During a recent interview with Rock Hard Greece, Godsmack frontman Sully Erna addressed claims suggesting that drummer Mike Mangini (ex-Dream Theater) is “overqualified” for the band. According to him, “saying that Mike is overqualified to play for Godsmack is just like saying that Shannon [Larkin]’s overqualified to play for Godsmack.”
Erna said the following when asked how Godsmack’s new lineup compares to their old lineup’s early years:
“Well, actually, that’s a good question, because, first of all, to answer in short, right now it feels great because we have the right people that we replaced Tony [Rombola] and Shannon with. They’re great players, they’re great people. They’re good human beings, but they’re very qualified, and they make it all feel very natural for me and Robbie [Merrill].
When you’re used to playing with two other people that you’ve been with for 30 years, that’s hard to replace sometimes, ’cause there’s a natural chemistry that happens that you can’t just acquire quickly. When you play with three other guys for 30 years, you just develop a natural chemistry. So to replace that was not easy to do. But we got very lucky and we found two people that are doing a great job. It’s taken a lot of work and some patience, but we’re in a really good place right now and I think, for once, I’m feeling that GODSMACK has a second life and that we’ll be able to continue for as long as we want to. Now, that being said, is it the same feeling as [it was with] Tony and Shannon? No, it will never be that. You can’t replace that part of it. There’s an emotional attachment to people that you consider are brothers than there is to the new guys. But the new guys are also great, and we have a different relationship that we’re building with them. So it’s not the same, but it doesn’t mean that it’s bad.”
He continued when asked about a quote from late Rush drummer Neil Peart, who once said “nothing great lasts forever”:
“Well, that got me through, I think, how to navigate and tackle this new chapter. Because when I heard Neil say that, I’m, like, ‘You know, he’s right.’ There’s no way around it. That’s how life is designed, that nothing great lasts forever, at least not while we’re in a human form on Earth. We’re not designed that way. There’s a beginning and there’s an end. And so I had to accept that at that point and realize as much as I wanted the original members to be together forever… And I even felt betrayed at one point. I felt like I spent my whole life building this band and giving other people an opportunity to accomplish their own dreams, and then they left me. So there’s a sense of abandonment there, and there’s a sense of betrayal. But I really sat down with it and I’m, like, ‘No. No one abandoned anyone and no one betrayed anyone.’ They gave me almost 30 years of amazing memories and good times, and they put in their work. They just got to a point where they wanted to be home with their family and their houses, and they didn’t wanna tour at this level anymore. And I have to honor that and respect it and find my peace and understanding with that. So when Neil had said to me, and Shannon, by the way, when we met him, and we were asking him if he’s ever gonna play drums again, and he’s, like, ‘I don’t think so.’ And we’re, like, ‘Really? You’re not even gonna have a drum set in your house just to play for fun?’ And he said, ‘I don’t think so. I think I’ve done everything I can do on the drums.’ And we’re, like, ‘You sure have.’ And then he just said, ‘Yeah, as far as being with the band, I love these guys but life moves on and there’s other things that we wanna do, and nothing great lasts forever.’ And that helped me a lot, understanding that as great as I felt GODSMACK has been for what we are, I was faced with that same decision, that here we go. And now is it time to just retire with Tony and Shannon, or do we try to keep going a little bit? And that all depended on who was gonna play and replace them.”
He also added the following when asked if he was apprehensive about playing with Mangini:
“Very little. Very little, because I’ve known Mike for 30 years. I knew him back in the ’90s when he was taking over for EXTREME. And I knew his level of play. I knew his level of experience. And I would have never put that kind of responsibility in his hands to just send him a live show… ‘Cause we put out that double live album recently. And I just sent that to him and I said, ‘Just learn this, the live version of every song.’ I would have never put that responsibility on him if I didn’t know he was capable of coming in and playing it pretty damn close, and that’s exactly what he did. Was it perfect? No. But rock and roll is not supposed to be perfect. So he came in and did a phenomenal job on the first show. No rehearsal, we just did a long soundcheck, and I’m, like, ‘He knows. He’s got this. Nothing is gonna be a train wreck.’ And he came in and he surprised everyone. But, of course, I had confidence in him, because it’s Mike Mangini, and he’s just very qualified to do this job.”
