• Black Stone Cherry Premiere “Celebrate” Music Video

    Black Stone Cherry have shared an official video for the title track of their new EP “Celebrate.” That effort will be released on March 6. The band commented:

    “We had so much fun coming up with the concept for the ‘Celebrate’ video! We got on a phone call with director Kyle Loftus and we all hashed out ideas until we landed on something that got us all excited! We wanted the video to show what it’s like to be stuck in something, whether that be a boring job or maybe stuck in your own head, and how any little opportunity can lead to a small victory! The song itself is about celebrating every little thing in life, even if it’s just making it through the day. The video came out amazing with an amazing actor/musician, Aaron Paulsen as the lead and we get chills every time we watch it! The confetti at the end was one of our main requests as we wanted to visually show what it mentally feels like to celebrate inside your mind!”

  • The Violent Hour Premiere “Sex And Cigarettes” Music Video

    The Violent Hour, the band fronted by Carla Harvey (Lords Of Acid, ex-Butcher Babies, etc.), have premiered a new video for their song “Sex And Cigarettes.” You can check that out below. The track appears on the band’s debut self-titled EP.

    Harvey said the following about the single:

    “‘Sex And Cigarettes’ was the first song I wrote for The Violent Hour EP. It’s fun, sexy, and a full-throttle riot-grrrl love letter to chaos and chemistry.”

    She also commented on the video:

    “For the video, I wanted to capture that energy and the instant camaraderie we had as a band in a modern, Russ Meyer-esque fever dream that turns a simple road trip to a gig into absolute madness. I enlisted director Nathan Mowery to bring the vision to life. He’s not only a filmmaker but also a wrestler, so I knew he’d nail the finale I imagined. I write all my own video treatments and personally scouted most of the locations — from Circus Liquor to L.A.’s infamous Mustang Motel. Even tracking down that badass red convertible was part of the adventure. The final cut is exactly how I dreamed it — gritty, sexy and a little unhinged… just like the song.”

    Guitarist Allie Kaye continued:

    “We hadn’t been a band for very long before filming the video, but spending a full day together to shoot these killer scenes brought us closer together as a group.”

    Guitarist Kiana De Leon also chimed in:

    “The energy on the set of our first music video was truly unforgettable. Every moment filming felt less like work and more like hanging out with your friends, everyone just naturally vibed with each other. The chemistry was instant, and we all clicked as a whole. It was all good vibes, start to finish, and you can truly feel that excitement in every single scene.”

    Drummer Sasha DeLeon added:

    “If you’re not having fun with your band mates, then what are you doing?”

    Bassist Jewel Steele concluded:

    “I never had so much fun filming a music video. My favorite part was Carla driving the 63’ Ford Falcon Futura all around LA while we were rocking out and having a blast!”

    [via Revolver]

  • Enthroned Premiere New Song “Ashen Advocacy”

    Enthroned have shared a new song titled “Ashen Advocacy.” That track is from the band’s album, “Ashspawn,” which will be released on December 5.

  • Circle Jerks Announce U.S. Tour With Gorilla Biscuits And Negative Approach

    Circle Jerks have announced a spring 2026 U.S. tour with Gorilla Biscuits and Negative Approach. Here’s the dates:

    03/27 Columbus, OH – Newport Music Hall
    03/28 Cincinnati, OH – Bogart’s
    03/29 McKees Rocks, PA – Roxian Theatre
    03/31 Allentown, PA – Archer Music Hall
    04/01 Baltimore, MO – Soundstage
    04/03 Philadelphia, PA – TLA
    04/04 Philadelphia, PA – TLA
    04/06 Albany, NY – Empire Live
    04/07 New Haven, CT – College St. Music Hall
    04/09 Boston, MA – Paradise (no Negative Approach)
    04/11 Portland, ME – State Theatre (no Negative Approach)

  • Life Of Agony’s Keith Caputo Announces “Died Laughing” 25th Anniversary European Tour

