• Bayway Announce Fall North American Tour With Cold Steel, Two-Piece, And Load Tha Nine

    Bayway have announced a fall North American tour. Cold Steel, Two-Piece, and Load Tha Nine will open.

    Tour Dates:

    09/21 Hamden, CT – Space Ballroom
    09/22 Portland, ME – Gino’s
    09/23 Worcester, MA – Palladium Upstairs
    09/24 Montreal, QC – Les Foufounes Électriques
    09/25 Toronto, ON – Hard Luck Bar
    09/26 Detroit, MI – Edgemen Printing
    09/28 Grand Rapids, MI – The Stache
    09/29 Milwaukee, WI – X-Ray Arcade
    09/30 St. Louis, MO – Fubar Lounge
    10/02 Iowa City, IA – Gabe’s
    10/03 Omaha, NE – Reverb Lounge
    10/04 Kansas City, MO – The Rino
    10/06 Little Rock, AR – Vino’s
    10/07 Memphis, TN – 1884 Lounge at Minglewood Hall
    10/08 Atlanta, GA – Altar at The Masquerade
    10/09 Birmingham, AL – WORKPLAY
    10/10 Nashville, TN – The ‘58 at East Side Bowl
    10/12 Greensboro, NC – Hangar 1819
    10/13 Virginia Beach, VA – Peabody’s Nightclub
    10/14 Baltimore, MD – Metro Gallery
    10/15 Philadelphia, PA – Upper Darby American Legion Post 214

  • Guitarist Ritchie Blackmore To Perform With Deep Purple For The First Time Since 1993

    Guitarist Ritchie Blackmore is planning to make a guest appearance during Deep Purple’s August 12 show at the Northwell at Jones Beach Theater in Wantagh, New York. It will be the 81-year-old’s first performance with the band since 1993.

    Blackmore commented:

    “There is something we wanted to mention about tomorrow night… Well, it is a secret and I don’t want anybody to know, but I’m probably get up and do an encore with the band, Deep Purple. But you can’t tell anybody, and I know that this is gonna be kept a secret. And will it? I suppose so.”

    “I actually called up… I didn’t call him up, I sent my A.I. pigeon to [singer] Ian Gillan in Portugal, where he lives at the moment. And I said, ‘How would you feel about if I got up just for an encore? Just one of the songs. I don’t want to intrude.’ And I said, ‘No pressure — just kind of [for] old times’ sake.’ I’m 81 now. So he seemed to love the idea, put it to the band, got a thumbs up, and it looks like we might be doing that.”

    “I have my roadie there kind of now, setting up my amplifier. But I’ll be using a small amplifier, but it’s very loud. It’s what I use when I record. I hope I can compete with the guitar player [Simon McBride], ’cause I can see that he has very big amplifiers behind him. So, it’d probably just be the one number, as it’s been a while. I changed my strings on my Strat, which I haven’t done in over 25 years… I hope the guy out in the front can turn me up. I’ve got my roadie there for a soundcheck.”

    He also commented on his physical issues:

    “I did have my injection in my lumbar area yesterday. It’s a special injection I have that enables me to stand in one spot, because if I’m playing a Strat on stage, I have a hard time with the shoulders and the lumbar area. I’ve got four herniated discs, if anybody wants them. And I had my injection yesterday of a steroid which helps me get through standing up on stage. But I do have a kind of a stool there just in case I start toppling over or something. But I know that Ian Gillan has his maladies too with his eyesight, I think. And so as you get older, you collect all these things… And fusion is out of the question. That’s too big a job. But the stem cell stuff looks interesting. So I’m kind of recovering from that at the moment. I’m on steroid. And it’s very hard to sleep when you’re on steroids, but I’m on one steroid. And thanks to the doctors at Stony Brook [University Hospital]; they were excellent. I didn’t feel hardly any pain. But I think we’ve all got something to complain about. I just have more things to complain about than usual. And if don’t complain, I’ll find something to complain about.”

    He then circled back to the show:

    “[Simon] is a very good guitar player. As was, and is, [former guitarist] Steve Morse, is a great guitar player.

    So, that’s gonna be interesting. I have not played rock music in 25 years, actually. It’ll be good to see the old guys again. I think we’ll all be on crutches and wheelchairs and things, although I think the rest of them are okay. But, yes, it’s kind of frightening. I haven’t played rock in 25 years… I’ve been playing acoustic guitar for 25 years, and at first I was very uncomfortable playing it, but I got used to it, and now I’m used to playing the acoustic more so than the electric.”

