Gideon have announced a new EP titled “4×4.” The effort will be released on June 12 and it will feature the following tracks:
01. “Wrong One”
02. “4×4”
03. “‘Til The Wheels Fall Off”
04. “YEEHAW”
05. “Find It As I Go”
Gideon have announced a new EP titled “4×4.” The effort will be released on June 12 and it will feature the following tracks:
01. “Wrong One”
02. “4×4”
03. “‘Til The Wheels Fall Off”
04. “YEEHAW”
05. “Find It As I Go”
The Warning will be releasing a new album, titled “Everything’s Falling,” on August 28. Pre-orders can be found HERE. A music video for the effort’s next single, “Ritual,” will debut on June 12.
If Not For Me will be releasing a new album, titled “Where The Light Begins To Fade,” on August 14. The effort’s next single, “Novocaine” (feat. Josh Mowery of Catch Your Breath), will debut on June 12.

“Where The Light Begins To Fade” Track Listing:
01. “Retrograde”
02. “Lie Awake”
03. “Unholy”
04. “Say It To My Face”
05. “Broken Throne”
06. “Prey For Me”
07. “Teeth”
08. “Novocaine”
09. “Love To Hate Me”
10. “Pretty Lies”
11. “Save Me”
12. “Close To Closure”
LUNA KILLS have premiered a new video for their new song “LOWER.” The band commented:
“The lyrics of the song are about dealing with the feeling that you don’t belong anywhere. You feel the weight of not fitting into the expectations that society or others have placed upon you, or even the expectations you have for yourself. It makes you question your reality, and at the same time, you slowly begin to feel like you’re fading away piece by piece and turning into someone you don’t recognize. The song carries a theme — both in lyrics and music — about the contrast between the softness of accepting yourself and the world you have built around yourself and the crushing weight of a never leaving dread whispering whether you made the right choices.”
SPEED have announced a summer European/UK tour. Here’s the dates:
08/14 Dinkelsbühl, GER – Summer Breeze Festival
08/15 Vilmar, GER – Tells Bells Festival
08/16 Prague, CZE – Cargo Gallery
08/17 Erfurt, GER – Kontor
08/18 Copenhagen, DEN – Pumpehuset
08/20 Charleville, FRA – Cabaret Vert
08/21 Château-Gontier, FRA – V and B Festival
08/22 Biddinghuizen, NET – Lowlands Festival
08/23 Hasselt, BEL – Pukkelpop
08/25 Oberhausen, GER – Kulttempel
08/26 Frankfurt, GER – Das Bett
08/27 Torremolinos, SPA – Canela Party
08/29 Reading, UK – Reading Festival
08/30 Leeds, UK – Leeds Festival
09/02 Dublin, IRE – Opium
09/03 Belfast, UK – Oh Yeah Music Centre
09/05 Torquay, UK – Burn It Down Festival
09/06 Neath, UK – The Arch
As previously reported, Beartooth’s Caleb Shomo recently came out as “a proudly gay man” following a 14-year marriage. Now, during a recent appearance on the “Disrespectfully” podcast, the singer further discussed his sexuality and the past suppression he dealt with due to his Christian upbringing.

Shomo, who is actually the son of a preacher man, says when he was young he was taught that gayness was “a sickness you can cure with prayer.” He went on to say this mentality and his time in the Christian music scene were “damaging”:
“Probably even more damaging than that [religious] upbringing was being involved in a music scene, in that really wild Christian era of the mid-late 2000s that I came up in. You know, like adjacent to Underoath and all that stuff, that at the time was very, very Christian and very evangelical, and very intense. And I was involved in this music scene, where I was the youngest. And I was, you know, 14 when I got into this scene, hanging out with a lot of older people, who are very evangelical devout Christians.
