• Blood Incantation Announce European/UK Tour

    Blood Incantation have announced a European/UK tour. Elder, Gong, Nate Mercereau, and Neptunian Maximalism will also join the band on select dates.

    Tour Dates:

    With Neptunian Maximalism:

    06/02 Kiel, GER – MAX Nachttheater
    06/08 Fribourg, SWI – Fri-Son
    06/10 Dresden, GER – Club Tante Ju

    With Elder:

    06/14 Colchester, UK – Colchester Arts Centre
    06/15 Southampton, UK – 1865
    06/16 Brighton, UK – Concorde 2

    With Neptunian Maximalism:

    06/17 Leiden, NET – Nobel

    With Nate Mercereau:

    06/20 Lyon, FRA – CCO La Rayonne

    With Neptunian Maximalism:

    06/21 Saarbrücken, GER – Garage

    With Nate Mercereau:

    06/23 Aarhus, DEN – Voxhall
    06/28 Tallinn, EST – Paavli Kultuurivabrik
    06/29 Riga, LAT – Spelet

    With Gong:

    07/07 Toulouse, FRA – Interference
    07/08 Aix-en-Provence, FRA – Le 6MIC

  • Ghost Share Chapter 23 Of Their Ongoing Web Series

    Ghost have released chapter 23 of their ongoing web series. The latest clip is titled “Frater Gets A Visit” and it finds Frater Imperator (formerly Papa Emeritus IV) reuniting with his late mother. You can check that out below:

  • Thy Art Is Murder, Skindred, Chelsea Grin, Etc. Added To 2026 RADAR Festival

    More bands have been added to next year’s RADAR Festival. That event will take place at the O2 Victoria Warehouse in Manchester, UK on July 31 to August 2 and it will now feature the following:

    July 31: Thy Art Is Murder, Chelsea Grin, vianova, Graphic Nature, Pintglass, Ghost Iris, Hacktivist, Cage Fight, CLT DRP, Sixth Wonder, and Rozemary.

    August 1: Skindred, Northlane, Protest The Hero, Heart Of A Coward, Unpeople, Siamese, BLACKGOLD Seething Akira, Royal Sorrow, Dacara, and Eville.

    August 2: Animals As Leaders, Voyager, The Pineapple Thief, ten56., Employed To Serve, Elwood Stray, Dali, IHLO, Luna Kills, Benthos, and Maebe.

  • Between The Buried And Me Reveal Opening Acts For Upcoming European/UK Tour

    Between The Buried And Me have revealed the opening acts for their upcoming European/UK tour. Monosphere, IHLO, and You Win Again Gravity will join the band on select dates.

    Tour Dates:

    With IHLO and You Win Gravity:

    02/19 London, UK – Islington Assembly Hall
    02/20 Birmingham, UK – Asylum
    02/21 Manchester, UK – Band On The Wall
    02/22 Bristol, UK – Fleece

    With Monosphere:

    02/24 Frankfurt, GER – Das Bett
    02/25 Paris, FRA – Petit Bain
    02/26 Amsterdam, NET – Melkweg
    02/27 Esch-sur-Alzette, LUX – Rockhal
    02/28 Antwerp, BEL – Zappa
    03/01 Hamburg, GER – Uebel & Gefahrlich
    03/02 Copenhagen, DEN – Pumpehuset
    03/03 Stockholm, SWE – Debaser
    03/05 Helsinki, FIN – Tavastia
    03/06 Tallin, EST – Paavli Kulturvabrik
    03/07 Riga, LAT – Melna Piektdiena
    03/09 Warsaw, POL – Niebo
    03/11 Bochum, GER – Matrix
    03/12 Stuttgart, GER – Wizemann
    03/13 Milan, ITA – Legend Club
    03/14 Aarau, SWI – Kiff
    03/15 Geneva, SWI – L’Usine
    03/17 Leipzig, GER – UT Connewitz
    03/18 Prague, CZE – Rock Cafe

  • Worm Premiere “Blackheart” Video

    Worm have premiered a new video for their new song “Blackheart.” This track is from the band’s new album, “Necropalace,” which will be released on February 13. Vocalist Phantom Slaughter commented:

    “We consider this to be a gothic vampire love ballad. Sharing a different kind of emotion and color than the rest of the record. The lyrics touch on the isolation and loss one feels as a child of the night. Musically, ‘Blackheart’ fuses Avant-garde music era Katatonia and their love of Fields Of The Nephilim with icy AOR like FM (UK), Strangeways, and Harem Scarem. We could not leave behind our Floridian heritage so there are also frozen swamp nods to Death (Symbolic) as well as Crimson Glory.”

  • The Browning Share “Evolved” Version Of “I Choose You”, Add Texas Shows To Upcoming Tour

    The Browning have shared a new version of their song “I Choose You.” The updated track will appear on the “Evolved” edition of “Burn This World,“ which is set to receive a digital release on February 11 (physical copies out February 27).

