• Papa Roach & Carrie Underwood Share “Leave A Light On (Talk Away The Dark)” Live Video

    Papa Roach and Carrie Underwood have shared a new live video for their collaborative version of “Leave A Light On (Talk Away The Dark).” You can check that out below. The clip was filmed during Papa Roach’s April 5, 2025 show at MGM Grand Garden Arena in Las Vegas, NV. Notably , the single, which benefits the American Foundation for Suicide Prevention, recently went gold in the U.S.

  • Watch David Ellefson (Ex-Megadeth) Cover Metallica’s “(Anesthesia) – Pulling Teeth”

    Former Megadeth bassist David Ellefson has shared his cover of Metallica’s “(Anesthesia) – Pulling Teeth.” You can check that out below. Ellefson’s take on the track will appear on Silver Lining Music’s Metallica tribute album, “No Life ‘Til Leather – A Tribute To Metallica’s Kill ‘Em All,” which will be released on November 14. Ellefson commented:

    “It was a total honor to be asked to participate in this album, especially to record the iconic bass composition ‘(Anesthesia) – Pulling Teeth’ by the one and only Cliff Burton. I was able to borrow one of Cliff’s Aria Pro signature bass guitars and signature Morley fuzz/wah pedal for the session to replicate his sharp-yet-thunderous tone he created on the original recording. It is my hope that this homage will highlight Cliff’s larger-than-life personality and that his music will always live on through this unique and iconic song he gave to the world.”

  • Psychonaut Premiere New Song “And You Came With Searing Light”

    Psychonaut have premiered a new song titled “And You Came With Searing Light.” This track is from the band’s new album “World Maker,” which will be released on October 24. Guitarist/vocalist Stefan de Graef commented:

    “This track was one of the first ones I wrote at the end of 2023 and one that took a lot of re-writing and re-arranging to get it perfect. The lyrics were written a few weeks after my son was born and radiate the intense feelings of joy I felt during my first weeks as a father. They are an ode to the childlike wonder that we often lose somewhere along the line as we grow into adults.”

  • Metallica Share Pro-Shot Footage Of “Master Of Puppets” From Intimate Amagansett, NY Show

    On August 28, Metallica celebrated the launch of SiriusXM’s “Maximum Metallica” channel with a small live show at the Stephen Talkhouse in Amagansett, NY. Only 500 people were in attendance, including a number of celebrities. Among them were Howard Stern, Paul McCartney, Andy Cohen, Colin Jost, Heidi Gardner, Michael J. Fox, Ed Burns, Chris Jericho, Maria Menounos, Sylvester Stallone, Chad Smith, etc. You can see pro-shot footage of “Master Of Puppets” from that concert below:

  • The Devil Wears Prada Premiere “So Low” Video

    The Devil Wears Prada have premiered a new video for their new song “So Low.” This track is from the band’s new album “Flowers,” which will be released on November 14.

    Vocalist Mike Hranica said the following about the song:

    “To me, ‘So Low‘ is almost fighting the mundane, when everything feels flat or meaningless. You just want to set it all on fire and blow it up to get a reaction. It’s about chasing that rush, even if it leaves you feeling worse in the end. The song comes from that place of frustration, when you’re desperate to feel alive no matter the cost.”

    He also added the following about the video:

    “I love that we are able to capture Latin American cityscapes and habitation. It was a long time in the works to head back to places we hadn’t been in a long time, and I think it adds something extra to the aesthetic of ‘So Low.’ Visuals that we’ve never incorporated, different than what’s often seen stateside — all in all, it’s a nod to our loyal listeners across Mexico and South America.”

  • Mudvayne Release New Song “Sticks And Stones”

    Mudvayne have released a new song titled “Sticks And Stones.” You can check that out below:

    Frontman Chad Gray commented:

    “I was always told ‘sticks and stones may break my bones, but words will never hurt me’… it’s a great nursery rhyme, but I couldn’t disagree more. I’ve carried a lot of words throughout my life as if they were just spoken to me. The reality is — they do hurt. I’ve tried my best to shed them, but when they come from dear friends, family — people that are supposed to love you — the words have teeth and they won’t let go. Blood doesn’t wash out; it stains.

    I think I’m just trying to remind people to love their children. Don’t use them as a bullet to fire into your ex or whomever you’re with now. They’re innocent and they are impressionable. And trust me, as a child, that was used as a weapon, your words will hurt them… long after you say them.”

    This news closely follows the release of “Hurt People Hurt People,” the band’s first new track in 16 years. Both singles can be pre-ordered on 7 inch vinyl.