    Keith Caputo (Life Of Agony) will be celebrating the 25th anniversary of “Died Laughing” by performing the album in its entirety on a March 2026 European tour. Serpents will serve as support. Notably, Caputo’s Life Of Agony bandmate Joseph Zampella will join him on the trek. Here’s the dates:

    03/06 Hamburg, GER – Fabrik
    03/07 Cologne, GER – Luxor
    03/08 Frankfurt, GER – Das Bett
    03/10 Vienna, AUT – Flex
    03/11 Salzburg, AUT – Rockhouse
    03/13 Munich, GER – Strom
    03/14 Schorndorf, GER – Manufaktur
    03/15 Bochum, GER – Matrix
    03/17 Ghent, BEL – Wintercircus
    03/18 Nijmegen, NET – Doornroosje
    03/20 Amsterdam, NET – Melkweg
    03/21 Liege, BEL – Reflektor
    03/22 Tilburg, NET – 013

  • Pathology Share New Album Update: “Most Of The Recording Is Complete”

    Pathology have shared a new update on their upcoming album. The band said the following:

    “Pathology has been hard at work crafting our 13th studio album! Most of the recording is complete, and we’re putting intense focus on every detail to make sure this one stands above the rest. We can confidently say this new record is a major step up from our previous material — fans of our 2012 release The Time of Great Purification are definitely going to be pleased. Stay tuned… more info coming in the next few months!”

  • Former Dogma Guitarist Amber Maldonado Shares More Details Regarding Her Time In The Band

    As previously reported, former Dogma members Grace Jane Pasturini (Lilith), Amber Maldonado (Lamia), and Patri Grief (Rusalka) recently made headlines after accusing their management of “manipulation,” “mistreatment,” and more. Now, Maldonado has shared another statement to offer fans a more detailed account of her time in the band.

    Maldonado said the following:

    “I consider myself an outspoken person, but this past summer, I held my tongue.

    In February of 2022, I was contacted to audition for Dogma. Only an unreleased music video for Father I have Sinned existed, but I was hooked. I had one week to leam the solos of My First Peak and The Dark Messiah, which wasn’t too demanding except for the fact I had sliced my finger open and had fresh stitches. Nonetheless, I wanted this opportunity, so I layered on band aids and practiced.

    On the day of my 25th birthday, I was told I had made the cut. It all felt right. I had been on a social media tear, meticulously creating content and tracking my steady growth. I figured my efforts were finally paying off.

    One week later, I was flown out to Uruguay where I met the other girls, and we filmed Forbidden Zone and My First Peak. Getting along with the other girls was easy and natural. That week, the music video of Father I Have Sinned was released and we spent the night together celebrating.

    Our singer departed from the project officially a few months later and I was crushed. I was told by management she departed for personal issues. I wanted to respect her privacy, so I did not pry.

    A few months later, the album was finished and I set to work learning the parts. Meanwhile, the contract was finally sent to me. I discussed the pay with friends. For an unknown metal band without a finished album released, it was a little low.. The contract stated I needed management’s permission to quit. I amended this part.

    In September 2023, I went down to Argentina to film Carnal Liberation and Made her Mine, this time, with a completely new line up. To my knowledge, the other girls had left due to life changes. Over the last year and a half, I had regular communication with management and I thought we were friends. Looking back, it was all a ruse: put on a good face to keep the one remaining member while focusing on replacing everyone else.

    In November, 2023, the album was released and now the only thing left was to go on tour, which I wanted more than anything. I got my wish in June 2024. Dogma’s first tour. New singer, new guitarist, but that didn’t matter to me. I was just excited to finally take that next step.

    The tour began exposing management for the truth.

    I came home broken. I sprained my ankle in the middle of a show in Uruguay. When I left the stage to put on my crown for the Carnal Liberation solo, someone had removed the ramp and I fell. I duct taped my ankle to finish that tour. My knees were bruised from the way my weight was distributed from wearing heels. When I asked to wear boots with a shorter heel to protect my knees, management told me no because I would look too short next to Rusalka. My whole body was tense from all of the emotional turmoil I had endured.