    In other news, the group have also added two Texas dates to their upcoming tour with Within Destruction, Face Yourself, and Dead Eyes. Here’s the updated schedule:

    02/12 Covington, KY – Madison Live
    02/13 Lakewood, OH – The Roxy
    02/14 Detroit, MI – The Shelter
    02/15 Chicago, IL – WC Social Club
    02/17 St. Paul, MN – Amsterdam
    02/18 Des Moines, IA – Wooly’s
    02/19 Omaha, NE – The Waiting Room
    02/20 Wichita, KS – Wave
    02/21 Dallas, TX – Puzzles Deep Ellum
    02/22 Austin, TX – Come And Take It Live
    02/24 Albuquerque, NM – Sunshine
    02/25 Mesa, AZ – Nile
    02/26 Los Angeles, CA – Teragram
    02/27 Fresno, CA – Fulton 55
    02/28 Roseville, CA – Goldfield
    03/01 San Jose, CA – The Ritz
    03/03 Portland, OR – Star Theater
    03/04 Seattle, WA – El Corazon
    03/05 Richland, WA – Ray’s Golden Lion
    03/06 Boise, ID – Shrine Social Club
    03/07 Salt Lake City, UT – Metro Music Hall
    03/09 Denver, CO – Marquis
    03/11 Springfield, MO – Regency
    03/12 St. Louis, MO – Red Flag
    03/13 Nashville, TN – Cannery Hall
    03/14 Columbus, OH – The King Of Clubs
    03/15 Harrisburg, PA – Capital City Music Hall
    03/17 Worcester, MA – The Palladium
    03/18 Rutherford, NJ – Blackbox
    03/19 Richmond, VA – The Canal Club
    03/20 Greensboro, NC – Hangar 1819
    03/21 Greenville, SC – Radio Room
    03/22 Orlando, FL – Conduit

  • Venus 5 Premiere “Like A Witch” Video

    Venus 5, the pop-metal group featuring Karmen Klinc, Jelena Milovanovic, Tezzi Persson, Greta Di Iacovo (aka Herma), and Erina Seitllari, have premiered a new video for their new song “Like A Witch.” This track is from the band’s new album, “March Of The Venus 5,” which will be released on March 20.

    Milovanovic said the following about the single:

    “Prepare to be bewitched!”

    Herma continued:

    “Girl power at its best.”

    Seitllari added:

    “There’s a hypnotic pull in ‘Like A Witch’, a blend of mystery, rhythm, and feminine fire that you feel instantly.”

    She also commented on the album:

    “This album feels like a storm made of fire and velvet! Wild, electric, and impossible to hold. Every track carries that spellbinding feminine force, the kind that rises, glows, and refuses to be tamed.”

    Klinc chimed in as well:

    “The new Venus 5 album is crafted with all the qualities needed for every listener to discover something that resonates. Within it lie unexpected sonic delights, powerful and surprising, that we cannot wait to unveil and let reach the ears of our audience.”

    “March Of The Venus 5” Track Listing:

    01. “March Of The Venus 5”
    02. “Like A Witch”
    03. “Far Away”
    04. “Set Me Free”
    05. “Stereotypes”
    06. “Surrender”
    07. “Satelite”
    08. “Invincible”
    09. “Winter On My Skin”
    10. “Take It From The Start”
    11. “The Other Shore”

  • Geoff Tate Is About “85% Done” With “Operation: Mindcrime III”

    It looks like Geoff Tate (ex-Queensrÿche) is almost finished with “Operation: Mindcrime III.” According to producer John Moyer (Disturbed), the album is about “85% done.”

    Moyer told Mark Strigl the following:

    “I recorded these songs during the summer between tours. [DISTURBED] finished [the North American leg of] our ‘The Sickness [25th Anniversary] Tour’ in the spring. I spent the summer in Europe recording a bunch of these songs. Then we went to Europe to tour with DISTURBED, so I took a break from the songs. Now I’m in the final stages of mixing and putting everything together.”

    He continued:

    “Obviously [Geoff is] not in QUEENSRŸCHE anymore. ‘Operation: Mindcrime’ was released under the QUEENSRŸCHE name years ago, the first two records. Well, when the band split up, basically Geoff got all the rights to ‘Mindcrime’. That’s his story to tell. And so anything that moves forward with ‘Mindcrime’ is his to do with as he wishes. I know some people are, like, ‘How can he do that? That was a QUEENSRŸCHE thing.’ Well, ’cause it’s his; he owns it. That’s his baby.