  • Scowl Announce Australian Tour With End It & Secret World

    Scowl have announced an Australian tour with End It and Secret World. Here’s the dates:

    11/28 Brisbane, AUS – The Brightside
    11/29 Gold Coast, AUS – Rolling Sets (Scowl only)
    11/30 Nambour, AUS – Black Box Theatre
    12/02 Newcastle, AUS – King Street Warehouse
    12/03 Canberra, AUS – Shadows
    12/05 Sydney, AUS – The Lansdowne
    12/06 Central Coast, AUS – Rolling Sets (Scowl only)
    12/10 Perth, AUS – Lynott’s Lounge (no Secret World)
    12/12 Adelaide, AUS – Jive
    12/13 Melbourne, AUS – Howler

  • Slaughter To Prevail To Miss Canadian Shows With Falling In Reverse Due To Visa Issues

    Slaughter To Prevail have pulled out of the Canadian dates on their summer tour with Falling In Reverse. The band were unable to enter the country due to visa issues.

    The group commented:

    “Unfortunately, due to visa issues we will no longer be able to play our upcoming Canadian shows supporting Falling in Reverse

    We’re all super disappointed and wanted nothing more than to play these shows. However, sometimes problems outside of our control get in the way.

    When we were first preparing for tour, Alex had issues with his passport and US visa which prevented him from leaving the US.

    After exploring every option and numerous calls with our lawyers, we were able to secure Alex‘s visa but have been left waiting for his passport to be returned.

    We were ready to catch the next flights to Canada as soon as the passport was in our hands but the delivery was delayed further.

    Sorry to all the Canadian fans who were excited to see us. We’re working hard to make up for these cancellations in the future and already have plans in place! We’ll see you in Spring.

    The good news is that moving forward all further shows on this current tour and in Europe/Mexico will be going ahead as planned. It’s been a long and stressful process but we are finally in a place of stability with our travel and touring.”

  • Chris Howorth On New In This Moment Album: “It’s Heavier In Some Ways, More Experimental In Some Ways”

    During an interview with 99.7 The Blitz, In This Moment guitarist Chris Howorth and singer Maria Brink discussed their new album. According to Howorth, the effort is “heavier in some ways [and] more experimental in some ways.”

    Howorth said the following:

    “It’s not [done] yet, but it’s being worked on. We have, like, 12 to 14 songs already done, and we’re working on a few more. So we’re thinking mid-next year [for a possible release date]. We’re gonna probably be releasing a couple of songs before the album comes out. But we have one going. It’s number nine, and we’re ready.”

    Brink continued:

    “Yeah, it’s happening. And this is the first time this ever happened to us where we actually did go in to record our album and came out — well, I guess it happened to us with ‘The In-Between’ [song] on our ‘Mother’ album. We did go back in and do another song, which wound up getting us nominated for a Grammy. But we did this album and then stepped back and realized that it wasn’t quite done. And that doesn’t happen to us a lot. Through our career, we typically do our album, and then we’re, like, ‘Yes, it’s done. This is it.’ Where this time, we did realize, like, it needs more. We wanna make sure it’s perfect and we wanna make sure it’s right and not rush that process.”

    Howorth also discussed the musical direction:

    “Maria and I are always trying to not be boring and not do the same thing and not be normal and not have it be just what everyone expects. So we’re always pushing — and I think we pushed really, really hard for this one to be really, really weird. And it is really weird. And so we’re now coming back and going, ‘Okay, let’s figure out a way to balance it.’ I think it’s weird in a way that it’s heavier in some ways, more experimental in some ways, but it also has all those same aspects of it. And that’s what we’re trying to find the balance. We wanna be super creative and push the boundaries, but also not lose sight of our sound and what we do and what people love about us and all that stuff too.”

    Brink also added the following after being asked if they are “pushed more by chaos or calm”:

    “I think it’s a balance, really. Because for us, and especially for me, like I live my everyday life up until my album, and for tours, I guess I get to be on stage. But I have to suppress everything, and I’ve got all kinds of things brewing in me at all times. I’m like a pressure cooker, and once we get into the studio, it’s my place to release. And the same with stage. So I think that there is chaos that builds up that needs to be released with an album and stuff. And I think that’s what puts us into the metal category, just the emotions, the rawness, the angst, all that stuff we have to release. But I think it depends also on what you’re going into an album like as well — like, mentally, where are you? Are you sad? Are you angry? Are you dealing with death? Are you dealing with new beginnings? Because everything you’re emotionally going through really resonates into the music.”

    [via Blabbermouth]

  • Dee Snider On Twisted Sister Reunion: “It Really Was A Milestone Thing”

    During an appearance on SiriusXM’s “Trunk Nation With Eddie Trunk,” Twisted Sister frontman Dee Snider discussed the band’s decision to reunite for a 50th anniversary tour next year. According to him, “it really was a milestone thing.”

    Snider said the following:

    “It really was a milestone thing. I turned 70 years old in March. And milestones, they are what they are, but at the same time, they’re reflection times for people. And me reflecting, I realized, wow, next year is 50 years since I joined TWISTED SISTER, since we became — me, Eddie [Ojeda, TWISTED SISTER guitarist] and Jay Jay [French, TWISTED SISTER guitarist] — became a band. And that’s significant. And the offers kept coming in and the interest is there to have us reunite. And I called the guys up and said, ‘What do you think?’ I mean, almost as a challenge to each of us to say, ‘One more time. Can we do it one more time?’ And certainly we’ve got people like [Paul] McCartney and [Mick] Jagger and Alice Cooper out there, and Ozzy — may he rest in peace — and how can you say, well, I’m 70. I’m too old. So, the guys said, ‘Seriously?’ I said, ‘Seriously. One more time. Let’s do it one more time.’”