And I was a Christian myself, but that just in hindsight leads to some crazy sh*t. Like literally being 16-years-old on a ‘Warped Tour‘ being outside of our bus while this group of people is trying to pray the gay out of one of our crew members, while I’m like there, just like, ‘Okay this is it. This is what is true, this is what we do.’ And it was so f*cking traumatizing and terrifying.”
He continued:
“And also the way you’re raised is you don’t really have any platonic relationships with women. It’s like there are men’s groups, there are girls groups, you grow up in your thing. And the way the community interacts in general, as well being like these horny repressed Christians, is well, you can’t have sex before you’re married and you’ll go to hell for that. So, you know, people are courting each other very young without much understanding of themselves and you just follow the model.
And I never had any relationships with women really, at all. So that was also very confusing, and kind of you know, I just was really trying my best, and just trying to follow the path, and yeah, there’s just so much I didn’t understand about myself. I mean going from being this young Christian kid to being in the music scene at 14 and on the road full-time at 15. I mean I went to my freshman year of high school and then got my GED and I’ve just been touring ever since. You don’t really process things.
I saw this clip of Hayley Williams talking that hit me like a truck, where she’s like, basically in some way, she’s talking about realizing she’s dealing now with some arrested development from just being 14 as well and being full-time in the music scene.
And I was like ‘holy sh*t!’ Yeah!’ I missed so much and had such a different path and so much of that was self-exloration and sexuality and who I am at all. And then you throw all that in the cloak of Christianity, and like devout evangelical Christianity, We’re talking f*cking laying hands, speaking in tongues, and like all this heavy sh*t, It’s intense.”
He went on to say he questioned his sexuality “all the time, but didn’t understand what it was”:
“So, my first core memory of what I recognize is that was when I was probably six or seven and my mom [and my older brother…] we were at some department store, like Kohl’s, and there were these cheap rings, and we thought they were really cool. And my mom was like, ‘Okay, you guys can get one.’ And [my brother] picked a guy’s ring and I picked a girl’s ring. And he’s like, ‘You know that’s a girl’s ring.’ And I was like, ‘Oh, I don’t know. I just love it,’
And I remember It was half-silver, half-gold and had a diamond in the middle. I just loved it and I loved the way it made me feel. And I wore it all day and then the next morning on the bus I remember just getting ridiculed by the kids, like ‘That’s a girls ring!’ I just freaked out and didn’t know what was going on and f*cking threw it out the window.” It was like, ‘F*ck, don’t do that. Whatever that is, let’s keep that away.’”
“To me, what that was, was this very strong feminine side that I have, but that’s just not the vibe in Ohio in the Christian world. And then growing up, the older you get, and then hanging out with a lot of older people, and just conversations constantly reminding you how f*cking weird it is to be gay, or to do anything remotely gay or feminine, or anything like that.
So that feeling that I had, which I now understand was my sexuality, I just viewed and compartmentalized as just self-hatred. It’s just this thing that’s evil in me and okay, you fight this with all of your might. And that’s the right thing to do. You f*cking pray about it. And I came up with methods to keep it at bay that are so f*cked now thinking about it.”
He also discussed how he developed suicidal ideation and substance abuse issues, before adding:
“I think so many straight Christian men are queer, and you can not explore that, so you find ways to fight that sh*t.”
He also opened up about being “terrified” to come out and how doing so felt freeing:
“I basically was able to verbalize that like, ‘No, I think the way that I feel about girls, I feel about guys.’ I do. And there’s something there that I’ve been running from for a long f*cking time. And I don’t think I want to run anymore. And then after that the f*cking hinges got ripped off. Like it just was so fast, so fast. And then everything starts to make sense. And then I was able to stop hating myself so much — at least in some ways — and start to unpack everything. And immediately, you know, I got into therapy.
And you know, I have very severe ADHD. And I understand, after a lot of life, that if I’m not doing very certain things in my daily routine to keep that at bay, it’s easy for me to kind of like spiral out and go back into a hole and then just bury everything back down. So I was like, I’m going to take this really f*cking seriously. And therapy, exercise, eating good, sunshine, good sleep, like being creative, these are all really important things.
