• Megadeth’s Dave Mustaine Reflects On Firing David Ellefson In Excerpt From His “In My Darkest Hour” Memoir

    Megadeth frontman Dave Mustaine has shared a new excerpt from his “In My Darkest Hour” memoir via Rolling Stone. The piece finds him reflecting on his decision to fire David Ellefson amid a sex video scandal that saw the bassist caught masturbating with a young woman online.

    Mustaine said the following:

    “I found out about the scandal the same way that everyone else found out: I heard about it online. On May 10, 2021, sexually explicit videos of David Ellefson masturbating appeared on Twitter. The videos resulted from an online interaction with a nineteen-year-old Megadeth fan with whom Ellefson had engaged in some sort of relationship. When more details were revealed, the story quickly went viral.

    It was impossible to separate fact from fiction, truth from fantasy, as the internet exploded in typically histrionic fashion. But this much was clear: that was definitely David Ellefson, Megadeth bass player, in the videos.

    The next day, we released an official statement saying, “The situation is being watched closely.”

    That was true. It was also true that I was reevaluating my nearly 40-year relationship with David and the turbulence it had so often caused in my life. As original members of Megadeth (David likes to say he was a “founding” member. I don’t view it that way. I started Megadeth and invited him to join), we had been friends and creative partners; we had fought like enemies.

    We had played a lot of great music together. We were codependent junkies, feeding and fueling each other’s addictions. Ultimately, we had grown apart, trust shattered (at least for me) by David’s 2004 lawsuit after the band’s breakup. We fought in court. The outcome was not nearly what he hoped for — let’s leave it at that.

    To the surprise of the vast majority of the Megadeth universe, we patched things up in 2010 and David returned to the band, albeit as a salaried player and not a creative partner. But things were never great between us; there was too much history, too much anger, too much behavior that I found distasteful.

    Part of the problem was that our initial friendship was based primarily on two things: music and drugs. David and I were never on equal footing when it came to Megadeth; it was my band and mostly my songs, and that was always a source of friction.

    When we both got sober, the distance increased, in part because we had lost the awful, unhealthy thing that had bonded us, but also because we approached sobriety and recovery from different places, with different points of view. I tried not only to be substance-free, but also to live a more honest and spiritual life.

    There are plenty of people in the fellowships who want to be better human beings and to provide support for their fellow travelers, people who are committed to genuine transformation. And there are others who mostly just talk the talk.

    I try to stay away from these folks. Sometimes unsuccessfully. All of this is by way of saying that by the time those embarrassing videos turned up on the internet, my relationship with David — and David’s relationship with Megadeth — had already begun to deteriorate.

    Again.

    Some of it was probably borne of professional jealousy — long a friction point between David and me — and some of it was probably frustration stemming from financial pressure. I’m speculating, of course, and I’ve never asked David about this — we haven’t talked in several years — but I heard that David was upset that we canceled the tour when I was first diagnosed with cancer. And he was sometimes short-tempered and impatient with me when I was going through treatment and trying to work on the album. Some days I had a lot to offer in those sessions; sometimes I was too tired and sick to contribute much of anything. While everyone else seemed to be compassionate and understanding, David sometimes was not.

    Hey, on some level I get it. My illness cost everyone involved with Megadeth a lot of money. It was a scary, uncertain time. But it’s during the darkest times that a person’s character is revealed.

    Would David have remained a member of Megadeth if that video had not surfaced? Who’s to say? I’ve seen enough guys come and go with Megadeth, and I’ve experienced enough upheaval with David to know that the end was likely near. But, certainly, the scandal hastened the process.

    Within a few days, we informed David that he would be separating from the band. Then, on May 24, I released an official statement through the band’s Facebook account. I tried to keep it as simple and straightforward as possible, as enough damage already had been done:

    ‘We are informing our fans that David Ellefson is no longer playing with Megadeth and that we are officially parting ways with him. We do not take this decision lightly. While we do not know every detail of what occurred, with an already strained relationship, what has already been revealed now is enough to make working together impossible moving forward. We look forward to seeing our fans on the road this summer, and we cannot wait to share our brand new music with the world. It is almost complete.’

    The last part of that statement was both true . . . and not true. Yes, the new album was basically finished. But Ellefson’s dismissal complicated matters. As Megadeth’s bass player, David was all over the new album, and his participation would almost surely become a distraction, if not worse, when the album was released. There would be financial entanglements as well. In the end, we made a decision: David’s bass parts would be scrubbed completely from the album and re-recorded with a new musician.”