    He also discussed his initial reluctance to reunite:

    “Eddie, I go to quote you. I quoted you often… We talked about my performing style. We talked about the type of entertainer I am, and you said, ‘Dee, you really did paint yourself in a corner. You created a stage persona, a stage energy that people come to expect,’ and anything less will be disappointing, not just to the audience, but to me as well. So, yeah, I’m in shape and stuff like that, and you’ve seen me [in recent months guesting on stage] with Bret Michaels out there, but that’s four songs, dude. It’s not 18 songs. But you know what? I just said, ‘We’re still here, and let’s do it. Let’s challenge ourselves.’ And we’re doing it for all the right reasons. It’s not about money. It’s not about — none of those typical things. It’s ’cause we want to do it one more time. And there’s interest there all over the world, so, we’re going for it, man. 2026.”

    He continued when asked if he initiated the reunion:

    “Yeah, and I’m not saying it like I’m the one who made [the decision to reunite]. I’m the one who was screaming from the top of my lungs, ‘Never. Ever.’ You know that. That was your introduction: ‘He’s been saying for a decade now, ‘Uh-uh. Never gonna happen. We retired. That’s it.’ … So the guys didn’t even bring it up to me. And Eddie, me and Jay Jay, we talk all the time, and we know offers are coming in, but it wasn’t even a discussion because it was accepted, ‘Dee’s not gonna do it again.’ And I stopped doing my solo stuff as well as a few years back. So, it was basically that I said, ‘Hey, guys. I’m up for it if you’re up for it.’ And I’ve gotta say, they both — Jay and Eddie — had to think about it, ’cause they, too, were in a certain mindset, like, ‘This is behind us now.’ And then we had a group meeting on it and said, ‘Let’s go for it.’”

    Snider also talked about staying in shape:

    “If you’ve seen the web site, the [TWISTED SISTER reunion] announcement page, it’s a flat line [laughs] and then the heartbeat slowly starts coming back in. That’s not by accident.

    When TWISTED retired, I remember shows where we were doing our farewells around the world, and people were crying in the audience, because I’m saying, ‘This is really it, guys. We’re done.’ And people were crying. I go, ‘Listen, I want a pancake. Look at me. I’m ripped to shreds. I want a carb. I’m gonna re-record [TWISTED SISTER’s classic song] ‘I Wanna Rock’ [as] ‘I Want A Carb’.’ I said, ‘You know what it takes to look like this? It’s painful. It sucks.’ And I was 60 years old, and [people said], ‘Wow. He is in ungodly shape.’ Yeah. And I was miserable. So I’m not gonna tell you once that, once I was done with that… I’ve been enjoying life. I’ve been out… And COVID hit, and I was always very regimented with working out, and workouts, it was tough to go to a gym, unless you had your own gym. It was tough to go to a public gym. And all of a sudden I fell out of the pattern. So I’m being totally honest here. At 70, I said, ‘This can’t be it. I need to challenge myself to go out in a blaze of glory… I’m going, ‘Okay, March [of 2025]. I called the guys. What do you say? Let’s do it. We talked. All right, let’s do it. When are we going out? Next late spring, summer. Good. I’ve got like a year to get in shape.’ So I’m back in the gym… But still, there’s a big difference between going out and doing four songs with Bret Michaels and holding the stage for 20 songs. So it’s gonna be a challenge. But I sure don’t wanna embarrass myself and the band doesn’t wanna embarrass itself. So, people, you’ll be impressed. I promise I will make some 20-year-olds feel really badly about themselves.”

    Snider also explained bassist Mark Mendoza’s absence:

    “I can only simply say irreconcilable differences and leave it at that. I can’t get into the weeds and I can’t go down that path. And I won’t. But irreconcilable differences. People change, and however it is, and I’m not saying he changed; maybe we changed whatever it is. So in deciding who to use on bass, my bass player on the last two Dee Snider albums, ‘For The Love Of Metal’ and ‘Leave A Scar’, was Russ Pzütto. And he was Mark Mendoza’s bass tech, and a great bass player… So, he did an amazing job on those two albums. He was a great guy to tour with. The band all knew him from years of working with TWISTED, and again, he seemed like a likely choice. As a matter of fact, one time he was Mark’s choice to fill in for him. And one gig, it was in Belgium at Graspop, and Mark couldn’t make it, and Russ stepped in and played with TWISTED. So he actually has performed with TWISTED once before.”

    He went on to say that he can’t see a reunion with Mendoza:

    “I can’t imagine it right now. I can’t imagine it right now. I mean — I plead the fifth. I can’t go beyond that. But things have happened that I don’t see being reconciled, hence the term ‘irreconcilable differences.’”

    [via Blabbermouth]