And I was really proud of myself and I was taking it really seriously and putting in so much of the work and then it just unfolded so fast. Like the depth of it, And me understanding, ‘Oh this is all you’ve ever craved out of women, is like you just want to be seen, and be one of them in a way, and have that part of you be empowered. And this is what you really wanted from men.’ And yeah, you know, very quickly after that, there was no other truth other than to say I was gay.
I couldn’t say I was bi — which I said for a while, because it felt right and it felt safe. And I had a lot of processing to do about my journey and my relationship with women, and sexuality with women, and sexuality with men, and like everything just made sense so fast. And I think it was, I don’t know, probably within a month, maybe two, is when I was like ready to be like. ‘No I’m gay.’”
He also talked about the lack of openly gay men within the metal scene:
“Within our music scene, you know to be gay in any public forum is very scary, especially in the United States, and especially in our music scene. I mean, we have Rob Halford, and that was in the ’90s. You know, that’s a different time, different world, different scene, but I’m sure I’m not the only one.”
[via The PRP]
End It appear to have deactivated their Facebook page. This news comes amid controversy stemming from the band’s June 5 show in Toronto, ON. That set found the group turning the crowd on a fan who was wearing a banana costume. The band called out the man for being an attention-seeker and offered to give their setlist to whoever destroyed the costume. Concertgoers then preceded to tear the banana apart. This news comes shortly after End It were seemingly removed from an upcoming European tour with Hatebreed and Life Of Agony.

Cancer Bats have premiered a new video for their new song “Long Tooth.” The track, which features Brooklyn Doran, is from the band’s new album, “Give Me Dirt,” which will be released on August 7. Vocalist Liam Cormier said the following about the single:
“The chorus reflects a realisation I’ve been having lately. I’m at the halfway point of my life (and yes, I fully intend to make it to at least 92). Like many people, I’ve spent years trying to fix certain parts of myself. Lately, I’ve found myself wondering whether those things really need fixing at all. They’ve carried me this far and have helped shape who I am. At some point, self-improvement gives way to self-acceptance, and the chorus embraces the idea that maybe it’s okay to just carry on. This video was a blast to make! From building the sets to making the costumes, we worked really hard to bring this whole vision to life! I couldn’t be happier with how it all turned out.”
Last night (June 9), Silent Planet took a stand against merch cuts at the Alcatraz in Milan, Italy by throwing free shirts to the crowd. The band said the following about that before the concert:
“Tonight’s venue in Milan is not allowing us to sell our own merch, and demanding a 25% gross vendor fee (merch rate) and an additional 22% tax. We believe this business model is predatory and cannot afford to lose money on our own merch, especially so far from home. However, I’ve spoken with so many of you outside the venue already, and I know many have traveled far to be here. So we will be throwing out shirts during the set, and will also provide a discount code for those who isn’t to purchase our merch online.”
Maynard James Keenan (Tool, Puscifer, etc.) is currently facing a lawsuit related to his gin venture. A former business partner named Dave Sanclement took legal action after he was allegedly relieved of his duties at the Potions distillery for reasons unrelated to work. PotionG and co-managers Tim White and Calvin Arnold were listed as defendants as well.

The following was said in the complaint:
“Plaintiff is one of four members/managers of Potions with a 22.8% interest therein. Defendants Keenan, White and Arnold are the other members/managers of Potions whose respective interests are: 31.6%, 22.8%, and 22.8%. Potions is governed by a Board comprised of the four managers named above. Pursuant to the Limited Liability Company Agreement of Potions, dated July 11, 2024 (“Potions OA”), to which the Plaintiff and all Defendants are parties, the business and affairs of the company are to be managed, operated and controlled at the direction of the Board.