  • Daryl Palumbo On The Possibility Of New Music From Glassjaw: “Me And Justin Always Have A Bunch Of Ideas Going Around”

    During a recent appearance on the “Artist Friendly” podcast, Glassjaw vocalist Daryl Palumbo discussed the possibility of new music from the band. He says him and guitarist Justin Beck “always have a bunch of ideas always going around.”

    Palumbo said the following about new Glassjaw and Head Automatica:

    “I love a bunch of Head Automatica songs we have happening. Glassjaw always — me and Justin — always have a bunch of ideas always going around. Always a bunch of reworks going on of things when we’re playing. Um, lot of new Head Automatica stuff. Yeah, we’re playing two of them. Trying to get ready another third one to start playing and just see how it is.

    [I’m] really happy. Yeah, very happy. I mean, so many years passed, that I’m so lucky to even be able to do something with a name of a project from years ago, [I] feel I’m blessed enough to be playing and feel progressed a little as far as what I do and I’m playing with guys that are just monsters.”

    He also added the following about Head Automatica‘s upcoming EP:

    “I mean, it could be done awfully soon. There’s a lot of tunes that are pretty, pretty ready to go. We’re playing a bunch. Playing two right now. Pretty much a third one is kind of ready to be played. We have a bunch. Definitely a bunch fully tracked and ready… It sounds great. A lot of it sounds really great. High energy. Good. Very fun. Some of it’s pretty pop, poptacular. A lot of it is, you know, far out, a little more aggressive and dancey.”

    [via The PRP]

  • Gore To Release New EP “…Then You Cannot Love Me” In October, Share “Crucified” Video

    Gore. will be releasing a new EP, titled “…Then You Cannot Love Me,” on October 9. Pre-orders for the effort can be found HERE.

    “…Then You Cannot Love Me” Track Listing:

    01. “What You Paid For“
    02. “Lead Me To The Slaughter“
    03. “Bones In The Garden“
    04. “Crucified“
    05. “Walk On Water“
    06. “Hallowed Ground“
    07. “Alone“

    According to vocalist Haley Roughton, “…Then You Cannot Love Me” serves as a companion piece to their 2025 EP “If You Do Not Fear Me…“:

    “We always wanted to release it like that. We wanted a more looming, cynical sound in the first EP and as time went on, we wanted to develop the sound towards something closer to what we want to sound like as a band together. I’m hoping the fans, especially those who have been with us since day one, can see the evolution and how those two connect.”

    She also added the following about the conjoining titles, which nod to toxic relationships:

    “There’s always some form of power dynamic in really unhealthy relationships. Women are taught from a young age that if a man doesn’t fear losing you, that he doesn’t love you. Men are taught to be nonchalant and not care too much, and so we just grow up with all these wounds that just show up.”

    A video for the latest single, “Crucified,” can be found below. Roughton commented on that track as well:

    “This song is about someone who is so seductive that they lead you right into temptation. They have you wrapped around their finger, and they know it. You idolize them. You try as hard as you can to resist, but there’s something both painful and pleasurable about their presence, so you give into them and whatever chaos you know they’ll bring.”

  • Coroner Share Remastered Version Of “The Favorite Game”

    Coroner have shared a video for a remastered version of “The Favorite Game.” You can check that out below. The updated track is from the band’s new EP, “Ex Nucleo: The Remastered Extraction,” which will be released on September 18.

  • Ando San Signs With Sumerian Records, Shares New Songs “Hype Man” And “Triggas”

    Ando San has signed with Sumerian Records. With this news, the prog-hop artist has also shared two new songs, “Hype Man” and “Triggas.” A video for those tracks can be found below:

    Ando San said the following about the new deal:

    “I am incredibly stoked to be a part of the Sumerian family. This is a huge moment for me, I have been a fan of this label since I was 15/16 years old and it’s honestly insane to say that I am now signed by them. It’s been a long time coming and this is only the beginning. I’m bringing the heat.”

    He also added the following about the singles:

    “Honestly, when I was writing ‘Hype Man’ I was incredibly inspired by Darkthrone. Specifically the guitar riffs from their record ‘Ravishing Grimness‘. Really dope album and one of my faves from Darkthrone. I thought it would be cool to start the song with a black metal vibe and then lead into a heavy beat. I named it “Hype Man‘ because at the time of recording the song I needed to hype myself up. I’m usually alone in my room making these songs and this one in particular needed that energy! I feel like you need to be your own personal ‘Hype Man‘ to get through things when you really don’t have anybody around to pump you up. It’s a super power!”

    “[‘Triggas’] is about my triggers. I have a lot of trauma. Been through many things in my life and one thing that has helped me get through those hard moments is recognising my triggers. I think triggers could be a hindrance to a person’s growth. I feel like it has stunted me for some time and I recognise that the things that do trigger me are personal traumas that I have experienced in my life. Coming to terms with that has taught me many things about myself.

    It has taught me to see when a trigger is coming, to know how to act when I’m triggered and to let the trigger pass. We all have our own personal triggers. It’s important to understand why it’s triggering you and to learn to work past those triggers. I think a lot of my music is just a molten pot of all my favourite genres. The song is synth heavy with a dope UK style drill hip-hop beat with metal guitars. Literally just doing whatever sounds sick. The most important thing for me is to be artistically authentic to myself. I have to be honest about who I am as a person to get to the originality I am constantly searching for.”

  • Robert Plant And Saving Grace Premiere “Two Coats” Video

    Robert Plant (Led Zeppelin) and Saving Grace have shared a new video for “Two Coats.” That track is from the band’s “Saving Grace: All That Glitters…” EP, which will receive a digital release on October 9.

  • Burton C. Bell (Ex-Fear Factory) Announces “Obsolete By Word Of Mouth” Spoken Word Events

    Former Fear Factory frontman Burton C. Bell will be discussing the band’s 1998 album “Obsolete” during some spoken word events this fall. The shows will be phone-free and each one is limited to 50 people.

    Here’s the dates:

    October 6 — San Diego, California
    Scorpion Percussion
    Guest arrival: 7:00 pm
    Spoken word presentation: 8:00–9:00 pm

    October 7 — Los Angeles, California
    The Crooked Path
    Guest arrival: 7:00 pm
    Spoken word presentation: 8:00–9:00 pm

    October 9 — Las Vegas, Nevada
    The Space
    Guest arrival: 7:00 pm
    Spoken word presentation: 8:00–9:00 pm

    The following was said about the events:

    “Guests will be asked to silence and put away their cell phones during the presentation. No filming or recording will be permitted.

    There will be no screen between the audience and the experience, and no social media feed capable of recreating what happened in the room. The only way the experience travels beyond those 50 people is the way stories once traveled — from one person to another, by word of mouth.

    Thirty years after Obsolete, Burton C. Bell is opening the story again in an entirely different way.

    Three cities. Fifty guests per room. One voice. One shared experience.

    No filming. No recording. No scrolling.

    Just the story of Obsolete, told by the man who lived it – and carried forward by the people who were there.”

  • SepticFlesh Announce Headlining U.S. Shows

    SepticFlesh have booked a couple of headlining shows around their North American tour with Arch Enemy, The Black Dahlia Murder, Crypta and Thrown Into Exile. Here’s the dates:

    10/29 Old Town, ME – Old Town Theatre
    11/06 Rock Island, IL – Skylark

  • Bruce Dickinson Announces Remixed And Remastered Version Of “Accident Of Birth”

    Iron Maiden singer Bruce Dickinson has announced a remixed and remastered version of “Accident Of Birth.” Dolby Atmos and stero editions of the album will be available on October 17 as part of National Album Day in the UK. A worldwide release will follow on October 23. The first single, an updated version of “Omega,” can be found below. Pre-order HERE.

    “Accident Of Birth” Track Listing:

    01. “Freak”
    02. “Toltec 7 Arrival”
    03. “Starchildren”
    04. “Taking The Queen”
    05. “Darkside Of Aquarius”
    06. “Road To Hell”
    07. “Man Of Sorrows”
    08. “Accident Of Birth”
    09. “The Magician”
    10. “Welcome To The Pit”
    11. “Omega”
    12. “Arc Of Space”

    Dickinson commented:

    “It has been a real pleasure to spend time revisiting my solo back catalogue over the past couple of years alongside Brendan Duffey, remixing it all for Dolby Atmos and really bringing the sonic side of the album completely up to date. ‘Accident Of Birth’ was a really important album for me at the time and I think contains some of my very best work. It lit a fire under me once more, especially as a songwriter, and was a great chance to work with Adrian again. I’m so proud of this record, and these new mixes sound fantastic. Turn it up loud and enjoy!”

  • Dead Poet Society Premiere New Song “Miami For The Weekend”

    Dead Poet Society have premiered a new song titled “Miami For The Weekend.” You can check that out below. The track is from the band’s new album, “Monarch,” which will be released on October 2.