During an interview with The Seattle Times, Soundgarden drummer Matt Cameron and guitarist Kim Thayil discussed their upcoming album. The effort, which features vocals from the late Chris Cornell, will serve as a tribute to the frontman.
Cameron said the following about the record:
“It’s a massive emotional roller coaster. A lot of highs, a lot of lows. The highs are based on the fact that the music is seeing its light of day, it’s coming to life. Some of it feels like it could have been a new chapter in songwriting for the group, so that’s super bittersweet. But it’s been challenging to work on some of this music, soloing up Chris’s vocals and hearing that beautiful voice come through the speakers all on its own.”
Thayil also discussed the lengthy wait for the album, which was delayed following a legal dispute with Cornell’s widow Vicky and his estate:
“The delay in the process was damaging in some ways to the emotive nature of the experience. Certainly, it’s great that we’re doing it now. I’m wondering — because you can’t help but wonder — how that emotive and creative journey might have been undertaken six, seven, eight years ago. You will never know that, and there’s something unfortunate (and) damaging about that. But there’s something also beneficial about that because we’re doing it now, and it’s beautiful. It’s a way to post tribute to our beloved brother. All of it just has that much more weight emotionally and creatively, and we don’t take that lightly.”
Cameron also discussed the possibility of performing the new songs live:
“We haven’t really gotten there yet. We’re just trying to get the music together. But I think there might be some situations where it would be really cool to do that. It’s just a matter of getting the right people together, and we’ve got some amazing people that we’ve been working with, some singers that have expressed interest. So, we’re really, really excited about what that could potentially look like.”
Due to high demand, Iron Maiden have added two more dates to their upcoming North American tour. This includes second nights in Los Angeles, CA and Toronto, ON. As previously reported, the trek will take place in 2026 with Megadeth and Anthrax set to open on select dates.
Here’s the updated schedule:
08/29 Toronto, ON – Scotiabank Arena *
08/30 Toronto, ON – Scotiabank Arena *
09/03 Montréal, QC – Parc Jean-Drapeau *^
09/05 Harrison, NJ – Sports Illustrated Stadium *^
09/09 Boston, MA – TD Garden *
09/11 Bristow, VA – Jiffy Lube Live *
09/12 Charlotte, NC – PNC Music Pavilion *
09/15 Hershey, PA – Hersheypark Stadium *
09/17 Louisville, KY – Louder Than Life Festival
09/19 Shakopee, MN – Mystic Lake Amphitheater *
09/22 Chicago, IL – Credit Union 1 Amphitheatre *
09/25 Los Angeles, CA – BMO Stadium *^
09/26 Los Angeles, CA – BMO Stadium *^
09/29 San Antonio, TX – Alamodome *^
10/02 Mexico City, MX – Estadio GNP Seguros
* With Megadeth
^ With Anthrax
As previously reported, three former members of Dogma, vocalist Grace Jane Pasturini (Lilith) and guitarists Amber Maldonado (Lamia) and Patri Grief (Rusalka), recently made headlines after claiming they were replaced amid “unilateral decisions, broken promises, manipulation, mistreatment, and lies to the fans.” Now, Grief has further commented on the situation, saying their “voices will not be silenced.”
Grief said the following:
“The Rusalka that once was, and will always be
Hey guys. Rusalka (Patri Grief) here. I wanted to talk a little bit more about the recent events, what happened, why it happened, and shed some light on the situation.
In November 2023, I was contacted to be part of Dogma; I immediately fell in love with the project. I instantly fell in love with the aesthetic and songwriting. It seemed like a once in a lifetime opportunity. I was hired as Rusalka, and the adventure began.
You might already know how much I put my soul into this project, always bringing ideas, collaborating with my drawings on drumheads and cards, going to the merch booth every single night, and overall, defining who Rusalka was. Rusalka is based on a very, VERY personal thing that I went through, and I somehow felt the fans really connected to the character in multiple ways. Rusalka was unhinged, crazy, slightly creepy, but always supportive and there to listen. Several of you reached out to me through the character’s account seeking help, which I was always happy to give. Some very personal information was shared, from the fans and from me, yet the account was taken away by the management the minute I was not admitted into the United States.