    He also added:

    “I just thought it might be an idea to let a few people know ’cause I think a lot of people would like to see that. So hopefully my guitar stays in tune, and I can play whatever song is going to be played. It’s just the one song, I think.”

    [via Blabbermouth]

  • Eyehategod Announce U.S. Tour With BL’AST, Luicidal, & Evil Army

    Eyehategod have announced an October U.S. tour with BL’AST!, Luicidal (ex-Suicidal Tendencies), and Evil Army. Here’s the dates:

    10/07 Nashville, TN – Cobra
    10/08 St. Louis, MO – Red Flag
    10/09 Chicago, IL – Reggies (feat. Cavity)
    10/10 Indianapolis, IN – Black Circle (feat. Cavity)
    10/11 Hamtramck, MI – Sanctuary (feat. Cavity)
    10/12 Cleveland, OH – Grog Shop
    10/13 Columbus, OH – Ace Of Cups
    10/14 Springfield, MO – The Regent
    10/15 Oklahoma City, OK – 89th Street
    10/16 Haltom City, TX – Haltom Theater
    10/17 Austin, TX – Come and Take It Live
    10/18 Corpus Christi, TX – House of Rock
    10/19 Houston, TX – Bad Astronaut

  • Anxious Premiere New Song “Don’t Move”

    Anxious have premiered a new song titled “Don’t Move.” You can find a visualizer for that track below:

    Vocalist Grady Allen commented:

    “This song is about a relationship that defined my early twenties falling apart – then trying and failing to rebuild it. It’s about disengaging with reality in hopes of reclaiming the bond you’ve lost with someone, but never feeling truly close in the process. ‘Don’t Move’ is about knowing that feeling, but trying to ignore it in the hope that things will change.

    This song was the first song from a group of tracks I started writing at the end of last summer. There were no expectations for a record, or for a cohesive idea of what that would mean – it just felt like there was a lot of space for ‘let’s just put together whatever comes naturally and see what happens.’ The bridge for this song came first and I was trying to channel some of the atmospheric building action that happens a lot on the B-side of Jimmy Eat World’s ‘Clarity.’ I was also super inspired by Armlock, probably my favorite new band of the last several years. Their layered acoustic guitars and vocals was something I was trying to pull off on the bridge.”

  • Noctule Premiere New Song “Goddess Of Rot”

    Noctule, the video game themed project featuring Svalbard’s Serena Cherry, have premiered a new song titled “Goddess Of Rot.” That track is from the band’s new “Elden Ring”-inspired album, “Extinguish Thy Flame,” which will be released on September 25.

    Cherry commented:

    “Honestly? I think this is the solo song that Svalbard fans will appreciate the most. It has the big reverb-drenched leads, the pretty-yet-sad harmonies, a balance of emotional screams and delicate clean singing. It’s the slowest and least heavy song on the album, leaning into atmospheric Finnish Metal influences such as Insomnium and Sentenced, but also DSBM influences such as Thy Light.

    But what does the music mean? Well, in the fight to protect those you love, you can get destroyed beyond recognition. When love morphs into sacrifice that leads to inevitable loss. This is what my new song ‘Goddess Of Rot’ is about – but specifically, it is about Malenia. Malenia is one of the bleakest characters in the harsh game of ‘Elden Ring.’ So of course, she is my favourite. She is fighting to protect her brother Miquella while slowly losing herself to Scarlet Rot.

    I deeply connected with her tragic story, so I wrote a song about Malenia to encapsulate the abandonment she suffers but also pay sonic tribute to the devastating power of her Scarlet Rot.”

  • Suicide Silence Vocalist Eddie Hermida Co-Founds Independent Music Company Arson Theory

    Suicide Silence and All Shall Perish vocalist Eddie Hermida has co-founded Arson Theory alongside Cameron Almasi. The independent company will offer “a modern, artist-first model designed to challenge traditional industry structures.”

    More details were shared in a press release:

    “Arson Theory, a new independent music company founded by Cameron Almasi and Eddie Hermida (Suicide Silence, All Shall Perish), is a modern, artist-first model designed to challenge traditional industry structures in heavy and alternative music.

    Built by artists and industry veterans, Arson Theory operates as a full-service ecosystem spanning distribution, label services, publishing, rights management, sync, marketing, merchandising, physical distribution, and catalog acquisitions. The company’s core approach centers on giving artists access to global infrastructure and hands-on development while maintaining greater ownership, control, and creative identity.

