Cave In Premiere New Song “Shake My Blood”

Cave In have premiered a new song titled “Shake My Blood.” The track debuted via Alternative Press, who are also running an interview with the band about their new album “Final Transmission.“ That effort will be released on June 7 and it will feature late bassist Caleb Scofield’s final studio recordings. Stephen Brodsky previously had the following to say about “Shake My Blood”:

“The song ‘Shake My Blood‘ was my first opportunity to express what I was feeling about the whole situation. It’s a mix of extreme grief, frustration and anger. I was trying to do something to gain the clearest answer about whatever the next move might be. We worked on the lyrics together, and all three of us sing on that song—Adam’s doing the high harmonies and JR is doing the low harmonies.”

Advertisements

Cave In To Release New Album “Final Transmission” In June, Premiere New Song “All Illusion”

Cave In have announced that their new album “Final Transmission” will be released on June 7 via Hydra Head. The effort will feature late bassist Caleb Scofield’s final studio recordings and the first single “All Illusion” can be streamed below:

Here’s an official press release:

“In February of 2018, the members of Cave In gathered at their rehearsal space in Boston to work on material for their next record. It had been nearly seven years since their previous album, White Silence, had been released. But they’d been writing and rehearsing methodically, off and on, to craft a worthy follow-up.

In that time, guitarist/vocalist Steve Brodsky had started prog-metal power trio Mutoid Man, drummer J.R. Conners and guitarist Adam McGrath started psych-punk outfit Nomad Stones, and bassist Caleb Scofield was busy with simian rock supergroup Old Man Gloom and his own band, Zozobra. After jamming all weekend with Cave In, Caleb got in his truck and drove home to New Hampshire. It was the last time his bandmates would ever see him.

On March 28th, 2018, Caleb was killed in an auto accident. There are no words to describe what a devastating blow this was to his wife and children, his friends, family and bandmates—not to mention his countless fans around the world. A light had gone out—a light with a monstrous bass tone and a feral roar.

An occasionally stubborn light with a million-dollar smile who loved his family and music above all else. To describe his death as a tragedy would be a colossal understatement. Caleb didn’t live to see 40.

Benefit shows were held in Boston and Los Angeles, complete with performances from longtime friends and touring partners Converge, Pelican and 27. Cave In played with Converge bassist Nate Newton and Caleb’s younger brother, Kyle, filling in on bass.

Old Man Gloom played with Brodsky on bass. Even long-defunct comrades Isis reformed under the non-threatening code name Celestial for a onetime performance—their first in nearly a decade—in celebration of Caleb’s life and music. All proceeds went to his wife and children.

Rewind to that night in February of ’18: Steve, Adam and JR are hanging out at Adam’s place after Caleb heads home. They get a text message from him with a voice memo attached. It’s an idea for a new song. Caleb is playing an acoustic guitar and humming a melody. “Hearing his voice fucks you up a little bit,” Adam says today. “We were surprised to get it from him, actually, but we thought it was great. And that was it. In a weird way, it’s the end of the story as far as our relationship together.”

That voice memo is the haunting opening track of Final Transmission, the first Cave In album in eight years and the band’s last with Caleb, who performs on all of the songs. “Adam, Steve and I would sometimes get together to work on stuff when Caleb couldn’t make it,” J.R. says. “But the next time Caleb would be there and the songs turned into something else.

It became much more of a Cave In project than it was before he showed up. He had weird rhythms that none of us would ever come up with or think to try, which turned the material into a different thing. He had a huge hand in these songs.”

Originally intended as demos, Final Transmission was brought to fruition by the band, mixed by Andrew Schneider and mastered by James Plotkin. “Getting these mixes back was really hard,” Steve says. “I don’t think I’ve cried so much putting together any record. I’ve definitely felt like bursting into tears while I was working on things, but this was actual water being shed. I don’t try to look too deeply into how these things work, but these recordings are some of our last moments spending time with him.”

Caleb’s voice—musical and physical—are everywhere on Final Transmission. After the opening title track/voice memo, he plays bass on six of the album’s remaining eight songs, and guitar on the other two. Steve points to “All Illusion” and album closer “Led To The Wolves” as being particularly Caleb-driven. “‘Led To The Wolves’ is a Caleb song,” he says. “It’s his composition and mostly his riffs. If you know White Silence, you can smell the fumes of that record on ‘Led To The Wolves.’ And White Silence was heavily shaped by Caleb’s hand.”