I gave my everything into this project because, even if things felt off with the manager. I kept thinking “you’re doing this for them, and you’re doing this for the teenage Patri who needed you the most.” I believed Dogma was about “giving a voice to those who don’t have one,” which resonated with me. As a child, I always wanted to become a professional musician specifically for that reason: to give shelter. I hid in music when I needed it the most, and I wanted to return the favor. With that in mind, I went to the merch table every night, read every fan message, and answered all that I could. As the character evolved, so did I. The fans that I met — I wouldn’t even consider them as fans, but friends. I was, and still am, willing to give my all to them.
This management took advantage of my kindness. I was willing to do so many things for free, and, of course, I barely received a “thanks” in return. But the minute I set a boundary (as in, “Hey, I’d rather not let you use my gear without permission”) I was met with “you’re showing that you’re not committed to the project.” The minute I said “Then why would I be helping with the merch? Why would I be assisting the two new guitarists, if I was not committed to the project?” I received a “I paid you accordingly.” I was given a 100€ tip at the end of three tours, which, as you can imagine, doesn’t even match the minimum salary for the work that I had been doing. But still, it’s fine, because it was my idea, and I never did it for the money in the first place. I did it for you, for me, and for Rusalka, as she was born from the crazy and misunderstood.
He used the fact that he tipped me to make me shut up, and then he said that it would be better if I stopped doing it for this US tour. He’d rather stop the connection between musician and fan than recognize the efforts I put into the band.
The reason why I am no longer in the band is rather simple: I wasn’t accepted into the United States because management wouldn’t provide the proper VISA. I watched another member get kicked out simply for asking for the correct working VISA, so it seemed pretty clear to me: either go on tour, or be replaced. There was no other option. I flew to the US with the person who was supposed to be the new singer. We were both interrogated and detained. They took our phones (you can imagine how worried my family was), belts, earrings, and even our shoelaces. After 48 hours, we were sent back home.
The minute I turned my phone back on, I had a message from management saying “hey I found a replacement, could you teach her the songs?” Not even an apology for taking the risk! Only him asking for more. When I got back home, I told him that I was detained for 48 because of his poorly made decision, to which he answered “nobody forced you to do so. It was your decision, and you got caught because you were wearing a Pirate Queen t-shirt under your hoodie.
I was done. I was done because throughout all the fours, I’ve had to deal with eating only twice a day because he didn’t want to provide three meals. Every time I voiced my concern, I was shut down with the response of “no band ever demands that kind of thing,” while seeing bandmates cry under conditions that we accepted because of the opportunity. Every time I tried to discuss issues, I was met with gaslighting. I was treated poorly for having discussed the contract with another bandmate in order to receive better conditions. I was unable to organise anything in my life because of multi-month tours being planned with little notice. I was pressured into buying a piece of gear (aside from the guitar) that was “mandatory” which ended up not being necessary at all, it was instead used to carry vinyl and CDs instead of my guitar without my permission. The response? “Nobody forced you to do so, it was a suggestion.” I was told “Do you think I’d still hire you if I had more money? Sorry to say, but the minute I can start paying more, I gain access to the people who charge more.” Any time anyone expressed frustration with the situation, the response was “They need to f*ck to be calm” or “They complain too much because they’re women.” I was sick of him putting us down in order to keep us small and silent.
Despite all of this, being a touring musician has always been my dream, and I loved Dogma, the idea, the concept, the character I played, and the possibility of giving to Music at least a little bit of what Music gave to me when I needed it most.
Grace, Amber and I are not letting you down, and we will stand up for ourselves and the music we play. This management still has outstanding obligations, as ultimately it was his responsibility to provide what was required for a safe work environment. He failed to do so in a gross negligence which cost me and a poor girl — who didn’t even get the chance to sing one show after spending 48 hours in detention. It was a trip that led to nothing but disappointment. I was disappointed to see how easily replaceable we are, to see my character played by someone else who is using a playback at a live show that fans can’t even record, all because he is trying to hide the fact that he is selling something fans didn’t pay for.
And, to add something rather cheesy and petty to my statement, I will say, in Dogma’s usual mystique, but without any AI behind my words: “We were joined together in a dark ritual of music and blood, we went through sacrifices that you yet don’t know. Our voices will not be silenced, as, as far as we now talk with our cursed spirits, we will prove to you, sooner than you think, that the staves have already been drawn, the harmony is set, and the hexed melody of the coven is dying to be released”.
Your support means the world to me. To us. I’ve read every single message, and, in all honesty, several of you had made me cry. Nothing new, though, as, since the beginning, while you admired the band from afar, I admired you back from the shadows.”
Metal Anarchy 
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