During his October 10 show in Linköping, Sweden, Lars Winnerbäck was joined onstage by Ghost’s Tobias Forge for a performance of “Dunkla Rum.” You can see fan-filmed footage of that below. Notably, Forge performed unmasked.
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Jay Jay French Says Twisted Sister Might Record One New Song
During a recent interview with 102.3 WBAB, Twisted Sister guitarist Jay Jay French revealed that the band are thinking about tracking a new single. According to him, singer Dee Snider “wrote a song and he presented it to [the band] and [they are] considering recording it.”
French said the following when asked about new music:
“We played [our latest single ’30’ live]. I love the track. We made a video. It’s a great song. And Dee predicted that nobody would care. We played it several times on the tour following the release, and Dee said, ‘This is the bathroom song coming up, everybody.’ People were looking around going, ‘What’s that bathroom song?’ You know the point in the show where someone says, ‘This is a new track,’ and you all get up and go to the bathroom? He goes, ‘We have a bathroom song that’s coming up. I’ll give you plenty of warning.’ And so he made such a point of saying it that nobody would get up and go to the bathroom, ’cause now they were completely humiliated. So he’d say, ‘Coming up in two songs is the bathroom song.’ And we would play it, [and] everyone was there, everybody clapped.
But I guess here’s the important point. If you’re gonna play 15 songs or 16 songs, whatever the amount songs are, and you laid them out on a grid and you said to a fan, a real fan, ‘Okay, we’re gonna play this, this, this, but we’re gonna put this new track in and we’re gonna take this track out.’ How do you think the vote would go? You know the answer to that question would be 95-5 against or maybe 99-1 against. And that’s the truth. That is simply the truth. I don’t care how you wanna cut it, but when you’re a classic band like us who’s had a ton of product out there and we have five albums and everybody knows who they are, and with [returning TWISTED SISTER drummer] Joe Franco on drums, we’re gonna play songs from the album that he played drums on, ’cause he was a bonafide member of the band, it becomes a situation where if we did, what are we taking out to put that in? And that becomes a Dee issue. I trust his vibe as a frontman to control the audience, ’cause he’s great at it, have control of the ebb and flow of the night. Now, having said that, he wrote a song and he presented it to us and we’re considering recording it. We’re considering it, and if we do, then we may play it. But we haven’t done it yet. It could happen. However, like I said, if you asked a hundred fans what they wanna hear, you would get a response of almost zero on a song they didn’t know.”
[via Blabbermouth]
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Watch Pro-Shot Footage Of Queens Of The Stone Age’s Set At The 2008 Pinkpop Festival
Pro-shot footage of Queens Of The Stone Age‘s June 1, 2008 set at the Pinkpop festival in Landgraaf, NET has been uploaded to YouTube. You can check that out below:
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Zakk Wylde On Ozzy Osbourne Dying Shortly After His Final Concert: “I Didn’t Think After We Did The Show, Two Weeks From Now, He Was Gonna Be Gone”
During a recent interview with the Los Angeles Times, Ozzy Osbourne’s longtime guitarist Zakk Wylde opened up about the singer passing away shortly after his and Black Sabbath’s farewell concert. Wylde says he “didn’t think after [they] did the show, two weeks from now, he was gonna be gone.”
Wylde said the following when asked if Osbourne knew the show was going to be his last:
“No, I don’t think so. The way I always felt, all the things that I’ve gone through with them, it was always — if it was a setback or anything like that — it was more of a speed bump and it was just like, ‘All right, we’ll fix the flat tire on the truck and then we’ll just keep moving.’ So, I think it was more like that, because I knew he still wanted to make records and things like that. But I was just thinking, ‘Who knows, man, hopefully if this thing goes over well, then we might be able to do some other shows or do select shows throughout the year.’ Like these Ozzfest-type things, just so Oz can still keep doing gigs, but maybe not touring in the capacity of doing four shows a week or whatever.”
He continued when asked about Osbourne’s “indestructible” nature:
“It’s just like with the Stones, you just always think they’re going to be there. I felt like that with us. Even when we were doing that show, I didn’t go, ‘Oh, this is the last time I’m ever going to play ‘’Mama, I’m Coming Home‘ with him or ‘Crazy Train‘ with him or anything.’ You’re in the moment anyways. You’re playing, so my concern was making sure he was OK. I wasn’t thinking about any of that, because it’s like you’re playing a game.
You never think it’s your last Super Bowl; you’re playing and you’re playing to win. So, yeah, I didn’t think about it, and like I said, I’ve always been optimistic. I would always tell him, no matter how bummed he got, ‘Just keep doing therapy and keep doing everything you’ve got to do because what’s the option? Then you just quit in the corner, and you whine about it.
Or you could do something about it, with therapy and hitting the weights and doing everything you got to do.’ Like you said, there was no quit in him. So, that’s where we were at. I never thought like, “Oh, yeah, this was the last gig.” I didn’t think after we did the show, two weeks from now, he was gonna be gone. I wasn’t thinking that at all.”
He also added the following when asked what he wants people to remember about Osbourne:
“Like I said, he had a heart of gold, man. It was that he had all the best qualities you’d want in somebody; his heart of gold, and then you couple that with him just being hard as nails and tough, no quit ever.”
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Project 86 To Relaunch As P86 Omni
Project 86 frontman Andrew Schwab has revealed that he will be relaunching the band as P86 Omni. This news after the group previously called it quits.
Schwab said the following:
“Obviously, I announced the end of Project 86 some almost five years ago and since then have been making the stuff to go along with that cycle. The double album, ‘Omni‘, which was really fun to work on and the books. So, where are we at right now? Where are my eyes pointing for the future and how does this all play out? Well, let me first explain my decision to announce the end of Project 86. Two reasons for this: One, creatively speaking, I felt like we were chasing our tails — I was chasing my own tail personally — for a very long time. Obviously, we had some very high points early in the career.
Uh, highlighted by ‘Drawing Black Lines‘. Some other mentionable highlights, specifically ‘Wait For The Siren‘, later-stage career. Project 86. But I always felt like, especially in recent history, that the creative box that was painted for this band and for this entity was very well defined, especially by the end of album 10, which was ‘Sheep Among Wolves‘.
Early on in the career, a nü-metal/post hardcore sound and then everything after that was a bit more of a hard rock kind of thing. And I felt, I don’t know if the the word is stifled, but I felt creatively stagnant for several album cycles. Like it was getting harder and harder and harder to write new music.
You sit down to write a riff or a song and it’s like, ‘No, we did that on album 7. No, we did that on album four. No, we did that on album two.’ And it just felt stale. Plus everything related to the legacy of Project 86 — especially the old school legacy, you know there’s some, I don’t know if the word is baggage associated with that, but there’s definitely an impression in people’s minds of what that thing was.
And I was always fighting against that every step of the way, every album. We tried a lot of things. We were creatively schizophrenic along the way and I had a hankering to try some different things that weren’t really Project 86, sonically. And that came out during the album cycle —the last album cycle — on ‘Omni‘ where I said basically, screw it. I’m going to do something that’s a lot more aggressive, a lot darker, and kind of a different lyrical approach; sci-fi, cyberpunk, a more metal approach.
So, kind of everything I wanted to do but felt like maybe wasn’t the right fit for Project and I just said, ‘Screw it. This is what I want to do.’ Along with writing a novel and doing animated music videos and live show visuals and even an ARG. These were all things that were a part of the ‘Omni‘ cycle that I never had the chance to do on the previous Project 86 album cycles, if that makes sense.
So there was kind of a creative reinvention that was very intentional and sort of me intentionally, using the same word twice, departing from the traditional Project 86 approach. And that was a very important exercise for me to feel inspired again. The other part of me sort of announcing the end of Project 86 was, just to be frank, a concern over my aging vocal cords and the traditional Schwab shout. And I talk about all this in the ‘I. Need. Truth‘ book —not to shamelessly plug, but to shamelessly plug, you guys should check out the book where I talk about all this more.
I just felt like I would reach a certain point,having struggled with vocal injuries over the years, a vocal cord nodule that I developed 20 plus years ago on the ‘Truthless Heroes‘ album cycle that just the Schwab shout was going to run its course pretty soon. I had some scares along the way where I felt like my voice just wasn’t going to last anymore and I needed to do something to reinvent that.
Ironically, through the ‘Omni‘ album cycle, uh, I started going a lot heavier with my vocal approach. And believe it or not, that led to much less vocal fatigue live and in the studio. And it felt like a complete creative reinvention from the way that I was singing, to the visual identity, to the sonic identity uh, to the lyrical approach.
And the conclusion that I came to in the process of making ‘Omni‘ was one, man, if it could feel like this, I would definitely be open to doing more of this kind of stuff because this is really fun. I’m not losing my voice. I’m not stressing about it. I’m not feeling this sort of spectre or this shadow of having to live up to ‘Drawing Black Lines‘ or ‘Spy Hunter‘ or even ‘Fall Goliath Fall’. this is a brand new thing in every way.
So maybe this is just a natural sort of reband, restart, reboot, reinvention. And that’s the conclusion I came to towards the end of the ‘Omni‘ cycle, or the end of recording ‘Omni‘. It’s like look, I announced the end of Project 86 and I meant it, but this is something brand new. And this may seem arbitrary to all of you. But for me, I needed a complete reboot and a restart. And it what it really came down to was I’m taking some risks here, creatively to go in a new direction. A heavier, more metal, more electronic, more thematic, less overtly spiritual — but spiritual nonetheless — just in a different way, with the approach here. And if everybody likes it, then maybe this thing has legs. This idea of reinventing it.