    A lot of people asked me why I didn’t cut my losses and leave. I had invested so many years, so many hours of practice, and given so much of myself into creating Lamia. I wasn’t ready to walk away. And most importantly, I didn’t want anyone to be able to take my dream away from me. I would be the one to decide when I was done, not anyone else.

    We went on our US tour in November 2024. I took a completely different approach to this tour: mind my business. Outside of playing, soundchecks, and meet and greets, I kept to myself, quietly reading in my bunk. Despite this, treatment from management only got worse. Management would not prioritize purchasing food. I eventually WALKED to Walmart to purchase the necessary food for the band and crew for the next month with my own money.

    March 2025 rolled around and I was contacted about doing a TWO month tour across Europe and Latin America. I had just started a new job, so I initially turned down the invitation. I was not the only one. I had previously been under the impression that we were the band, and if we were unable to tour, then the tour could not happen. Nope. That’s when we learned we had no say on whether or not the tour happened. We were only asked if we were going.

    Management manipulated me into the tour, telling me everyone said yes. If I wanted to play the Summer Europe tour, I had to say yes to this one because once I was out, I was out for good.

    Two weeks into the April tour, I knew I wasn’t coming back. I was playing shows every night, and then working my other job until 3am. No amount of “keeping to myself stopped management from picking fights with me. If I had a stable income, management could not control me.

    Management kept instigating fights about my work schedule.. I was asked how I was compensating his company for the lost money from missing a meet and greet. I do those for free. How am I being compensated for the paid work I’m missing to play shows? On my days off from tour, I had to go out for interviews. I normally love interviews, but not when management writes pages of AI word salad I’m supposed to follow. I was never compensated for these.

    When we played Chile, Grace faced a host of technical issues. Directly after the show, we were all yelled at for nearly an hour. When I pointed out yelling was unprofessional, Management responded by saying I was unprofessional and projecting, because no other manager would put up with our shoddy job.

    We got into another fight with management because he wanted us to play the full album on a radio show for free, saying we were a family and should help each other out. That fight lasted almost 2 hours. Another manipulation tactic: wear down your opponent.

    In Brazil, we did not receive any daysheets. Management specifically forbade the Brazilian tour manager from sending them to us. This was another ploy to control us. If we didn’t know the times of our schedule, we could not have any independence.

    Touring was my dream, but it wasn’t worth this level of stress and mistreatment. For my health, I had to take a step back. The entire summer, I dreamt I kept trying to tell my story, and no one cared. I had to come to terms with the fact that I had been exploited for years.

    Why didn’t I say anything sooner? I knew if all of this started coming out during the Summer tour, management would take his anger out on the band. I waited until the time was right. That time is now.

    Since speaking out, I feel like myself again and in doing so, I’ve reclaimed my connection to music. Never let anyone silence you. Your voice matters.”

  • Musora Task The Free Label With Covering Alice In Chains’ “Them Bones” On The Spot

    The Free Label recently took part in Musora’s “Covers On The Spot” series. For this episode, the band were tasked with creating their own version of Alice In Chains’ “Them Bones.” You can see how that went down below:

  • War On Women Premiere New Song “Precious Problem”

    War On Women have premiered a new song titled “Precious Problem.” That track is expected to appear on the band’s next album, which will be released in 2026 via Smartpunk Records. Vocalist Shawna Potter commented:

    “This is about intimate partner violence, in response to some high=profile cases that were going on at the time and some situations that were closer to home. It references how addiction and alcohol can sometimes play a role in abuse and violence. I have sympathy for people struggling with addiction, and things like harm reduction and transformative justice are really important to me, but that struggle does not excuse anyone from being violent. I was definitely pulling from my experience of attending (virtual) group meetings for friends and family of alcoholics, which was invaluable to me at the time.”

  • Watch AC/DC Perform “Jailbreak” For The First Time Since 1991

    During their November 12 show at the Melbourne Cricket Ground in Melbourne, Australia, AC/DC played “Jailbreak” live for the first time since 1991. You can see some fan-filmed footage of that below: