• Living Dead Girl Premiere “Succubus” Music Video

    Living Dead Girl have premiered a new video for their new song “Succubus.” This track is from the band’s new album “Conspiracy,” which will be released on October 10. Frontwoman Molly Rennick commented:

    “‘Succubus’ is a song written from the perspective of a mythological sex demon that seduces you and kills you in your sleep — need I say more?. It’s sultry, it’s alluring, and it’s sure to be your new go-to song for passionate nights.”

  • Watch Lacuna Coil Perform “Hosting The Shadow” Live With Lamb Of God’s Randy Blythe

    During Lacuna Coil’s October 3 set at the Aftershock festival in Sacramento, CA, the band were joined onstage by Lamb Of God frontman Randy Blythe for a performance of their collaborative track “Hosting The Shadow.” You can see fan-filmed footage of that below. The track appears on Lacuna Coil’s latest album “Sleepless Empire.”

  • Scott “Wino” Weinrich (The Obsessed) Premieres New Song “Anhedonia”

    Scott “Wino” Weinrich (The Obsessed) has premiered a new song titled “Anhedonia.” You can check that out below. The track is from Weinrich’s new solo album, “Create Or Die,” which will be released on October 24.

  • Original Saliva Singer Josey Scott Accuses Bobby Amaru Of “Talking Out Of Both Sides Of His Neck”

    As previously reported, former Saliva singer Josey Scott recently made headlines after taking a shot at the band’s current frontman Bobby Amaru. This led Amaru to respond, calling Scott “a sad man who just has quitter’s remorse.” Now, Scott has fired back once again, accusing Amaru of “talking out of both sides of his neck.”

    Scott told Rock Feed the following:

    “Everything that has happened between me and Bobby, I feel like, in my opinion, has been me responding to something that Bobby has said. Like, he talked about me on Blabbermouth, and I responded to that. He talked about me being a sad man with quitter’s remorse. I don’t have any quitter’s remorse.

    First of all, the thing that is the wellspring of my joy and my pleasure in this life comes from my faith and my wife and my children. That’s number one. Now, the number two thing that is a byproduct of that love and that joy that comes from my faith and the love of my wife and my children is music, and that’s something that I’ve always been thankful and grateful to be able to share with the world.

    The only problem I’ve had with Bobby is Bobby seems to say one thing in the press and act one way in the press. He acts victimized, like I’ve done something to him. And that seems to be his M.O., is he does these things behind the scenes, and then when he gets in front of the cameras or gets in front of an interviewer, he acts like it’s you that’s doing these things. And honest to God, I’m not doing any of any of these things that he’s saying that I’m doing.”

    He continued when asked if it’s tough watching someone else sing his songs:

    “One hundred [percent]. And not only singing songs that I wrote, but treating me like I’m some kind of former disgruntled employee that I don’t have the right to have any kind of voice about this or anything.

    See, when I first came back while Wayne [Swinny, original SALIVA guitarist] was alive, Bobby seemed supportive of me. He seemed like he was gonna support me having my own band and me doing my own thing. And then as soon as Wayne dies, he sends me — he still says in the press that he’s supportive of me and there’s gonna be two SALIVAs or whatever, but at the same time sends me a cease-and-desist [letter] saying I can’t even call myself the former lead singer of SALIVA. I couldn’t even have the word ‘SALIVA’ on my poster. It’s just ludicrous. It’s absolutely ludicrous. And like I said, he talks out of both sides of his neck, is what bothers me so badly. He says one thing and does another. If you’ll notice, when he came on Rock Feed with you, he was talking about how I was this sad person with quitter’s remorse, and then puts out a diss track about me. And I’m just, like, ‘Okay. All right. I see where this is going now.’ So I’ve got two singles coming out now that’ll [be me] responding. The first single is called ‘Who?’, and the other song is called ‘Famous’. And I’m dropping them both at once.”