At the Board’s direction, it was determined that Plaintiff would oversee, manage and guide the day-to-day operations of the venture, due to his background, qualifications, and operational expertise superior to the other founding members. Notably, the pitch deck provided to investors to solicit their investment, and all drafts thereof, confirmed the Board’s agreement for Plaintiff to manage the day-to-day affairs of the venture.
The Defendants’ representation to investors that Plaintiff would be responsible for managing the day-to-day operations was intended to attract, and did attract, money from investors, whose decision to invest money was made in reliance on this representation. The Board’s decision for Plaintiff to manage the day-to-day operations was believed to be in the best interest of the company, given his qualifications for this role relative to the other members. The promise to manage day-to-day operations was intended to induce, and was a material reason for, Plaintiff’s agreement to participate in the venture. In reliance on the agreement for Plaintiff to manage the day-to-day operations, Plaintiff invested a substantial amount of time, energy and effort getting the venture up and running.
However, notwithstanding the parties’ agreement, in or around November 2025, the Defendants conspired in bad faith to strip Plaintiff of this role, in retaliation for something wholly unrelated to the business of Potions. To be sure, on September 30 and October 10, 2025, Plaintiff lodged a series of formal complaints about Defendant Keenan related to workplace issues at his other businesses. The complaints alleged conduct by Keenan that Plaintiff believed to be illegal.
Coincidentally, one month later, in retaliation for the same, the other three members/managers of Potions, led by Keenan, took the following actions to freeze out the Plaintiff:
* Stripped him of his responsibility for daily oversight of business operations.
* Banned him from company headquarters.
* Voided his consulting contract.
* Refused him access to the company’s books and records.
* Denied him access to the company’s product.
* Denied him access to company bank accounts.
* Impaired his relationship with the company’s legal counsel, accountant, and bookkeeper.
* Directed him not to communicate with investors.
* Denied his right to cultivate local and out of market business relationships.
* Refused to communicate generally about the business.As a result, the Plaintiff has wrongfully been deprived of the very role and
responsibility which he was promised and on which he (and all investors) relied. In addition, Article VI, Section 6.01 of the Potions OA provides: The Company shall keep adequate books and records at its place of business, setting forth a true and accurate account of all business transactions arising out of and in connection with the conduct of the Company. Any Member or its designated representative shall have the right, at any reasonable time, to have access to and inspect, copy and audit such books or records. Article VI, Section 6.01 of the Potions OA permits any member or its duly authorized representative to inspect, copy and audit the books and records of the Company.On January 9, 2026, Plaintiff sent Potions a written request to inspect the books and records pursuant to Article VI, Section 6.01 of the Potions OA and A.R.S. 29-3410. 27. The request specifically identified the following records to be made available for inspection and copying, including:
* Legal Fees.
* Development Agreements.
* Banking Statements.
* Vendor Agreements.
* Lease Agreements, Licensing Applications or Permits.
* Consulting Agreements or Proposals.The request also noted that “each request applies to the business matters for Potions, LLC along with all records for PotionsG, LLC that exist as a result of Potions, LLC management of PotionsG, LLC.” Potions failed to respond to the Plaintiff’s request.
On January 12, 2026, Plaintiff sent Potions a second written request to inspect the books and records pursuant to Article VI, Section 6.01 of the Potions OA and A.R.S. 29-3410. Potions refused to comply with the Plaintiff’s request. On January 13, 2026, Plaintiff sent Potions a third written request to inspect the books and records pursuant to Article VI, Section 6.01 of the Potions OA and A.R.S. 29-3410.
To date, however, and despite multiple requests, Potions has failed and refused to comply. As a result, Plaintiff has wrongfully been denied access to the books and records to which he is entitled under the Potions OA and A.R.S. 29-3410.”
Sanclemente is seeking access to the company’s books and accounting and punitive damages for “willful, extreme, outrageous and malicious conduct.” He also wants to have his legal fees covered.
[via Courthouse New Service]
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