The details have been revealed for the first-ever Future Ruins festival. The event will take place at the Equestrian Center in Los Angeles, CA on November 8 and it will feature a number of film and television composers. Among them are Nine Inch Nails members Trent Reznor and Atticus Ross.

Here’s the full list of composers:
- Cristóbal Tapia de Veer (‘The White Lotus‘, ‘Black Mirror‘)
- Ben Salisbury & Geoff Barrow (‘Ex Machina‘, ‘Civil War‘)
- Danny Elfman (‘Batman‘, ‘Beetlejuice‘)
- Claudio Simonetti’s Goblin
- Hildur Guðnadóttir (‘Joker‘, ‘Chernobyl‘)
(a performance of Howard Shore‘s score of David Cronenberg‘s ‘Crash‘) - Isobel Waller-Bridge (‘Black Mirror‘, ‘Fleabag“)
- John Carpenter (‘Halloween‘, ‘Escape From New York”)
- Kyle Dixon & Michael Stein (‘Stranger Things‘, ‘Lost In The Night‘)
- Mark Mothersbaugh (‘The Life Aquatic‘, ‘The Royal Tenenbaums‘)
- Questlove (performing the score works of Curtis Mayfield)
- Robert Aiki Aubrey Lowe (‘Candyman‘, ‘Master‘)
- Tamar-Kali (Mudbound, Shirley)
- Terence Blanchard (‘BlacKkKlansman‘, ‘Malcolm X‘)
- Trent Reznor & Atticus Ross (‘The Social Network‘, ‘Watchmen‘)
- Volker Bertelmann AKA Hasuchka (‘All Quiet On The Western Front‘, ‘Conclave‘)
Organizers commented:
“Future Ruins is a first-of-its-kind music festival: a day-long event where the world’s most influential film and television composers step out from behind the screen and onto the stage.
Set across three stages at the Los Angeles Equestrian Center, Future Ruins is designed to feel thoughtful and immersive, bringing this music to light in an environment where it has never been heard before. Every artist is a headliner, each with their own specially curated moment. Each artist is encouraged to take big swings and reimagine their work for a live audience. Ranging from electronic sets and live bands to orchestral performances, fans have the chance to experience live debuts from composers who rarely appear onstage.
This one-time line up is not just a music festival — it’s a cinematic ceremony, a deep dive into sound and story, and a historic first for Los Angeles.”
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