    He also added the following when asked about the possibility of him returning to the stage with Saliva:

    “I really doubt that. And what I said in the last interview that was taken out of context so badly is I said, ‘I don’t wanna do a Temu version of SALIVA.’ I meant I didn’t wanna cheapen that beautiful thing that we had back in 1997 to the year 2010. I didn’t want to water that down. That wasn’t anything personal towards the musicians that he’s in a band with. He’s in a band with that kid Sebastian [LaBar], whose dad is [late CINDERELLA guitarist] Jeff LaBar. He’s a legend. I loved his father. I loved CINDERELLA growing up. I would never disrespect Sebastian like that. Also little Sam [Sammi Jo Bishop], their drummer. I love Sam. She’s a sweetheart. [I] never had a problem with Sam in no kind of way. My problems and my issues have always been centered around the Bobby thing, man. I don’t understand why he’s got it out for me so badly. Like I said, I feel like I’ve been only responding. I mean, the man sent me a cease-and-desist [letter] saying I couldn’t use my own band name that I came up with, and we had a five-member partnership back in the day that you would’ve needed the signatures of the other four guys to have done anything with that name. Now he suddenly has the football? And I can’t do anything about it, can’t say anything about it. And that’s fine. I’m not after his legacy or what he feels like is his tenure with SALIVA.

    Everybody says — well, not everybody, but people say, ‘Bobby kept the SALIVA name alive’ and blah, blah, blah. And that’s great. I applaud him for that, because if you look back, when Bobby joined that band, there were three original bandmembers in that band when he joined it. Actually, if you wanna get technical, there was four because, yes, Chris D’Abaldo [guitar] had left before I left, but Johnny [Jonathan] Montoya was there. He was there for the album [2007’s ‘Blood Stained Love Story’] we did with ‘Ladies And Gentlemen’ on it. He systematically moved out of the way. Then Dave Novotny [bass], who’d been our go-to guy with all our business and basically controlled everything with SALIVA with the four brothers, he’s moved out of the way. Then Paul Crosby’s [drums] moved out of the way. Then that only left Wayne Swinny, who unfortunately passed away [in 2023]. And I even asked [Bobby] at Wayne’s life celebration, I said, ‘Where do we go from here, Bobby?’ Because when I came to Wayne’s life celebration, I was told Bobby’s gonna retire, he’s gonna retire his dealings with the name, and he’s gonna pretty much go back to Jacksonville and be with his family, which I respect that. And I was, like, ‘Okay.’ Well, since I’m coming back, I was gonna do SHADE VIOLENT, I was gonna do my own band. But I was told then that he was gonna go back to Jacksonville and do his own thing with his family and that he was gonna retire his involvement with the SALIVA name. And I thought, ‘Well, if I’m coming back, I’ll just pick up where he left off.’ I wasn’t trying to take advantage of anything. I just didn’t wanna see my baby be neglected, that special thing that we had back in the day and the special thing that it was, I didn’t wanna see that falter and I wanted to pick up the flag and run back into battle, if that was his plans. And then that’s not what he does — he replaces everybody and goes back on the road. And then I’m accused of taking advantage of the situation after Wayne’s passing. That’s not true at all.

    I loved Wayne with all of my heart. I’m sure you can tell from just meeting me and getting to know me the little bit you have tonight that I adored Wayne Swinny. I adored all the guys in the original SALIVA. I don’t know these guys that he’s out there with now, but the original concept of what SALIVA was, that was our baby, man. We were like a gang. We were like brothers, dude, to the end. And that was something really special. We had moments on stage that we will never get back and never be able to recreate, probably, in this lifetime. And I just didn’t want to lose that, and I wanted to protect that, because that was our version of art… And then the man puts out a diss track about me, and I’m just, like, ‘This is something rappers do, dude. This ain’t something rocker guys do.’ So I had to [respond] in kind — twice.”

    [via Blabbermouth]

  • Watch Still Remains Perform New Song “The Wound And The Weapon” Live

    During their October 3 set at Furnace Fest in Birmingham, AL, Still Remains performed a new song titled “The Wound And The Weapon.” You can check out some fan-filmed footage of that track below:

  • As I Lay Dying Share New Teaser

    As I Lay Dying have shared a new teaser for an October 8 announcement. You can check that out below. This news comes as the band are preparing to celebrate the 20th anniversary of “Shadows Are Security” on a fall European tour. The group’s current lineup is unknown. As previously reported, the band experienced another mass exodus in 2024 that saw everyone quit except frontman Tim Lambesis, who has continued to make headlines amid his divisive actions. The vocalist, who previously served prison time for trying to hire a hitman to kill one of his former wives, stirred up controversy once again after footage of him engaging in altercations with his latest wife and their dog surfaced.