    So, ‘Operation: Mindcrime III’, he has these songs that he’s been working with a handful of great songwriters that have been guitar players for him. And so these songs he’s been sitting on for, like, four or five years, and they’ve been sort of percolating over time. And then he sends ’em to me, and I’m, like, ‘Oh my God. These songs are great, Geoff.’ And [I was] really blown away by ’em. And he sends me another, and I’m, like, ‘That’s another great song’, and ‘another great song.’ And he’s just been holding on to these songs ’cause he knew that these were the songs for a future ‘Operation: Mindcrime III’. Even though he’s had other releases and has put out other material, these are the songs he’s been saving for this record. And so he sends ’em to me. I start going through ’em. And then I worked with one of his guitar players, Amaury Altmayer, in France. Amaury and I combed through the material. We redid all the guitars, we re-polished everything. [We] basically took the demos [and] rebuilt ’em from the ground up through a producer’s eyes. And then I went to Italy and I recorded Geoff on a handful of songs. We are eight songs in right now on the record. It’s gonna be a full 10-song album. We have pretty much final mixes on three of ’em. We have rough mixes on all the other ones, on the other five. And so we’re just going back and forth with our mixer. We’re using Juan Urteaga, who mixes TESTAMENT and other bands like that, a West Coast guy. ‘Cause I wanted that older-school sound, I wanted to go back to sort of that era. And I love what Juan does.”

    He went on to discuss the musical direction:

    “I have a handful of friends who I’ve played it for, and when anyone listens to it, they go, ‘It sounds like ‘Operation: Mindcrime’, but modern.

    A lot has happened since the late ’80s with sonics and technology and how we record things. Obviously, to me, that’s the greatest concept record of all time. So, to me, that’s why it’s so important that we do this record correctly. So a lot of it is continuing the story of Dr. X. And ‘Operation: Mindcrime III’ basically is ‘Operation: Mindcrime’ but from Dr. X’s point of view. I just got chills saying that, but that’s exactly it. So it’s a darker, heavier, kind of a more evil-sounding record, but with all of the themes from ‘Operation: Mindcrime’. It very heavily is influenced from ‘Operation: Mindcrime’… The lyrics are so incredible on this record. He’s really bringing it. I’m so honored to be a part of it.”

    Moyer also explained the lengthy wait for the album:

    “There’s a lot of pressure on this record, I’m not gonna lie to you, that I put on myself, that I feel me and Geoff both feel. And we want it to be perfect, but we also want it to be timely. We don’t want it to sit here, like, ‘Hey, ‘Operation: Mindcrime III’,’ and then three years go by, nothing comes out. But at the same time, things that are great sometimes take a little time. So it’s not that the record’s not being written; it’s that it takes a little time to make it what we want it to be. So there’s remixes sometimes. Sometimes we get something and we’ll re-record a little section. Just we’re, like, ‘That’s not quite perfect,’ and we’ll go back and we’ll re-record it. But it’s getting there. Honestly, I feel like we’re 85% there, if not 90% there, done with this record. I’m about to get another track from him, in the next two weeks, which will make song number nine. And the song number 10 is out of my hands. Song number 10 is a song that the way it’s put together and his vision for it and my vision for it are a little different. So I told him, I said, ‘Okay, for this song in particular, I want you to work with someone else on this song.’ I feel like he and I are just gonna battle each other too much about it. And right now, he and I have a cohesive vision on these nine songs. And we’re killing it. And then when he and I kind of discussed song number 10, which is sort of… It’s a thing. [Laughs] Some of these songs are things, man. It’s not a song; it’s like a dramatic movement. It’s like a operatic storyline. And I hear it a totally different way than he hears it. And so I was, like, ‘Okay, for this one song, I want you to go back to the original songwriter,’ who’s a producer of his own right, and I said, ‘Why don’t you just work with him? And you guys finish that song on your own.’ And his name’s Kieran [Robertson], and Kieran’s out with Geoff right now anyways touring. So I’m just, like, ‘You’re already out with Kieran. Just work with him and do this last song.’ So I’ll end up doing nine songs on the record, production-wise.”

    He also added that he is “so excited” for the release:

    “The first single is so fricking good, I can’t get over it. Everyone I play for just goes, ‘Wow. Geoff Tate is back and he’s killing it.’ And it’s so ‘Operation: Mindcrime’, bro. It’s with all the vocals and everything over it, the sound effects.

    There’s this one song… And a lot of the songs are sung… It’s basically sung from Dr. X’s point of view. So Geoff really gets into character, and you can hear this menacing tone and sort of this ‘do as I say, I know what’s right’ attitude that happens throughout the record. It’s really powerful.

    I’m so proud of it and I think it’s gonna do very well, and I think it’s something the fans have been waiting for?”

    [via Blabbermouth]

  • Queens Of The Stone Age Share “Alive In The Catacombs” Film On YouTube

    Queens Of The Stone Age have now shared their “Alive In The Catacombs” film on YouTube. You can watch that below. As previously reported, the film features a special set that the band recorded inside the Catacombs of Paris.

  • Karnivool Premiere “Opal” Video

    Karnivool have premiered a new video for their latest single “Opal.” That track is from the band’s new album, “In Verses,” which will be released on February 6. The group said the following about the clip:

    “We wanted to have the painted animated world in this clip to feel akin to the album cover art in some way, keeping the same tones and palette. When Adam and the Rythm guys suggested this approach, it clicked with us as the sleeping giant idea was something that stuck from the very first writing sessions through to the final version here – it’s got a bit of power as well as beauty to it.”