“All Illusion” was another Caleb composition that Steve had originally written lyrics for. But that changed not long after Caleb’s passing, when Adam went to visit Caleb’s wife, Jen, and their two kids, Desmond and Sydney. “Jen found some lyrics in one of Caleb’s journals,” Adam explains.

“She was going to tear them out and give them to me, but I just took a picture because I wanted her to keep it. We used the lyrics for ‘All Illusion,’ which is a song that really haunts me. I feel like it’s a weird message from Caleb sometimes.”

Most of the lyrics and vocals for Final Transmission weren’t finished until after Caleb’s death. “The song ‘Shake My Blood’ was my first opportunity to express what I was feeling about the whole situation,” Steve explains. “It’s a mix of extreme grief, frustration and anger. I was trying to do something to gain the clearest answer about whatever the next move might be. We worked on the lyrics together, and all three of us sing on that song—Adam’s doing the high harmonies and JR is doing the low harmonies.”

Collaboration is one of the defining forces behind Final Transmission. “Over the years, the songwriting in Cave In has become more and more of a communal effort,” JR observes. “In my mind, it hit the pinnacle with this record that’s about to come out.

It was so easy to throw around ideas between all four of us that we kinda got everything in there that we wanted to get in there. I don’t think we were aware of it at the time, but maybe subconsciously we wanted to put the best of what we’ve done in the past into this record.”

Even a cursory listen of Final Transmission will offer glimpses of past Cave In eras, from the scintillating space rock of their 2000 breakthrough opus Jupiter to the ripping metal melodies of White Silence. All told, it’s a direction that was largely spearheaded by Caleb. “When I look back at our email correspondence about the demos, Caleb had a really crystallized view of how to navigate the whole thing,” Steve reveals.

“He was really digging the stuff that was spacey, heavy, a little bit weird, but with very pretty melodies and hooks—which is a very surface-level way of looking at Jupiter. So I think he was encouraging us to embrace what we’ve always been good at and what sets us apart from our contemporaries. That’s what made Jupiter a turning point for the band. So there was definitely that creative motion to slip back into the spacesuits.”

Half of the proceeds from Final Transmission will be given to Caleb’s wife and children. “I feel really lucky to have this record,” Adam concludes. “I love it, but I don’t like listening to it. I’m sure I’ll listen to it eventually, but right now it’s difficult. Just hearing him play kills me. I’ll miss him forever.”

“Final Transmission” Track Listing:

01. “Final Transmission”
02. “All Illusion”
03. “Shake My Blood”
04. “Night Crawler”
05. “Lunar Day”
06. “Winter Window”
07. “Lanterna”
08. “Strange Reflection”
09. “Led To The Wolves”

Cave In Teasing “Final Transmission”

Hydra Head Industries have shared some new teaser images on their Facebook page that seem to be related to a new Cave In release called “Final Transmission.“ The band previously worked on material for a new album in 2017 and 2018. The effort is expected to feature some contributions from late bassist Caleb Scofield. Though unconfirmed, many believe the record could be the group’s last, especially since the title seems a bit suggestive.

[via The PRP]

Cave In Announce June European Shows

Cave In will be playing a couple of European shows following their appearance at Hellfest Open Air. Here’s the dates:

06/22 Clisson, FRA – Hellfest Open Air
06/24 Vienna, AUT – Chelsea
06/25 Prague, CZE – Cave V lese

Listen To Cave In Members’ Live Acoustic Performance Of “Youth Overrided” From Roadburn Festival Caleb Scofield Tribute

Cave In‘s Stephen Brodsky and Adam McGrath paid tribute to the late Caleb Scofield with a special performance at the Roadburn Festival in Tilburg, NET on April 21, and now that set will be released on November 30. You can check out a stream of “Youth Overrided” from the show below and pre-order the release HERE.

Cave In & Old Man Gloom Announce Berlin Show

Cave In and Old Man Gloom have announced a Berlin, Germany show together. Here’s their updated European schedule:

04/10 Berlin, GER – Bi Nuu (with Bossk)
04/12 London, UK – Electric Ballroom (with Bossk) (Caleb Scofield tribute show)
04/13 Tilburg, NET – 013 (‘Roadburn Festival‘) (Cave In only)
04/14 Tilburg, NET – 013 (‘Roadburn Festival‘) (Old Man Gloom only)