    ‘Arson Theory is really the byproduct of two people with very different perspectives coming together and realizing there was an opportunity to build something better. Eddie and I have been friends for a long time, and over the years we would constantly compare what his bands were experiencing in heavy music with what my clients were receiving in the pop, rap, and dance worlds, especially around distribution, publishing and creative support,’ recalled co-founder Almasi.

    ‘I saw a gap between complete DIY independence and the traditional label system. Artists shouldn’t have to choose between doing everything themselves and giving up ownership, flexibility, or a large portion of their economics just to receive meaningful support. Publishing was similar, I wanted to bring the kind of creative development, collaboration and opportunity I had seen in other genres into heavy music.’

    Being created by industry-professionals, Arson Theory’s thoughtful infrastructure is no accident. Co-founder and lead vocalist for Suicide Silence and All Shall Perish, Hermida explains, ‘Arson Theory is a project that never in my wildest dreams I could have imagined I’d be a part of. Ultimately, I’m a musician that has had a rough time with the ‘industry’ so I approached this project carefully. Now a year-and-a-half later, I couldn’t be more grateful for the opportunity to help boost the trajectory of someone’s career.

    We care about the musician and that is what I believe makes this label so special. It has artists keeping the balance behind the scenes and representing for the artist before any idea comes to fruition. It has managers fed up with red tape working to make things more streamlined. I am happy and proud of what has been built and look forward to watching this company become a staple in the metal and alternative space.’

    Positioned between independence and traditional label systems, Arson Theory is focused on long-term artist development and scalable career growth. In a short time, the company has established itself as an active independent player in the space, working across a global roster that includes emerging talent, established acts, charting releases, and RIAA-certified artists, with capabilities across both distribution and publishing.

    Confident in the future they’ve landscaped, Almasi notes, ‘My goal for Arson Theory is to become the undeniable home for artists in heavy and alternative music who want independence without having to sacrifice partnership.’

    On the Arson Theory roster already: Shadow Of Intent, 3Teeth, All Shall Perish, PeelingFlesh, Carcosa, Psycho-Frame, Boltcutter, Dead Air Divine, Chain Gang, Slow Degrade, Brayton, Kent Osborne, Morgoth Beatz, Shalløw, Weeping Wound, Zero Signal, Charnel, Nervepitch, Piss Ant, Corpse Pile, Traitors, Killing Of A Sacred Deer, Vitals US, 157frq, Vandalheart, Luke Fiadino, Moodring, Keep Close, Still Remains, Evergreen Terrace, Shadow Of Intent, The Last Ten Seconds Of Life, Yvncc, Further Within, Gutrectomy, and more.”

  • Ozzy Osbourne’s “Crazy Train” Surpasses One Billion Streams On Spotify

    Ozzy Osbourne’s “Crazy Train” has finally surpassed one billion streams on Spotify. That track appears on the late singer’s 1980 album “Blizzard Of Ozz.”

  • Islander Release Cover Of Deftones’ “Back To School (Mini Maggit)”

    Islander have released a cover of Deftones’ “Back To School (Mini Maggit).” You can stream that below:

  • Neurosis To Play Two Sets At 2027 Roadburn Festival

    Neurosis have revealed that they will be playing two sets during next year’s Roadburn Festival. That event will be held in Tilburg, NET on April 15-18.

  • Nevermore’s Jeff Loomis On New Album Progress: “The Demos Are Now Starting To Flow”

    Nevermore guitarist Jeff Loomis has offered a new update on the band’s upcoming album. According to him, “the demos are now starting to flow a little bit.”

    Loomis told Moshpit Passion the following:

    “I’ve got a late start on [working on new music], actually, because we spent so much time getting the band together that it’s almost like — I don’t wanna say that [drummer] Van [Williams] and I got burnt out or anything, but it was… Van really wanted to get back on tour again. He was, like, ‘I wanna get back out and play again, man. I wanna play in front of people.’ So it’s kind of been backwards as we’ve approached this. But the demos are now starting to flow a little bit.

    I’ve got about six ideas going, some in the very infantile stages, some kind of complete. I think with [singer] Berzan [Önen] being able to now come over to the United States, starting in November, it’s gonna be huge because when you’re writing something, man, in today’s age, you can easily send demos back and forth via the Internet and stuff like that. But I ultimately love to work in person with people. You can really feel it and get more energy out of each other that way. So, I don’t know — in a sense, I’m just kind of waiting for that, I guess. But we wanna really utilize the six months that we have completely to make the best album of our lives. And that’s coming up between October and March, basically. That’s what our plans are. We have kind of a structure worked out of what we’re gonna do, a plan.”

    [via Blabbermouth]