safe environment, where not only all the fucking girls will have your back, but all the other men in the room now, will keep all the other fucking drunk men out the fucking way, and they will let you occupy the space, that they have occupied their whole fucking lives, and they didn’t even fucking know. And the best part is, you get to do it the best Sex Pistols song ever, and he’s gonna fucking miss it, this is called ā€˜No Fuckin’ Feelings.ā€™ā€

    Carter has since issued a statement as well:

    ā€œIf you are a man who gets offended by a band making room for a female only moshpit then you are PART OF THE PROBLEM. Stay home, read a book by Bell Hooks, come back when kindness, compassion and empathy have landed with you. Incels, homophobes, misogynists, racists, fascists not welcome. Also this isn’t up for debate. I don’t care for your pedantry. If it isn’t your lived experience, don’t fucking speak on it. If you are offended by being told something isn’t for you then imagine how it feels to be a woman in the current climate. And finally… When I say a Ladies only moshpit pit. I of course mean a trans inclusionary space. The space is for people who don’t usually feel safe… To dance and have fun without the worry of physical, sexual or psychological violence being used against them while they are vulnerable. DO NOT LET THEM DIVIDE US.ā€

    [via The PRP]