And it turned out that people for the most part really dug the ‘Omni‘ stuff musically. It was pretty exciting. It was really exciting for me, which is what I needed to make more of it. But it was very exciting for a lot of you. And that was all the boxes checked for me to at least entertain the idea of going down this road again.
What does that look like? Well, I feel like it’s still in the spirit of Project 86, but it’s kind of a brand new moniker and reinvention. So I feel like moving forward what makes the most sense is to call this thing P86 Omni and to continue the thematics, the narrative, the story, the conceptual worldbuilding that we started in ‘Omni Part One‘ and part two and continue that into a part three and beyond. And make every cycle contain a novel, contain a story, contain worldbuilding and contain addressing of the emerging technocratic order in the real world, our relationship with technology so to speak.
And express my sentiments and thoughts about it in this way, in this creative expression of mankind’s sort of dark nature as he relates to innovation. So, I don’t know if all this is resonating with you guys or not. But I’m explaining the most exciting decision that I have to announce in a while here, and that is more music is coming.
I’m officially announcing ‘Omni Part 3‘ is coming down the pipe, and we’re going to start the pre-order and Patreon to support this, to raise funds for this next month. I’m just lining up a few pieces of the puzzle so that we can launch this thing as soon as possible in time for the holidays. I’m looking at November 10th right now. If everything lines up, that will be the date. It may end up being a little later. We’ll be posting a ton about this on all of our socials. Look for a trailer. Look for visuals.
And what does that mean? Well, just like we’ve done on the most recent album cycles, a long lead pre-order. However, this will be a much shorter cycle. I will not be announcing a double album. It will be a single album with a book. The book will come later, probably as like a stretch goal. And we’re looking at a one-year turnaround. So, I’m giving my team basically a 9-month window from announcing this to finish producing the music.
And the goal here, I already have a lot lined up: a production team, artists, graphic artists. We’re already running with a theme. I already have an album cover concept title. I already have an outline for the book. I already have an outline for the album. I already have half the songs ideated in terms of lyrics. A lot of it is already… I’ve been working on it the last 3 months. So, it’s in motion and we’re going to hit the ground running.
And I really wanted to capitalize on the momentum that we created, the new momentum we created with ‘Omni Part 2‘ and this energy and excitement I feel for this world that we’ve started to build and the thematics. And really all of this revolves around the emergence of AI and all of the fast-moving announcements that we see on a daily basis that are changing our world in terms of how we relate to one another and everything in between. How it’s going to affect our lifespans, our health, our impending merger with artificial intelligence and beyond.
So, I’m really excited to work on this and bring it to life here in the months to come. we actually just finished a brand new song that is a Patreon exclusive for our platinum members. I know you guys are going to kill me for that, but it’s a deliverable that I needed to give that I promised to those higher tier highest tier Patreon supporters as a fruit, excuse me, of supporting this previous cycle.
But you guys can access that this now if you want to get on board with early support of the new album cycle. Visit us on Patreon at P8625 and join Pale Riders.” We’re we’re looking at a a cycle here and I want to”
[via The PRP]
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Disgraced Lostprophets Singer Ian Watkins Killed In Prison
According to BBC, convicted pedophile Ian Watkins (ex-Lostprophets) has died after being stabbed in the neck at HMP Wakefield. The West Yorkshire Police Department arrived at the prison following the incident and found the disgraced singer dead at the scene. The Sun also reported that the attack was pre-planned. The report went on to say that he was shanked by another inmate and that his jugular was slashed. As previously reported, Watkins was serving a 29-year prison sentence with an additional six years on licence for 13 counts of child sex offences.
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Slipknot’s Eloy Casagrande: “New Material Is Coming”
During a recent interview with Drummer’s Review, Slipknot drummer Eloy Casagrande confirmed that the band are still working on new music. He said the following:
“What I can tell you right now is that we are cooking, we are doing some new music, for sure. Yes, we are. Since I joined the band, we have been working on some new ideas. We keep exchanging guitar riffs, drum beats, so we are always doing something. We had also some jam sessions. So we have a lot of material right now. We just have to sit and put everything together, start jamming, and it’s happening. It already happened. It’s gonna happen in the future. So new material is coming, for sure.”
[via Blabbermouth]
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Cheap Trick Premiere New Song “The Riff That Won’t Quit”
Cheap Trick have premiered a new song titled “The Riff That Won’t Quit.” This track is from the band’s new album, “All Washed Up,” which will be released on November 14.
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