He also shot down the “overqualified” claims:
“By people saying… And by the way, those people are a very small audience, and those people are mostly fans of DREAM THEATER and Mike Portnoy. And poor Mike [Mangini] was in DREAM THEATER for 13 years, just trying to do his job and learn some very complicated music that Mike Portnoy chose to leave the band himself. So Mike Mangini just came into that position hired and he caught a lot of shit for it. He had a lot of Mike Portnoy fans that didn’t wanna accept Mangini. But by saying that Mike is overqualified to play for GODSMACK is just like saying that Shannon’s overqualified to play for GODSMACK, ’cause I don’t think people realize the depth of detail that’s involved in GODSMACK’s music as a drummer.
I’m a drummer. I’ve been a drummer my whole life,” Erna noted. “Shannon’s an amazing drummer, and we both spent a lot of years and a lot of time designing those drum parts. And although they may not be as complicated as DREAM THEATER, they’re very detailed, and that calls for someone like Mike Mangini to fill that spot.
Listen, I’ve always said the most complicated kind of music sounds very simple. People may say, like, ‘Oh, AC/DC, that’s not hard to play.’ It really is. And you know why it is? Because it’s very detailed and it’s very steady. It’s very hard to play in a pocket like that and deliver it in a way that makes it sound easy. Yeah, maybe there’s not seven different time signatures happening and very complicated drum fills, but GODSMACK’s stuff is complicated because it’s designed to sound easy, but when you actually dive into learning the parts, they’re fairly challenging. It’s not RUSH, but it’s, it’s not AC/DC either.”
He went on to discuss how the new lineup has opened the door for “reinvention”:
“I think it’s a great opportunity to reinvent the band and the kind of music that we wanna put out now, because over the years as I have evolved as a songwriter and a musician, my style of writing has changed a lot.
The one thread that GODSMACK always had to maintain is staying powerful and being a hard rock band. We’re not metal, but we’re not classic rock. We’re right in the middle. But there was some stuff in the early days that was a little closer to metal. It was heavier back then; it was darker. And then over time, as I’ve evolved and grown, I wanted to regress back to just hard rock, which is what I grew up with — AEROSMITH, BLACK SABBATH, LED ZEPPELIN, bands like that. So I think every album that has come out now since the ‘IV’ album has led to becoming more established as just a hard rock band. And now sometimes the band even starts to gravitate towards being just rock. There’s always one song on a record that opens the door for the next album. And I think with the last album — like when we did ‘When Legends Rise’, we had a new kind of sound. Well, let me go back even further. When we did the ‘Faceless’ album, on album number three, that song ‘I Stand Alone’ came about, and that really set us in a different direction. We started to introduce harmonies on the vocals and things like that. And then we went through a bunch of albums and did some heavy stuff, and then when albums like ‘When Legends Rise’ came out, we had that song ‘Bulletproof’, and that introduced us to a little bit more of a commercial sound, and we started to see our audience grow even more with women and children. So we took ‘Bulletproof’ and we expanded from that, and we wrote ‘Lighting Up The Sky’. And ‘Lighting Up The Sky’, I think, stayed more true to just being a hard rock band. And there’s songs like ‘You And I’, which is the first song on the last album, that lends itself to being a little bit more ’70s rock feeling, but in a modern way. So I think we’re gonna take that and kind of move forward from there. And I think the next record, you may hear a little bit more classic rock feeling. It’ll be heavy, but it won’t be metal. But I haven’t wrote any music yet, and that’s just what my mind is telling me. For all I know, we could end up writing a record that could sound like PANTERA, so I have no idea. [Laughs]”
[via Blabbermouth]
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