Metal Anarchy

Lars Ulrich was recently interviewed by Citizens Of Humanity, and offered a little bit about the musical direction of Metallica’s new album. He said the effort is “probably a little less frenetic” than “Death Magnetic,” and “a bit more of a diverse.” If things go according to plan the album should be available this fall.

Ulrich said the following:

“I don’t know if I have that kind of perspective yet, but I can tell you that it’s coming. Hopefully it’ll be out in the fall, and it definitely sounds like Metallica. It’s probably a little less frenetic than the last record. The last one Rick Rubin really encouraged us to for the first time be inspired by our past. It was the first time we sort of looked in the rearview mirror. This time around it’s a little bit of a different thing.

We’re not working with Rick, we’re working with the engineer from the last record, who’s producing, Greg Fidelman. So there’s some of the same production elements at play, but we’re expanding a little bit on the sonics. It’s probably a bit more of a diverse record than the last one. It’s exciting, but I don’t have quite the perspective yet.”

He also added the following about the long time in between albums:

“When I think of the last six or eight years, the word “hiatus” is not that applicable in my view of it. Metallica’s busier than Metallica’s ever been. But we also have a different set of balances now in our lives, which is vital to keeping the band healthy. We prioritize our families and our kids. When we tour, we tour in two-week increments and we go home every two weeks. We found a new model for us, but we play probably two to three dozen gigs a year even in off years just to kind of keep the momentum going and keep ourselves connected and invested in the band.

I think what’s happened is our families and our domestic responsibilities are so important to us now, so we just have a new model. We’re sort of constantly doing something but never to the point of the needle going in the red, but Metallica really hasn’t sort of shut down since around 2005, and it’s a model that works for us. We never work at 110 percent to the point where we drive ourselves nuts, but are sort of constantly working at two-thirds, you know—when we make the record we’re writing and we’re recording, but we’re doing it incrementally. There’s always stuff going on. It’s the way we like it. It keeps us engaged.”

Head HERE to check out the full interview.