• Haywire Postpone Australian Tour

    Haywire have postponed their Australian tour due to visa issues. The band commented:

    “It’s with great sadness I must announce we have to postpone our Australia trip because of visa issues. We will be re-scheduling for sometime between November 18th & December 6th. All ticket companies will be emailing you about what to do moving forward. We will be back at that time no questions asked. If you have any additional questions email the ticketing companies.”

  • Demon Hunter File Lawsuit Against Netflix Over “KPop Demon Hunters” Trademark

    Demon Hunter have filed a lawsuit against Netflix, Netflix Studios, and AEG Presents over the “KPop Demon Hunters” trademark. The complaint was made through the band’s corporation Hyde Lane, who claim the name is causing confusion.

    The suit, which was obtained by Complex, alleges the film infringed upon the band’s trademark and created unfair competition and brand confusion. The group are especially concerned with the “KPop Demon Hunters” live tour, which causes “almost complete overlap” with their goods and services.

    The complaint shared one example in which one person spent $500 on tickets for Demon Hunter’s Albany, NY without realizing it was unrelated to “KPop Demon Hunters.” That case resulted in a refund request. The suit went on to say that the defendants are “massive companies that jealously guard and enforce their own intellectual property rights willfully disregarding the rights of others in pursuit of profits.”

    Hyde Lane are currently seeking a trial by jury, a restoration of their “rightful interests,” and “restitution and treble damages.” They also want to prevent Netflix from using the “KPop Demon Hunters” name.

    For their part, Netflix responded with the following:

    “These allegations are without merit. Netflix has created an Academy Award winning global phenomenon with KPop Demon Hunters that has inspired fans around the world with its powerful music, storytelling, and characters. We look forward to vigorously defending this matter.”

  • With A Vengeance Announce New Tracks “Oblivion” And “Bad Boys”

    With A Vengeance, the new band featuring singer Tommy Vext (ex-Bad Wolves), guitarist Chris Cain (ex-Bad Wolves), guitarist Angel Vivaldi, drummer Austin D’Amond (Chimaira), and bassist Xander Raymond Charles, have announced two new tracks, “Oblivion” and “Bad Boys.” “Oblivion” is the band’s next official single and it will arrive on October 2. Prior to that, the group will be sending out “Bad Boys” to mailing list subscribers on August 28.

  • HALF ME Share One-Take Vocal Performance Of “Psalm”

    HALF ME have shared a one-take vocal performance of their new song “Psalm.” You can check that out below. The track is from the band’s new album, “Dogma,” which will be released on October 23.

  • A Lot Like Birds Premiere “Mausoleum” Music Video

    A Lot Like Birds have premiered a new video for their new song “Mausoleum.” The band commented:

    “We are proud to present the second single ‘Mausoleum’ off of our upcoming fifth album! This is the first song we wrote together after reforming in 2024. In hindsight, I think it was our way of reminding ourselves what was fun about making this music when Kurt first joined the band in 2010. When we finished writing it, we all felt this collective sigh of relief like ‘Damn, I had no idea how this would pan out, but the magic really is still here after all these years.’ This track goes all the way back to our roots, but through the eyes of seasoned musicians with decades of industry battle scars. We hope you like it ❤️”

  • Cult Of Luna Premiere New Song “A Way Back”

    Cult Of Luna have premiered a new song titled “A Way Back.” This track is from the band’s new album, “In The Shadow Of Your Shadow,” which will be released on November 6. Guitarist/vocalist Fredrik Kihlberg said the following about the single:

    “I often find myself trying to describe a recurring feeling, the sensation of being lost, trapped, or both, and the struggle to find a way out. A way back to yourself, to a safe space, or simply finding a way to make it through when anxiety overwhelms you: at its core, that’s what this song is about.”

  • Devin Townsend: “Since ‘The Moth’ Was Done, I’ve Written About 100 Songs”

    During a new interview with Metal Insider, Devin Townsend offered an update on his plans for new material. According to him, “since ‘The Moth’ was done, [he has] written about 100 songs.”

