During their January 10 show in Mexico City, Mexico, Corrosion Of Conformity were selling a new 7″ vinyl featuring a new single, titled “Gimme Some Moore,” and a cover of Fear‘s “I Love Livin In The City.” The new track will appear on the band’s upcoming album.
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Bob Weir (Grateful Dead) Passes Away
Bob Weir (Grateful Dead, Dead & Company, etc.) has sadly passed away at the age of 78. The guitarist, who beat cancer, died as a result of “underlying lung issues.”

His family issued the following statement:
“It is with profound sadness that we share the passing of Bobby Weir. He transitioned peacefully, surrounded by loved ones, after courageously beating cancer as only Bobby could. Unfortunately, he succumbed to underlying lung issues.
For over sixty years, Bobby took to the road. A guitarist, vocalist, storyteller, and founding member of the Grateful Dead. Bobby will forever be a guiding force whose unique artistry reshaped American music. His work did more than fill rooms with music; it was warm sunlight that filled the soul, building a community, a language, and a feeling of family that generations of fans carry with them. Every chord he played, every word he sang was an integral part of the stories he wove. There was an invitation: to feel, to question, to wander, and to belong.
Bobby’s final months reflected the same spirit that defined his life. Diagnosed in July, he began treatment only weeks before returning to his hometown stage for a three-night celebration of 60 years of music at Golden Gate Park. Those performances, emotional, soulful, and full of light, were not farewells, but gifts. Another act of resilience. An artist choosing, even then, to keep going by his own design. As we remember Bobby, it’s hard not to feel the echo of the way he lived. A man driftin’ and dreamin’, never worrying if the road would lead him home. A child of countless trees. A child of boundless seas.
There is no final curtain here, not really. Only the sense of someone setting off again. He often spoke of a three-hundred-year legacy, determined to ensure the songbook would endure long after him. May that dream live on through future generations of Dead Heads. And so we send him off the way he sent so many of us on our way: with a farewell that isn’t an ending, but a blessing. A reward for a life worth livin’.
His loving family, Natascha, Monet, and Chloe, request privacy during this difficult time and offer their gratitude for the outpouring of love, support, and remembrance. May we honor him not only in sorrow, but in how bravely we continue with open hearts, steady steps, and the music leading us home. Hang it up and see what tomorrow brings.”
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Candlebox Have No Plans To Stop Three Years After Announcing Farewell Tour
During an appearance on the Stupid And Contagious Podcast, Candlebox’s Kevin Martin discussed the band’s upcoming plans. Notably, the group have now decided to continue after announcing a farewell tour three years ago.

Martin said the following:
“I was done [in 2023]. We were putting out the record and we were going out with 3 DOORS DOWN, and I really wanted to focus on my family and my relationship with my wife and son more, and I was also releasing this bourbon and I wanted to focus on it. And I just kind of felt like I was done with this music business. And then the minute you say that, your value becomes tenfold. An then I was asked to go out with BUSH, and, of course, Gavin [Rossdale, BUSH frontman] and I have been friends since the ’90s, and I was, like, ‘I can’t pass up on that.’ And it was [also] with Jerry Cantrell [on the bill]. And then it kind of all kickstarted again. And my wife’s, like, ‘Look, you know you’re not done with this.’ And then Pete’s [original CANDLEBOX guitarist Peter Klett], like, ‘Hey, man, I’d like to come back.’ So, yes, it’s now — we’re calling it the ‘We Can’t Quit You, Babe’ tour. I mean, fucking RAINBOW said they were retiring. So did THE WHO, KISS…”
He continued when asked about future live shows:
“Yeah, we have rehearsals starting in February. We’re only doing a short spring run, because Pete and I are working on a new record. So, that spring run will be short and sweet, but we’re working on a big summer thing and a fall tour. We’re also doing South America. I think we’re working on Europe for ’27, depending on how the record does, all that sort of stuff. [We’ll] keep ourselves busy.”
He also discussed how touring has changed over the years:
“It’s a hell of a lot harder. It’s a hell of a lot more expensive. Certainly with socials and social media and stuff, it’s difficult because there are expectations, I think, that fans have of the bands. I mean, back in the day, CANDLEBOX was the most faceless rock and roll band out of Seattle. So it was easy to play a show and go out and watch the opening band and nobody knew who we were. Now your face is all over everything and people can reach out and say, ‘Oh, my uncle’s a huge fan.’ And, ‘I met you guys through this person’ and ‘You’re not coming to my town. Why not?’ That that kind of stuff… Everybody asks that, and it’s, like, you live in a tiny little town in the middle of Iowa. Nobody goes there because it’s the most difficult place to get to and it’s incredibly expensive to get there. And it’s not that we don’t want to — we would love to. If we could afford to hit 70,000 cities in the United States in one year, we would, but the odds are stacked against you. But other than that, it’s really just the expense of being a touring band. It’s so financially unbalanced now. A tour bus, for example. If you’re in a 2010 tour bus, let’s say. That’s 15 years old — a 15-year-old tour bus that probably hasn’t been very well taken care of or upgraded or anything like that. It should be about $500 a day, but what you end up paying is about $1,500 a day for that bus. That doesn’t include the driver, that doesn’t include the fuel. So you’re looking at a bus that’s 15 years old that’s gonna cost you $2,200 a day. The cost of hotels is $350 a night, [plus] taxes, insurance. I mean, my daily nut to tour is $22,000. That’s a day what I have to pay to tour. And the merchandise isn’t cheap. To print a shirt is about $12 to $15. That’s why t-shirts at shows are $40 and $50 and $60 because it’s like retail markup. You’ve gotta make a hundred percent markup. And it’s not gonna get any easier as long as Trump’s in office, with tariffs.”
[via Blabbermouth]





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