System Of A Down will be headlining next year’s Sick New World festival in Las Vegas, NV. Frontman Serj Tankian confirmed the news to fan during a recent signing. This news comes after the band previously teased the event.

During an event at the Rock & Roll Hall Of Fame’s Foster Theater in Cleveland, OH, Rush’s Geddy Lee and Alex Lifeson discussed their decision to reunite for a 2026 tour. According to them, “it feels right” to return to the road.

Lifeson said the following:
“When we finished the [‘R40’] tour [in 2015], it was difficult for Neil, and he’d had enough by that point. I think Ged and I still had gas in the tank and we still wanted to continue working. But it was what it was, and the further I got away from it, the more I thought, ‘It’s okay. We had 40 years. I’m tired of hanging around a hotel, being away from family and all of that stuff.’ And I felt that way for most of the last 10 years, really. I thought we had a great legacy, and it’s okay. Then this guy [Lee] came along and had some big ideas. And we talked and we started playing. And then I realized that I love it so much — I love playing so much. And I’ve continued, over these last years, doing other projects and still playing a lot. But when we sat down and started playing some of the RUSH stuff and I realized how hard it was to play these songs… When you do it every day for 40 years, it’s not a big deal, really — you’re used to it — but when you’re away from it and you are a little more objective about the intense complexity of the music and the feel and the nuances and all the things that go into making a RUSH song and performance, to be challenged with that again was really, really exciting. And the more we started rehearsing and playing, the more I just fell in love with the idea of playing again.”
Lee continued:
“It was a very difficult decision on many levels, first of all, because what it entails in terms of work, but also what had transpired. Losing a member like Neil, it was devastating and it was a very sad time, and it took time for us to even contemplate it. I mean, this is a relatively recent decision. And I would say it was kind of out of the question for the longest time because of those circumstances. And how do you replace someone who’s irreplaceable? So, we would joke about it sometimes, and Al was doing other things, I was writing books and something happened in the last couple of years that brought us back to jamming in the studio. He would come over, drink my coffee, hang around, we would jam and we would laugh. And then one day — I don’t know why — we started playing some RUSH songs for fun. And God, we were laughing so hard and we were enjoying it so much. And it was almost like playing those songs dispelled the dark clouds. It was not an easy decision to come to, and this is really the first time we’re talking about it out loud in front of other people. So, yeah, it feels right, and we’re gonna do it.”
He also commented on recruiting drummer Anika Nilles:
“Well, our idea was not to try to be RUSH 2.0, just to pay homage to our music, pay homage to our lost brother and represent the songs and celebrate the songs.
I haven’t talked about this before, but… So, my bass tech Skully [John McIntosh] was working with Jeff Beck. He was on tour with him for a few years. And on the last tour he was playing with this drummer named Anika Nilles — an incredible drummer. And he would come home, he would rave about her, what a brilliant player she was and great person, and blah, blah, blah. So I kind of looked her up. And she’s all over YouTube. She’s fairly well known in her own world of music. And then we started talking about playing again. I said to Al, I said, ‘Check her out. Maybe that’s an interesting way to go.’ And so one thing led to another, and when we made the decision we wanted to see if it would work, what’s it like to play with another drummer — we’d had that experience, of course, at the Taylor Hawkins tributes [in September 2022]. So we know how difficult it is — no matter who the drummer is, they all have their own perception of what it’s like to play a RUSH song, and they may not line up with the way we play RUSH songs. So whoever we were going to choose was going to be difficult and there’s going to be like a translation. And so we very secretly brought Anika to Canada. And it wasn’t an audition, ’cause at that point we weren’t really sure that we were going to tour. It was all an experiment. Anyway, I’m very happy to say that she is fantastic to play with. And we’ve had now a number of sessions with her and we are going to go on the road with her. I think she’s a remarkable story. And she’s much younger than us… And I like that, that she came to RUSH music without any preconceptions. It also made it very difficult, ’cause we had to explain nuances and work on subtleties, and she had to really try to get into Neil’s headspace and his feel. A lot of drummers can play Neil’s drum fills, but to combine that with the feel of those songs, so that it feels the way you guys wanna hear those songs, that’s work — that requires work. And so she’s winning.”
He also revealed what fans can expect from the shows:
“I don’t think we can do a three-hour show the way we did when we were in our younger years, but we’re certainly gonna play over two hours. And we’ll get a lot of songs in, for sure.”
Lee went on to say that “it’s not an accident” that the tour is kicking off at the Kia Forum in Los Angeles, CA where Rush ended their “R40” tour:
“It’ll be, I think, quite an emotional moment. And I have to say also a thank you to [Neil’s widow] Carrie Nuttall and [daughter] Olivia Peart who have been very supportive and are supporting us for this tour, and we really appreciate that, and that makes things better. And we also plan to pay tribute to Neil at least a couple of times during the show in our own way. And that’ll happen every night, we’ll pay tribute to him.
After Neil passed, COVID hit and we never really were able to do any kind of tribute to him — not a tribute concert. And so this is one way that we pay homage to the music and the lyrics and the incredible drumming of our pal and partner, and at the same time celebrate the music that [the fans] have thankfully shown up for, for all these years. And we’ll just endeavor to do our best to make [the fans] happy.”
[via Blabbermouth]
Ripped To Shreds have taken to social media to blast Master for performing alongside “neo-Nazi” acts at the recent Metal Threat festival in Chicago, IL. That event featured multiple controversial acts including Arghoslent, Inquisition, etc. Ripped To Shreds said the following about Master after cancelling their October 10 show in Berkeley, CA:
“refusing to play with a neonazi band like arghoslent that glorifies the black slave trade is the lowest possible bar and master still failed it, so we’re withdrawing from friday’s show at @924gilmanstreet support to @bitterendbooking for doing the right thing and canceling the show. we’re still leaving heavy talent, but i would like to clarify that heavy talent only reps sinister, the sinister and master tour was booked as a package, and master booked their show with metal threat directly through paul dunski and not through heavy talent”
Vocalist/guitarist Andrew Lee also shared a video focusing on the problem of white supremacy in the metal scene:
Look What I Did are celebrating the 20th anniversary of “Minuteman For The Moment” with a new video for “Cupid Full Of Eros.” You can check that out below:
The band commented:
“We wanted to celebrate 20 years of ‘Minuteman for the Moment‘ with a video that captures the chaos, the energy, and the history of our fans and performances. This video pulls from decades of live footage — a tribute not just to the album, but to everyone who’s been along for the ride.”
In other news, the group are also working on a new album titled “Post Everything” That effort will feature bassist Evan Brewer (Fallujah, etc.) and guitarist Loren Turner (ex-Foxy Shazam). The band commented on the new record as well:
”’Post Everything‘ rejects conventional genre boundaries entirely, instead creating new, original music drawn from the complete palette of all works of art and music that have come before it. This ambitious vision seeks to focus purely on artistic innovation, blending influences into a modern formula that has no limits, producing a sound that is entirely forward-looking and uncompromised.”
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