    Townsend said the following:

    “Since ‘The Moth’ was done, I’ve written about 100 songs, and we’re just in the midst of getting them all going now. I’ve got about five different projects. But as much as that sounds like an indicator of being a workaholic or whatever, I would like to say I got a super-efficient process and an amazing team. So we’re working towards a creative avenue for myself where I just write whatever I feel like whenever I want, and then we work with the Patreon and all these things to afford wages for the rest of the team. So then I could say, for example, ‘Can you get all these sessions set up so that the gain structure’s right and they’re all color coordinated the right way, and we’ve eliminated the break points on the automation. We’ve got two bars in the beginning, and here’s the click, and this is where it’s stored on the Synology Drive,’ or whatever. And then by the time I get back to it, all that legwork and the logistical work that I spent countless years spending most of my day doing is taken care of by somebody who really likes doing that for the first time. So now all of a sudden, my day is much more efficient because then you can focus on your exercise, you can focus on meditation or your family or writing something else or building a shitty chair or whatever your day is, you can do that. And then when I go back to it, I’m in a frame of mind to create, and I don’t have to constantly switch between left brain, right brain to be, like, ‘Here’s the engineer side of me, here’s the producer side of me.’ And we’re just starting that process. But what it yields is just endless potential for creative content. And once we refine that pipeline to the point where everybody’s doing what they’re good at, and then there’s like a way… It’s, like, ‘Okay, so we’ve done this. We send a group text. In this folder, there’s three new ideas. Can you please get them to stage two or whatever?’ It’s a new way of thinking for us, but I think if we’re prioritizing our mental health, our physical health, our spiritual health over productivity, I think that the productivity will increase tenfold because it’s not as precious.

    When I was in my 20s, so much of my self-worth was connected to my ability to produce shit. It’s, like, in absence of productivity, I’m a shitty person or whatever the thing going on at the time was. But by being thrust into a scenario, I was just forced to contend with that stuff. I’m, like, ‘No, I’m not a shitty person.’ And in fact, if I lose my capacity to make music, I’m still going to be me. And there’s all these things — it’s like you can’t unring a bell once you start recognizing those things, at least for me. And then at that point, it’s like, I have to prioritize this now because it’s all connected. And the proof’s in the pudding. When I start integrating those senses of self-compassion or mental, physical, spiritual health into the process, it becomes a representation of the gratitude that I feel for it. It’s not like… It kind of removes a bit of that desperation to be recognized. So when people are saying… I did an interview yesterday, like, ‘Do you realize if you would’ve continued this, how much more successful you would’ve been?’ And my first… I’m just, like, ‘I don’t fucking care at all.’ In fact, fame in general is a scourge. You’ve gotta be able to juxtapose what your intent for your work is versus a true reflection on what your need to do that is. ‘Cause if your need to do that is just to be validated by a bunch of people that you don’t know, I mean, dude, you’re doing that for the rest of your life. So once myself and the team and everybody else here recognizes, like, it’s a balance, and the way that this is really gonna move forward is if we find balance within ourselves and our process and our work life and how much time we spend on this versus how much time we spend taking off. It’s a new way of thinking for us, but I have to say it’s just so much more creatively free.”

    [via Blabbermouth]

  • Evil Island Announce U.S. Shows

    Evil Island (The Blood Brothers, etc.) have announced some U.S. shows. Here’s the dates:

    08/29 Seattle, WA – Linda’s Fest
    09/05 Austin, TX – 13th Floor Anniversary Party
    10/16 Chicago, IL – Lincoln Hall
    10/30 New York, NY – The Bowery Ballroom
    12/12 Los Angeles, CA – Sid The Cat
    12/13 San Diego, CA – Casbah
    12/18 Denver, CO – The Marquis

  • Watch Nightwish’s Floor Jansen Cover Metallica’s “Nothing Else Matters” With Marine Band Of The Royal Netherlands Navy

    On July 2, Floor Jansen (Nightwish) performed with the Marine Band Of The Royal Netherlands Navy during the opening concert of Sail Harlingen in the Vluchthaven of Harlingen, Netherlands. You can see footage of them covering Metallica’s “Nothing Else Matters” during that set below:

  • Primal Fear Plan To Release New Album “Shadow Riders” In April

    Primal Fear are planning to release a new album, titled “Shadow Riders,” in April 2027. Further details regarding the effort are still pending.

    Bassist Mat Sinner told KNAC the following:

    “The [new] album will be released in April [of 2027], but before, as always, we have two singles and videos, and this can start also in January. And, yeah, I’m really looking forward [to putting it out].”

    He confirmed when asked if he can reveal the title:

    “Yes. I tell you. I don’t care. The album is called ‘Shadow Riders’. Dark. Yeah, it’s also a track on the album. Great track. Yeah. Let’s start the buzz.”

    [via Blabbermouth]