  • Earshot To Release New Album “Humaning” This Month

    Earshot have revealed that they will be digitally releasing their new album, “Humaning,” on October 10. Physical copies will also be available early next year. The record will serve as the band’s first since 2008.

    “Humaning” Track Listing:

    01. “What Are You Waiting For”
    02. “Where Were You?”
    03. “Out of My Hands”
    04. “I’m OK”
    05. “Higher”
    06. “Mistakes I Always Make”
    07. “Heart & Chain”
    08. “Any Other Way”
    09. “Like There’s No Tomorrow”
    10. “Worlds Away”
    11. “Unlost”

    Vocalist Wil Martin previously commented:

    “We’ve worked harder on this record than anything before. ‘Humaning’ is every ounce of our struggles, resilience, questions, and hope poured into one body of work.

    It’s lyrically charged, sonically heavy and melodic, pulling from the raw intensity of ‘Letting Go’ and the heaviness of ‘TWO.’

    Born from one of the hardest chapters of my life, these songs carry the weight of indecision, abandonment, disappointment, growth, and ultimately acceptance. It’s about rediscovering strength, letting go of what we can’t control, and remembering that life isn’t about being perfect, it’s about doing the best we can and moving forward.

    This album is more than 11 songs. It’s about survival, healing, hope, purpose, and strength.

    This is ‘Humaning.’”

  • Trent Reznor And Atticus Ross Cancel Their Future Ruins Festival

    Nine Inch Nails members Trent Reznor and Atticus Ross have officially cancelled their Future Ruins festival. The event, which was scheduled to take place at the Equestrian Center in Los Angeles, CA on November 8, was supposed to feature a number of film and television composers. This includes the aforementioned duo, Danny Elfman, John Carpenter, and more. The following statement was issued:

    “Unfortunately Future Ruins will not move forward this year. The reality is, due to a number of logistical challenges and complications, we feel we cannot provide the experience that’s defined what this event was always intended to be. Rather than compromise, we’re choosing to re-think and re-evaluate. Meanwhile, we are sorry for any inconvenience and appreciate all the interest and support. Refunds will be automatically issued and ticket holders will receive an email with more information.”

  • Spencer Elden Appeals Latest Ruling In Nirvana “Nevermind” Baby Case

    According to Billboard, Spencer Elden, the man who appeared on the cover of Nirvana’s “Nevermind” as a baby, has appealed the latest ruling on his “child pornography” lawsuit against the band. This news comes shortly after Judge Fernando M. Olguin dismissed the case once again.

    As previously reported, Olguin recently ruled that the album cover did not meet the criteria for “child pornography.” According to him, the photo is “analogous to a family photo of a nude child bathing.” He also referenced instances in which Elden recreated the album cover in 2016, got a “Nevermind” tattoo on his chest, etc.

    Despite this, Elden’s lawyer James Marsh says they “respectfully disagree” with Olguin’s assessment:

    “As long as the entertainment industry prioritizes profits over childhood privacy, consent and dignity, we will continue our pursuit for awareness and accountability.”

    For their part, Nirvana’s legal team are still up for the fight. The band’s attorney Bert Deixler says they intend to “resist with vigor and will prevail.”

    Elden initially filed his lawsuit after claiming Nirvana “intentionally commercially marketed the child pornography depicting [him] and leveraged the lascivious nature of his image to promote the ‘Nevermind’ album, the band, and Nirvana’s music, while earning, at a minimum, tens of millions of dollars in the aggregate.” He also claimed to have suffered “lifelong damages” as a result.

  • Watch Lamb Of God Perform “Sepsis” Live For The First Time

    During their October 3 set at the Aftershock festival in Sacramento, CA, Lamb Of God performed “Sepsis” live for the first time. You can see fan-filmed footage of that below: